The Sea-Wolf by Jack London (diy ebook reader TXT) 📕
Description
After a ferry accident on San Francisco Bay, literary critic Humphrey Van Weyden is swept out to sea only to be rescued by the seal-hunting schooner Ghost. Wolf Larsen, the captain of the Ghost, is brutal and cynical but also highly intelligent, and he has no intention of returning Van Weyden to shore. Van Weyden is forced to serve on the Ghost, leaving behind his comfortable world ashore and entering into a psychological battle with Larsen on the sea.
Jack London wrote The Sea-Wolf in 1904 following the success of his previous novel The Call of the Wild, and it has gone on to become one of his most popular novels. London actually served on a sealing schooner during his early career and that experience lends a gritty realism to his depiction of life at sea. The book can be read as a psychological thriller and adventure novel, but can also be read as a criticism of Nietzsche’s Übermensch philosophy with Wolf Larsen embodying a “superman” lacking conventional morality.
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- Author: Jack London
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“You are worse off than Omar,” I said. “He, at least, after the customary agonizing of youth, found content and made of his materialism a joyous thing.”
“Who was Omar?” Wolf Larsen asked, and I did no more work that day, nor the next, nor the next.
In his random reading he had never chanced upon the Rubáiyát, and it was to him like a great find of treasure. Much I remembered, possibly two-thirds of the quatrains, and I managed to piece out the remainder without difficulty. We talked for hours over single stanzas, and I found him reading into them a wail of regret and a rebellion which, for the life of me, I could not discover myself. Possibly I recited with a certain joyous lilt which was my own, for—his memory was good, and at a second rendering, very often the first, he made a quatrain his own—he recited the same lines and invested them with an unrest and passionate revolt that was well-nigh convincing.
I was interested as to which quatrain he would like best, and was not surprised when he hit upon the one born of an instant’s irritability, and quite at variance with the Persian’s complacent philosophy and genial code of life:
“What, without asking, hither hurried Whence?
And, without asking, Whither hurried hence!
Oh, many a Cup of this forbidden Wine
Must drown the memory of that insolence!”
“Great!” Wolf Larsen cried. “Great! That’s the keynote. Insolence! He could not have used a better word.”
In vain I objected and denied. He deluged me, overwhelmed me with argument.
“It’s not the nature of life to be otherwise. Life, when it knows that it must cease living, will always rebel. It cannot help itself. The Preacher found life and the works of life all a vanity and vexation, an evil thing; but death, the ceasing to be able to be vain and vexed, he found an eviler thing. Through chapter after chapter he is worried by the one event that cometh to all alike. So Omar, so I, so you, even you, for you rebelled against dying when Cooky sharpened a knife for you. You were afraid to die; the life that was in you, that composes you, that is greater than you, did not want to die. You have talked of the instinct of immortality. I talk of the instinct of life, which is to live, and which, when death looms near and large, masters the instinct, so called, of immortality. It mastered it in you (you cannot deny it), because a crazy Cockney cook sharpened a knife.
“You are afraid of him now. You are afraid of me. You cannot deny it. If I should catch you by the throat, thus,”—his hand was about my throat and my breath was shut off—“and began to press the life out of you thus, and thus, your instinct of immortality will go glimmering, and your instinct of life, which is longing for life, will flutter up, and you will struggle to save yourself. Eh? I see the fear of death in your eyes. You beat the air with your arms. You exert all your puny strength to struggle to live. Your hand is clutching my arm, lightly it feels as a butterfly resting there. Your chest is heaving, your tongue protruding, your skin turning dark, your eyes swimming. ‘To live! To live! To live!’ you are crying; and you are crying to live here and now, not hereafter. You doubt your immortality, eh? Ha! ha! You are not sure of it. You won’t chance it. This life only you are certain is real. Ah, it is growing dark and darker. It is the darkness of death, the ceasing to be, the ceasing to feel, the ceasing to move, that is gathering about you, descending upon you, rising around you. Your eyes are becoming set. They are glazing. My voice sounds faint and far. You cannot see my face. And still you struggle in my grip. You kick with your legs. Your body draws itself up in knots like a snake’s. Your chest heaves and strains. To live! To live! To live—”
I heard no more. Consciousness was blotted out by the darkness he had so graphically described, and when I came to myself I was lying on the floor and he was smoking a cigar and regarding me thoughtfully with that old familiar light of curiosity in his eyes.
“Well, have I convinced you?” he demanded. “Here take a drink of this. I want to ask you some questions.”
I rolled my head negatively on the floor. “Your arguments are too—er—forcible,” I managed to articulate, at cost of great pain to my aching throat.
“You’ll be all right in half an hour,” he assured me. “And I promise I won’t use any more physical demonstrations. Get up now. You can sit on a chair.”
And, toy that I was of this monster, the discussion of Omar and the Preacher was resumed. And half the night we sat up over it.
XIIThe last twenty-four hours have witnessed a carnival of brutality. From cabin to forecastle it seems to have broken out like a contagion. I scarcely know where to
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