Anna Karenina by Leo Tolstoy (feel good books TXT) 📕
Description
Anna Karenina is certainly somewhat unhappy in her life, but presents a strong and vivacious character when called in to smooth over a major crack that’s appeared in her brother’s marriage. Unfortunately, the very visit designed to help her brother introduces her to Count Alexei Vronsky and sets in motion a chain of events that will ripple through families and the unforgiving society of wealthy Moscow and St. Petersburg.
Initially serialized over five years in The Russian Messenger, Anna Karenina was first published as a two-volume novel in 1878. It was Leo Tolstoy’s second novel, coming after War and Peace and further cementing his role as the primary Russian author of his age. Tolstoy drew on his aristocratic upbringing to set the scene for the novel, and it’s widely believed that he wrote his own experiences and struggles with religion (documented in A Confession) into the central character of Konstantin Levin.
This edition compiles into a single volume the 1901 English translation by Constance Garnett.
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- Author: Leo Tolstoy
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Two maidservants walking along the platform turned their heads, staring at her and making some remarks about her dress. “Real,” they said of the lace she was wearing. The young men would not leave her in peace. Again they passed by, peering into her face, and with a laugh shouting something in an unnatural voice. The stationmaster coming up asked her whether she was going by train. A boy selling kvass never took his eyes off her. “My God! where am I to go?” she thought, going farther and farther along the platform. At the end she stopped. Some ladies and children, who had come to meet a gentleman in spectacles, paused in their loud laughter and talking, and stared at her as she reached them. She quickened her pace and walked away from them to the edge of the platform. A luggage train was coming in. The platform began to sway, and she fancied she was in the train again.
And all at once she thought of the man crushed by the train the day she had first met Vronsky, and she knew what she had to do. With a rapid, light step she went down the steps that led from the tank to the rails and stopped quite near the approaching train.
She looked at the lower part of the carriages, at the screws and chains and the tall cast-iron wheel of the first carriage slowly moving up, and trying to measure the middle between the front and back wheels, and the very minute when that middle point would be opposite her.
“There,” she said to herself, looking into the shadow of the carriage, at the sand and coal dust which covered the sleepers—“there, in the very middle, and I will punish him and escape from everyone and from myself.”
She tried to fling herself below the wheels of the first carriage as it reached her; but the red bag which she tried to drop out of her hand delayed her, and she was too late; she missed the moment. She had to wait for the next carriage. A feeling such as she had known when about to take the first plunge in bathing came upon her, and she crossed herself. That familiar gesture brought back into her soul a whole series of girlish and childish memories, and suddenly the darkness that had covered everything for her was torn apart, and life rose up before her for an instant with all its bright past joys. But she did not take her eyes from the wheels of the second carriage. And exactly at the moment when the space between the wheels came opposite her, she dropped the red bag, and drawing her head back into her shoulders, fell on her hands under the carriage, and lightly, as though she would rise again at once, dropped on to her knees. And at the same instant she was terror-stricken at what she was doing. “Where am I? What am I doing? What for?” She tried to get up, to drop backwards; but something huge and merciless struck her on the head and rolled her on her back. “Lord, forgive me all!” she said, feeling it impossible to struggle. A peasant muttering something was working at the iron above her. And the light by which she had read the book filled with troubles, falsehoods, sorrow, and evil, flared up more brightly than ever before, lighted up for her all that had been in darkness, flickered, began to grow dim, and was quenched forever.
Part VIII IAlmost two months had passed. The hot summer was half over, but Sergey Ivanovitch was only just preparing to leave Moscow.
Sergey Ivanovitch’s life had not been uneventful during this time. A year ago he had finished his book, the fruit of six years’ labor, Sketch of a Survey of the Principles and Forms of Government in Europe and Russia. Several sections of this book and its introduction had appeared in periodical publications, and other parts had been read by Sergey Ivanovitch to persons of his circle, so that the leading ideas of the work could not be completely novel to the public. But still Sergey Ivanovitch had expected that on its appearance his book would be sure to make a serious impression on society, and if it did not cause a revolution in social science it would, at any rate, make a great stir in the scientific world.
After the most conscientious revision the book had last year been published, and had been distributed among the booksellers.
Though he asked no one about it, reluctantly and with feigned indifference answered his friends’ inquiries as to how the book was going, and did not even inquire of the booksellers how the book was selling, Sergey Ivanovitch was all on the alert, with strained attention, watching for the first impression his book would make in the world and in literature.
But a week passed, a second, a third, and in society no impression whatever could be detected. His friends who were specialists and savants, occasionally—unmistakably from politeness—alluded to it. The rest of his acquaintances, not interested in a book on a learned subject, did not talk of it at all. And society generally—just now especially absorbed in other things—was absolutely indifferent. In the press, too, for a whole month there was not a word about his book.
Sergey Ivanovitch had calculated to a nicety the time necessary for writing a review, but a month passed, and a second, and still there was silence.
Only in the Northern Beetle, in a comic article on the singer Drabanti, who had lost his voice, there was a contemptuous allusion to Koznishev’s book, suggesting that the book had been long ago seen through by everyone, and was a subject of general ridicule.
At last in the third month a critical article appeared in a
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