The Playboy of the Western World by J. M. Synge (electric book reader .TXT) 📕
Description
A young man stumbles into a rural public house in western Ireland claiming to be on the run after having killed his father. He immediately becomes a source of awe and an object of adoration, and even love. But what happens when the inhabitants of this tiny village find out all is not as the stranger claims?
J. M. Synge first presented The Playboy of the Western World at the Abbey Theatre in Dublin on the 26th of January, 1907. The performance immediately offended Irish nationalists by seemingly insulting the Irish people and language, and the general public, by being an offense against moral order. Before it was even finished, it was disrupted by a riot that soon spread out into the city. When it was performed in 1911 in the U.S., the play was again greeted with scorn and the company arrested for an immoral performance.
But as Synge himself attempts to explain in the preface to his play, rather than attack Irish Gaelic, he wanted to show the relationship between the imagination of the Irish country people and their speech, which is “rich and living,” and that his use of such language reflects reality in a way missing from other modern drama. He later insisted that his plot was not to be taken as social realism, but died in 1909 before the play finally gained broader appeal in the wider world. Since then the significance of The Playboy of the Western World has been recognized and celebrated both for its characterizations and its rich use of dialect.
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- Author: J. M. Synge
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Scene as before. Brilliant morning light. Christy, looking bright and cheerful, is cleaning a girl’s boots.
Christy To himself, counting jugs on dresser. Half a hundred beyond. Ten there. A score that’s above. Eighty jugs. Six cups and a broken one. Two plates. A power of glasses. Bottles, a schoolmaster’d be hard set to count, and enough in them, I’m thinking, to drunken all the wealth and wisdom of the County Clare. He puts down the boot carefully. There’s her boots now, nice and decent for her evening use, and isn’t it grand brushes she has? He puts them down and goes by degrees to the looking glass. Well, this’d be a fine place to be my whole life talking out with swearing Christians, in place of my old dogs and cat, and I stalking around, smoking my pipe and drinking my fill, and never a day’s work but drawing a cork an odd time, or wiping a glass, or rinsing out a shiny tumbler for a decent man. He takes the looking glass from the wall and puts it on the back of a chair; then sits down in front of it and begins washing his face. Didn’t I know rightly I was handsome, though it was the divil’s own mirror we had beyond, would twist a squint across an angel’s brow; and I’ll be growing fine from this day, the way I’ll have a soft lovely skin on me and won’t be the like of the clumsy young fellows do be ploughing all times in the earth and dung. He starts. Is she coming again? He looks out. Stranger girls. God help me, where’ll I hide myself away and my long neck naked to the world? He looks out. I’d best go to the room maybe till I’m dressed again. He gathers up his coat and the looking glass, and runs into the inner room. The door is pushed open, and Susan Brady looks in, and knocks on door. Susan There’s nobody in it. Knocks again. Nelly Pushing her in and following her, with Honor Blake and Sara Tansey. It’d be early for them both to be out walking the hill. Susan I’m thinking Shawn Keogh was making game of us and there’s no such man in it at all. Honor Pointing to straw and quilt. Look at that. He’s been sleeping there in the night. Well, it’ll be a hard case if he’s gone off now, the way we’ll never set our eyes on a man killed his father, and we after rising early and destroying ourselves running fast on the hill. Nelly Are you thinking them’s his boots? Sara Taking them up. If they are, there should be his father’s track on them. Did you never read in the papers the way murdered men do bleed and drip? Susan Is that blood there, Sara Tansey? Sara Smelling it. That’s bog water, I’m thinking, but it’s his own they are surely, for I never seen the like of them for whity mud, and red mud, and turf on them, and the fine sands of the sea. That man’s been walking, I’m telling you. She goes down right, putting on one of his boots. Susan Going to window. Maybe he’s stolen off to Belmullet with the boots of Michael James, and you’d have a right so to follow after him, Sara Tansey, and you the one yoked the ass cart and drove ten miles to set your eyes on the man bit the yellow lady’s nostril on the northern shore. She looks out. Sara Running to window with one boot on. Don’t be talking, and we fooled today. Putting on other boot. There’s a pair do fit me well, and I’ll be keeping them for walking to the priest, when you’d be ashamed this place, going up winter and summer with nothing worth while to confess at all. Honor Who has been listening at the door. Whisht! there’s someone inside the room. She pushes door a chink open. It’s a man. Sara kicks off boots and puts them where they were. They all stand in a line looking through chink. Sara I’ll call him. Mister! Mister! He puts in his head. Is Pegeen within? Christy Coming in as meek as a mouse, with the looking glass held behind his back. She’s above on the cnuceen, seeking the nanny goats, the way she’d have a sup of goat’s milk for to colour my tea. Sara And asking your pardon, is it you’s the man killed his father? Christy Sidling toward the nail where the glass was hanging. I am, God help me! Sara Taking eggs she has brought. Then my thousand welcomes to you, and I’ve run up with a brace of duck’s eggs for your food today. Pegeen’s ducks is no use, but these are the real rich
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