The Night Land by William Hope Hodgson (best new books to read .txt) ๐
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The Night Land is science fiction ahead of its time. Published in 1912, the book introduces a 17th-century gentleman who loses his wife. He soon discovers himself somehow reanimated in Earthโs far future, millions of years from now, when the sun has died and the Earth has become a hellish waste. What remains of humanity lives in titanic mile-high pyramids surrounded by energy shields to protect them from the abhuman monsters lurking in the darkness.
The human survivors soon receive a distress signal sent by a long-forgotten lesser pyramid, and the narrator embarks on a bloody quest to rescue the maiden of the pyramidโwhich he knows to be his lost love, somehow transcending time and space. On his journey the narrator is beset by countless horrifying monsters, many of them mutated former-humans. These depictions are so singular that H. P. Lovecraft called The Night Land โone of the most potent pieces of macabre imagination ever written.โ
The novel is unique in its farsighted depiction of technology. The narrator has telepathic powers and is able to communicate with others over long distances. These powers are enabled by his โbrain elements,โ which are possibly surgically-implanted. Telepathic communications may be spied upon by the monsters of the waste, but a โmaster wordโ sent by the caller may verify the integrity of the signalโa description of a kind of early public-key cryptography.
The narrator survives on food pellets and โpowdered water,โ predicting a kind of astronaut food. His weapon of choice is a Diskos, a kind of whirling razor-sharp blade that shoots fire and energy. The machines and force fields of the human pyramid monument are powered by โEarth current,โ which the narrator worries is slowly becoming dimmer over the years. The pyramid itself is a jewel of imagination: described as miles wide and miles high, each layer is its own city, and it continues deep underground where artificial grow chambers provide food for millions of humans.
Though the novel maintains a sort of legendary status for its grim and imaginative depiction of a monstrous future world, critics acknowledge the work as a flawed masterpiece. The narrative is written in a highly affected style, perhaps meant to emulate 17th century speech, or perhaps meant to be a stylized form of speech used by far-future humans. In any case, it resembles no real style of English, past or present. While some critics praise this style as uniquely atmospheric, others point to it, along with the lack of dialog or proper names, as some of the bookโs more difficult aspects. Critics also frequently cite the bookโs highly repetitious nature, simplistic characterization, and inordinate lengthโnearly 200,000 wordsโas major flaws. But despite whatever flaws the novel may have, the awesome vision of The Night Land remains a marvel to behold.
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- Author: William Hope Hodgson
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And there were in that roof seven moons set in a mighty circle, and lit by the Earth-Current; and the circle was sixty miles across, so that all that Country of Quiet was visible; yet to no great glare, but a sweet and holy light; so that I did always feel in my heart that a man might weep there, and be unashamed.
And in the midst of that silent Country, there was a great hill, and upon the hill a vast Dome. And the Dome was full of a Light that might be seen in all that Country, which was the Garden of Silence. And beneath the Dome was the โCrack,โ and within it the glory of the Earth-Current, from which all had life and light and safety. And in the Dome, at the North, there was a gateway; and a narrow road went upward to the gateway; and the Road was named The Last Road; and the Gateway was named by no name, but known to all as The Gateway.
And there were in that mighty Country, long roadways, and hidden methods to help travel; and constant temples of rest along the miles; and groves; and the charm of water, falling. And everywhere the Statues of Memory, and the Tablets of Memory; and the whole of that Great Underground Country full of an echo of Eternity and of Memory and Love and Greatness; so that to walk alone in that Land was to grow back to the wonder and mystery of Childhood; and presently to go upwards again to the Cities of the Mighty Pyramid, purified and sweetened of soul and mind.
And in my boyhood, I have wandered oft a week of days in that Country of Silence, and had my food with me, and slept quietly amid the memories; and gone on again, wrapped about with the quiet of the Everlasting. And the man-soul within would be drawn mightily to those places where the Great Ones of the past Eternity of the World had their Memory named; but there was that within me which ever drew me, in the ending, to the Hills of the Babes; those little hills where might be heard amid the lonesomeness of an utter quiet, a strange and wondrous echo, as of a little child calling over the hills. But how this was I know not, save by the sweet cunning of some dead Maker in the forgotten years.
And here, mayhaps by reason of this Voice of Pathos, were to be found the countless Tokens of Memory to all the babes of the Mighty Pyramid, through a thousand ages. And, odd whiles, would I come upon some Mother, sitting there lonely, or mayhaps companied by others. And by this little telling shall you know somewhat of the quietness and the wonder and the holiness of that great Country hallowed to all Memory and to Eternity and to our Dead.
And it was here, into the Country of Silence, that they brought down the Dead to their Burial. And there came down into the Country of Silence, maybe an Hundred Million, out of the Cities of the Pyramid, to be present, and to do Honour.
Now they that had charge of the Dead, did lay them upon the road which ran up unto The Gateway, even that same road which was named The Last Road. And the Road moved upwards slowly with the Dead; and the Dead went inward through The Gateway; first the poor Youths, and afterward they that had given up life that they might save them.
And as the Dead went upwards, there was a very great Silence over all the miles of the Country of Silence. But in a little while there came from afar off, a sound as of a wind wailing; and it came onwards out of the distance, and passed over the Hills of the Babes, which were a great way off. And so came anigh to the place where I stood. Even as the blowing of a sorrowful wind did it come; and I knew that all the great multitudes did sing quietly; and the singing passed onwards, and left behind it an utter silence; even as the wind doth rustle the corn, and pass onwards, and all fall to a greater seeming quietness than before. And the Dead passed inward through The Gateway, into the great light and silence of the Dome; and came out no more.
And again from beyond the far Hills of the Babes there was that sound of the millions singing; and there rose up out of the earth beneath, the voices of the underground organs; and the noise of the sorrow passed over me, and went again into the distance, and left all hushed.
And lo! as there passed inward to the silence of the Dome the last of those dead Heroes, there came again the sound from beyond the Hills of the Babes; and as it came more nigh, I knew that it was the Song of Honour, loud and triumphant, and sung by countless multitudes. And the Voices of the Organs rose up into thunder from the deep earth. And there was a great Honour done to the glory of the Dead. And afterwards, once more a silence.
Then did the Peoples of the Cities arrange themselves so that from every city whence had come a Hero, were the People of that City gathered together. And when they were so gathered, they set up Tokens of Memory to the Dead of their City. But afterwards did charge Artists to the making of sculpture great and beautiful to that same end; and now did but place Tablets against that time.
And afterwards the People did wander over that Country of Silence, and made visit and honour to their Ancestors, if such were deserving.
And presently, the mighty lifts did raise them all to the Cities of the Pyramid; and thereafter there was something more of usualness; save that ever the embrasures were full
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