The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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“I’m very sorry,” he said, a little impatiently. “I—I didn’t know you made such fine distinctions.”
She did not answer.
“Won’t you kiss me, Gloria?”
“I don’t want to.” It seemed to him she had not moved for hours.
“A sudden change, isn’t it?” Annoyance was growing in his voice.
“Is it?” She appeared uninterested. It was almost as though she were looking at someone else.
“Perhaps I’d better go.”
No reply. He rose and regarded her angrily, uncertainly. Again he sat down.
“Gloria, Gloria, won’t you kiss me?”
“No.” Her lips, parting for the word, had just faintly stirred.
Again he got to his feet, this time with less decision, less confidence.
“Then I’ll go.”
Silence.
“All right—I’ll go.”
He was aware of a certain irremediable lack of originality in his remarks. Indeed he felt that the whole atmosphere had grown oppressive. He wished she would speak, rail at him, cry out upon him, anything but this pervasive and chilling silence. He cursed himself for a weak fool; his clearest desire was to move her, to hurt her, to see her wince. Helplessly, involuntarily, he erred again.
“If you’re tired of kissing me I’d better go.”
He saw her lips curl slightly and his last dignity left him. She spoke, at length:
“I believe you’ve made that remark several times before.”
He looked about him immediately, saw his hat and coat on a chair—blundered into them, during an intolerable moment. Looking again at the couch he perceived that she had not turned, not even moved. With a shaken, immediately regretted “goodbye” he went quickly but without dignity from the room.
For over a moment Gloria made no sound. Her lips were still curled; her glance was straight, proud, remote. Then her eyes blurred a little, and she murmured three words half aloud to the death-bound fire:
“Goodbye, you ass!” she said.
Panic
The man had had the hardest blow of his life. He knew at last what he wanted, but in finding it out it seemed that he had put it forever beyond his grasp. He reached home in misery, dropped into an armchair without even removing his overcoat, and sat there for over an hour, his mind racing the paths of fruitless and wretched self-absorption. She had sent him away! That was the reiterated burden of his despair. Instead of seizing the girl and holding her by sheer strength until she became passive to his desire, instead of beating down her will by the force of his own, he had walked, defeated and powerless, from her door, with the corners of his mouth drooping and what force there might have been in his grief and rage hidden behind the manner of a whipped schoolboy. At one minute she had liked him tremendously—ah, she had nearly loved him. In the next he had become a thing of indifference to her, an insolent and efficiently humiliated man.
He had no great self-reproach—some, of course, but there were other things dominant in him now, far more urgent. He was not so much in love with Gloria as mad for her. Unless he could have her near him again, kiss her, hold her close and acquiescent, he wanted nothing more from life. By her three minutes of utter unwavering indifference the girl had lifted herself from a high but somehow casual position in his mind, to be instead his complete preoccupation. However much his wild thoughts varied between a passionate desire for her kisses and an equally passionate craving to hurt and mar her, the residue of his mind craved in finer fashion to possess the triumphant soul that had shone through those three minutes. She was beautiful—but especially she was without mercy. He must own that strength that could send him away.
At present no such analysis was possible to Anthony. His clarity of mind, all those endless resources which he thought his irony had brought him were swept aside. Not only for that night but for the days and weeks that followed his books were to be but furniture and his friends only people who lived and walked in a nebulous outer world from which he was trying to escape—that world was cold and full of bleak wind, and for a little while he had seen into a warm house where fires shone.
About midnight he began to realize that he was hungry. He went down into Fifty-Second Street, where it was so cold that he could scarcely see; the moisture froze on his lashes and in the corners of his lips. Everywhere dreariness had come down from the north, settling upon the thin and cheerless street, where black bundled figures blacker still against the night, moved stumbling along the sidewalk through the shrieking wind, sliding their feet cautiously ahead as though they were on skis. Anthony turned over toward Sixth Avenue, so absorbed in his thoughts as not to notice that several passersby had stared at him. His overcoat was wide open, and the wind was biting in, hard and full of merciless death.
… After a while a waitress spoke to him, a fat waitress with black-rimmed eyeglasses from which dangled a long black cord.
“Order, please!”
Her voice, he considered, was unnecessarily loud. He looked up resentfully.
“You wanna order or doncha?”
“Of course,” he protested.
“Well, I ast you three times. This ain’t no restroom.”
He glanced at the big clock and discovered with a start that it was after two. He was down around Thirtieth Street somewhere, and after a moment he found and translated the
CHILD’S
in a white semicircle of letters upon the glass front. The place was inhabited sparsely by three or four bleak and half-frozen nighthawks.
“Give me some bacon and eggs and coffee, please.”
The waitress bent upon him a last disgusted glance and, looking ludicrously intellectual in her corded glasses, hurried away.
God! Gloria’s kisses had been such flowers. He remembered as though it had been years ago the low freshness of her voice, the beautiful lines of her body shining through her clothes, her face lily-colored under the lamps of the street—under the lamps.
Misery struck at him again, piling a
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