National Avenue by Booth Tarkington (book recommendations website .txt) 📕

on the score of what they believed to be clan greatness due to historical descent and hereditary merit. To their view, New York was a conglomerate background for the McMillans and a not extensive additional gentry, principally English and Dutch in origin. Beyond the conglomerate background, the McMillans permitted themselves to be aware of certain foreigners as gentry, and also of some flavourings of gentry, similar to their own, in Philadelphia, Boston, and one or two smaller cities, but there perfected civilization ended. All else they believed to be a kind of climbing barbarism, able to show forth talent or power, perhaps, in a spasmodic way, or even isolated greatness, as in Abraham Lincoln, but never gentry, except in imitations laughably pinchbeck.

To the McMillan view, Lena’s adventure with that dashing sculpture, half genius and half Grecian-shaped meat, Perry Venable, had placed her gentryship in jeopardy, damaged her as a McMillan;⁠—in fact, her infatuation for so conspicuous a baritone could not avoid being itself conspicuous; it “made talk,” and in answer to the talk she had announced her engagement to him. Then, in the face of the family’s formidable opposition, she made preparations for a clandestine wedding, which Mr. Venable was unable to attend on account of his wife’s arrival from Poland. Thereupon, standing alone against the shock of heavy McMillan explosives, Lena’s impulsive loyalty in defending the godlike baritone led her to make an unfortunate statement: great artists were not to be bound by the ordinary fetters upon conduct, she said;⁠—and this prelude not being accepted as of any great force and originality, she followed it hotly with the declaration that she had long been aware of the Polish lady’s existence.

It was in great part to this admission of hers that the unwitting Dan Oliphant owed the family’s consent to his suit for the hand of a McMillan. A McMillan who got herself talked about, and then confessed, not in the manner of confession but with anger, that she had not been deceived⁠—such a McMillan would conceivably do such a thing again, and a respectable barbarian bridegroom might be the best substitute for those unfortunately obsolete family resources in times of youthful revolt, lettres de cachet and the enforced taking of veils. But, in good truth, Dan may have owed to Lena’s celebrated admission more than the family’s consent, for the family’s austerity of manner toward Lena became so protracted an oppression that she was the readier to be pleased with anything as cheerfully different from that family as Dan was.

Without doubt, too, he owed it to this McMillan austerity that she did not write to him now and break her engagement with him. The Venable affair was two years past, but the austerity went on, unabated. Dan was at least an avenue of escape, and, as Lena had said to her brother, she was “a lot in love” with him. Yet she hesitated, angry with him because he could not offer what she wanted, and half convinced that escape from what she hated might be an escape into what she would hate more. So she wrote to him finally:

You said you loved me! That isn’t quite easy to believe just now. Why did you let me go on counting upon our having a year abroad? I’m afraid I’ll never be able to understand it. I don’t know what to say or what to do. I think the best thing you could do would be to come East at once. Maybe I could understand better if we talked it over together. It seems to me that you couldn’t have cared for me with any depth or you wouldn’t have allowed things to be as you say they are. A man can always do anything he really wants to, and if you had really wanted⁠—oh, I know it’s futile to be writing of that! You simply didn’t care enough, and I thought you did! The only thing for you to do is to come at once. We must settle what’s to be done, because I can’t go on in the state of unhappiness I’ve suffered since your last letter. Maybe you can convince me that you do care a little in spite of having forced me to give up what I counted on. If you do convince me, I suppose there’s no use putting off things⁠—I don’t want a large, fussy wedding. If we are going ahead with it, we might as well get it over. I don’t know what to do, I admit that; but I’m still

Your half-heartbroken

Lena.

IX

Not long ago there was found everywhere in the Midland country a kind of wood then most characteristic of it but now almost disappeared, a vanishment not inexpressive of nature’s way of striking chords; for the wood is no longer so like the Midlands as it was. But in the days when Ornaby Addition struggled in embryo, hickory still grew in profusion, and that tough and seasoned old sample of it, Mr. Shelby, withstood at his office desk the hottest summer in several years. He permitted himself the alleviation of a palm-leaf fan, and when his open carriage came for him at a little before six o’clock, every afternoon, he had the elderly negro coachman drive him out to the end of the cedar-block pavement of Amberson Boulevard before going home; but on the day that began the hottest hot spell of the summer he forebore to indulge himself with this excursion, albeit he forebore somewhat peevishly.

“We got to go straight home this evening, Jim,” he said, and added, “Plague take it!”

“Yes, suh,” the coachman assented. “She lay it down she want me ca’y you home quick as I kin git you. I tell ’er bettuh not be too quick or I’m goin’ have me two nice dead trottin’ hosses. Hoss die same as a man, day like this, an’ it ain’t cool off airy bit sense noon. Look to me like gittin’ hottuh, ’stid