Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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“Oh, no, Valentine,” she said, using her deeper tones. “There’s something beautiful, there’s something thrilling about chastity. I’m not narrow-minded. Censorious! I don’t condemn! But to preserve in word, thought and action a lifelong fidelity. … It’s no mean achievement. …”
“You mean like an egg and spoon race,” Miss Wannop said.
“It isn’t,” Mrs. Duchemin replied gently, “the way I should have put it. Isn’t the real symbol Atalanta, running fast and not turning aside for the golden apple? That always seemed to me the real truth hidden in the beautiful old legend. …”
“I don’t know,” Miss Wannop said, “when I read what Ruskin says about it in the Crown of Wild Olive. Or no! It’s the Queen of the Air. That’s his Greek rubbish, isn’t it? I always think it seems like an egg-race in which the young woman didn’t keep her eyes in the boat. But I suppose it comes to the same thing.”
Mrs. Duchemin said:
“My dear! Not a word against John Ruskin in this house.”
Miss Wannop screamed.
An immense voice had shouted:
“This way! This way! … The ladies will be here!”
Of Mr. Duchemin’s curates—he had three of them, for he had three marshland parishes almost without stipend, so that no one but a very rich clergyman could have held them—it was observed that they were all very large men with the physiques rather of prizefighters than of clergy. So that when by any chance at dusk, Mr. Duchemin, who himself was of exceptional stature, and his three assistants went together along a road the hearts of any malefactors whom in the mist they chanced to encounter went pit-a-pat.
Mr. Horsley—the number two—had in addition an enormous voice. He shouted four or five words, interjected tee-hee, shouted four or five words more and again interjected tee-hee. He had enormous wrist-bones that protruded from his clerical cuffs, an enormous Adam’s apple, a large, thin, close-cropped, colourless face like a skull, with very sunken eyes, and when he was once started speaking it was impossible to stop him, because his own voice in his ears drowned every possible form of interruption.
This morning, as an inmate of the house, introducing to the breakfast-room Messrs. Tietjens and Macmaster, who had driven up to the steps just as he was mounting them, he had a story to tell. The introduction was, therefore, not, as such, a success. …
“A State of Siege, Ladies! Tee-hee!” he alternately roared and giggled. “We’re living in a regular state of siege. … What with …” It appeared that the night before, after dinner, Mr. Sandbach and rather more than half-a-dozen of the young bloods who had dined at Mountby, had gone scouring the country lanes, mounted on motor bicycles and armed with loaded canes … for suffragettes! Every woman they had come across in the darkness they had stopped, abused, threatened with their loaded canes and subjected to cross-examination. The countryside was up in arms.
As a story this took, with the appropriate reflections and repetitions, a long time in telling, and afforded Tietjens and Miss Wannop the opportunity of gazing at each other. Miss Wannop was frankly afraid that this large, clumsy, unusual-looking man, now that he had found her again, might hand her over to the police whom she imagined to be searching for herself, and her friend Gertie, Miss Wilson, at that moment in bed, under the care, as she also imagined, of Mrs. Wannop. On the links he had seemed to her natural and in place; here, with his loosely hung clothes and immense hands, the white patch on the side of his rather cropped head and his masked rather shapeless features, he affected her queerly as being both in and out of place. He seemed to go with the ham, the meatpie, the galantine and even at a pinch with the roses; but the Turner pictures, the aesthetic curtain and Mrs. Duchemin’s flowing robes, amber and rose in the hair did not go with him at all. Even the Chippendale chairs hardly did. And she felt herself thinking oddly, beneath her perturbations, of a criminal and the voice of the Rev. Horsley that his Harris tweeds went all right with her skirt, and she was glad that she had on a clean, cream-coloured silk blouse, not a striped pink cotton.
She was right as to that.
In every man there are two minds that work side by side, the one checking the other; thus emotion stands against reason, intellect corrects passion and first impressions act just a little, but very little, before quick reflection. Yet first impressions have always a bias in their favour, and even quiet reflection has often a job to efface them.
The night before Tietjens had given several thoughts to this young woman. General Campion had assigned her to him as maîtresse en tître. He was said to have ruined himself, broken up his home and spent his wife’s money on her. Those were lies. On the other hand they were not inherent impossibilities. Upon occasion and given the right woman, quite sound men have done such things. He might, heaven knows, himself be so caught. But that he should have ruined himself over an unnoticeable young female who had announced herself as having been a domestic servant, and wore a pink cotton blouse … that had seemed to go beyond the bounds of even the unreason of club gossip!
That was the strong, first impression! It was all very well for his surface mind to say that the girl was not by birth a tweeny maid; she was the daughter of Professor Wannop and she could jump! For Tietjens held very strongly the theory that what finally separated the classes was that the upper could lift its feet from the ground whilst common people couldn’t. … But the strong impression remained. Miss Wannop was a tweeny maid. Say a lady’s help, by nature. She was of good family, for the Wannops were first heard of at Birdlip in Gloucestershire in the year 1417—no doubt enriched after Agincourt. But even brilliant men of good family will now and then throw daughters
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