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people, but their case was, at that instant, ironically parallel. “It isn’t only being strong,” he answered meditatively, “but it’s knowing what to do with your strength.”

“Why⁠—there are a thousand things to do.”

“Such as?”

Mitchel raised himself on his elbows and turned his water-colored eyes on the populous beach. “Well⁠—well⁠—let’s see. You could, of course, be a strong man and amuse people⁠—which you’re doing. You could⁠—oh, there are lots of things you could do.”

Hugo smiled. “I’ve been thinking about them⁠—for years. And I can’t discover any that are worth the effort.”

“Bosh!”

Charlotte moved close to him. “There’s one thing you can do, honey, and that’s enough for me.”

“I wonder,” Hugo said with a seriousness the other two did not perceive.

The increased heat of August suggested by its very intensity a shortness of duration, an end of summer. Hugo began to wonder what he would do with Charlotte when he went back to Webster. He worried about her a good deal and she, guessing the subject of his frequent fits of silence, made a resolve in her tough and worldly mind. She had learned more about certain facets of Hugo than he knew himself. She realized that he was superior to her and that, in almost any other place than Coney Island, she would be a liability to him. The thought that he would have to desert her made Hugo very miserable. He knew that he would miss Charlotte and he knew that the blow to her might spell disaster. After all, he thought, he had not improved her morals or raised her vision. He did not realize that he had made both almost sublime by the mere act of being considerate. “White,” Charlotte called it.

Nevertheless she was not without an intense sense of self-protection, despite her condition on the night he had found her. She knew that womankind lived at the expense of mankind. She saw the emotional respect in which Valentine Mitchel unwittingly held Hugo. He had scarcely spoken ten serious words to her. She realized that the artist saw her as a property of his friend. That, in a way, made her valuable. It was a subtle advantage, which she pressed with all the skill it required. One night when Hugo was at work and the chill of autumn had breathed on the hot shore, she told Valentine that he was a very nice boy and that she liked him very much. He went away distraught, which was what she had intended, and he carried with him a new and as yet inarticulate idea, which was what she had foreseen.

He believed that he loved her. He told himself that Hugo was going to desert her, that she would be forsaken and alone. At that point, she recited to him the story of her life and the tale of her rescue by Hugo and said at the end that she would be very lonely when Hugo was gone. Because Hugo had loved her, Mitchel thought she contained depths and values which did not appear. That she contained such depths neither man really knew then. Both of them learned it much later. Mitchel found himself in that very artistic dilemma of being in love with his friend’s mistress. It terrified his romantic soul and it involved him inextricably.

When she felt that the situation had ripened to the point of action, she waited for the precise moment. It came swiftly and in a better guise than she had hoped. On a night in early September, when the crowds had thinned a little, Hugo was just buckling himself into the harness that lifted the horse. The spectators were waiting for the dénouement with bickering patience. Charlotte was standing on the platform, watching him with expressionless eyes. She knew that soon she would not see Hugo any more. She knew that he was tired of his small show, that he was chafing to be gone; and she knew that his loyalty to her would never let him go unless it was made inevitable by her. The horse was ready. She watched the muscles start out beneath Hugo’s tawny skin. She saw his lips set, his head thrust back. She worshipped him like that. Unemotionally, she saw the horse lifted up from the floor. She heard the applause. There was a bustle at the gate.

Half a dozen people entered in single file. Three young men. Three girls. They were intoxicated. They laughed and spoke in loud voices. She saw by their clothes and their manner that they were rich. Slumming in Coney Island. She smiled at the young men as she had always smiled at such young men, friendlily, impersonally. Hugo did not see their entrance. They came very near.

“My God, it’s Hugo Danner!”

Hugo heard Lefty’s voice and recognized it. The horse was dropped to the floor. He turned. An expression of startled amazement crossed his features. Chuck, Lefty, Iris, and three people whom he did not know were staring at him. He saw the stupefied recognition on the faces of his friends. One despairing glance he cast at Charlotte and then he went on with his act.

They waited for him until it was over. They clasped him to their bosoms. They acknowledged Charlotte with critical glances. “Come on and join the party,” they said.

After that, their silence was worse than any questions. They talked freely and merrily enough, but behind their words was a deep reserve. Lefty broke it when he had an opportunity to take Hugo aside. “What in hell is eating you? Aren’t you coming back to Webster?”

“Sure. That is⁠—I think so. I had to do this to make some money. Just about the time school closed, my family went broke.”

“But, good God, man, why didn’t you tell us? My father is an alumnus and he’d put up five thousand a year, if necessary, to see you kept on the football team.”

Hugo laughed. “You don’t think I’d take it, Lefty?”

“Why not?” A pause. “No, I suppose you’d be just the Goddamned kind of

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