Howards End by E. M. Forster (best book recommendations .TXT) 📕
Description
Howards End, published in 1910, is considered by many to be Forster’s masterpiece. The plot revolves around three families in Edwardian England: the Schlegels, a trio of half-German, middle-class siblings who to poor people seem rich, but to rich people seem poor; the Wilcoxes, a large, wealthy family of businessmen; and the Basts, a lower class young couple struggling to keep up appearances.
The Schlegel siblings are sharp, intelligent, and idealistic, and they pursue culture and art with an enthusiasm reminiscent of the Bloomsbury group. They befriend the Wilcoxes while on a trip abroad, and the lonely Wilcox matriarch and Margaret Schlegel, the strong-willed elder sister, strike up a friendship. As their families begin butting heads in London, Helen, the younger Schlegel sister, runs in to Leonard Bast while at the opera. Bast is proud and ambitious, but clearly impoverished and lacking gentility. Helen, a rash and fiery idealist, takes him up as a pet project, oblivious to the deep cultural gulf between Bast and themselves as she tries her best to educate him in matters of art and literature and lift him out of his class.
The interplay between the three families becomes a complex reflection on social codes and class difference in England: how class can lock lives in place, and how even the well-to-do are not immune from becoming ossified in their station thanks to the seemingly-unbreakable social conventions of the age. Capitalism, a still-new philosophy of life, is juxtaposed against humanism and the arts as the families try to do what they each think is the right thing. Forster weaves these threads expertly against the backdrop of London city life and the cozy family cottage of Howards End, the ultimate centerpiece in these three families’ lives.
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- Author: E. M. Forster
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To follow it is unnecessary. It is rather a moment when the commentator should step forward. Ought the Wilcoxes to have offered their home to Margaret? I think not. The appeal was too flimsy. It was not legal; it had been written in illness, and under the spell of a sudden friendship; it was contrary to the dead woman’s intentions in the past, contrary to her very nature, so far as that nature was understood by them. To them Howards End was a house: they could not know that to her it had been a spirit, for which she sought a spiritual heir. And—pushing one step farther in these mists—may they not have decided even better than they supposed? Is it credible that the possessions of the spirit can be bequeathed at all? Has the soul offspring? A wych-elm tree, a vine, a wisp of hay with dew on it—can passion for such things be transmitted where there is no bond of blood? No; the Wilcoxes are not to be blamed. The problem is too terrific, and they could not even perceive a problem. No; it is natural and fitting that after due debate they should tear the note up and throw it on to their dining-room fire. The practical moralist may acquit them absolutely. He who strives to look deeper may acquit them—almost. For one hard fact remains. They did neglect a personal appeal. The woman who had died did say to them, “Do this,” and they answered, “We will not.”
The incident made a most painful impression on them. Grief mounted into the brain and worked there disquietingly. Yesterday they had lamented: “She was a dear mother, a true wife; in our absence she neglected her health and died.” Today they thought: “She was not as true, as dear, as we supposed.” The desire for a more inward light had found expression at last, the unseen had impacted on the seen, and all that they could say was “Treachery.” Mrs. Wilcox had been treacherous to the family, to the laws of property, to her own written word. How did she expect Howards End to be conveyed to Miss Schlegel? Was her husband, to whom it legally belonged, to make it over to her as a free gift? Was the said Miss Schlegel to have a life interest in it, or to own it absolutely? Was there to be no compensation for the garage and other improvements that they had made under the assumption that all would be theirs some day? Treacherous! treacherous and absurd! When we think the dead both treacherous and absurd, we have gone far towards reconciling ourselves to their departure. That note, scribbled in pencil, sent through the matron, was unbusinesslike as well as cruel, and decreased at once the value of the woman who had written it.
“Ah, well!” said Mr. Wilcox, rising from the table. “I shouldn’t have thought it possible.”
“Mother couldn’t have meant it,” said Evie, still frowning.
“No, my girl, of course not.”
“Mother believed so in ancestors too—it isn’t like her to leave anything to an outsider, who’d never appreciate.”
“The whole thing is unlike her,” he announced. “If Miss Schlegel had been poor, if she had wanted a house, I could understand it a little. But she has a house of her own. Why should she want another? She wouldn’t have any use for Howards End.”
“That time may prove,” murmured Charles.
“How?” asked his sister.
“Presumably she knows—mother will have told her. She got twice or three times into the nursing home. Presumably she is awaiting developments.”
“What a horrid woman!” And Dolly, who had recovered, cried, “Why, she may be coming down to turn us out now!”
Charles put her right. “I wish she would,” he said ominously. “I could then deal with her.”
“So could I,” echoed his father, who was feeling rather in the cold. Charles had been kind in undertaking the funeral arrangements and in telling him to eat his breakfast, but the boy as he grew up was a little dictatorial, and assumed the post of chairman too readily. “I could deal with her, if she comes, but she won’t come. You’re all a bit hard on Miss Schlegel.”
“That Paul business was pretty scandalous, though.”
“I want no more of the Paul business, Charles, as I said at the time, and besides, it is quite apart from this business. Margaret Schlegel has been officious and tiresome during this terrible week, and we have all suffered under her, but upon my soul she’s honest. She’s not in collusion with the matron. I’m absolutely certain of it. Nor was she with the doctor, I’m equally certain of that. She did not hide anything from us, for up to that very
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