Phantastes by George MacDonald (best classic books .TXT) π
Description
Phantastes was published in 1858. It tells the story of Anodos, who, on coming of age, is examining the effects of his deceased father. To his astonishment, in doing so he sees an apparition of a fairy woman, who tells him that he has some fairy blood and conveys him to Fairy Land.
In Fairy Land Anodos undergoes a long series of strange adventures and spiritual experiences. He is frequently under threat, at first from malevolent trees, and later from his own evil Shadow. At one point he discovers Pygmalionβs cave and sees the form of a beautiful woman enclosed in transparent alabaster. He falls instantly in love with this woman and contrives to free her from the stone, but she flees from him. Later, he encounters the Arthurian knight Sir Percivale, who has just come off the worst of an encounter with the evil Maid of the Alder-Tree. Eventually, after many trials and hazards, Anodos encounters Sir Percivale again and becomes his squire. Together they carry out deeds of chivalry before Anodos eventually returns to the mundane world.
Phantastes is now regarded as a classic of the fantasy genre and has been an important influence on later generations of fantasy writers, including such names as C. S. Lewis.
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- Author: George MacDonald
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βYou think the price too high?β said the old man.
βI do not know that it is too much for you to ask,β replied Cosmo; βbut it is far too much for me to give.β
The old man held up his light towards Cosmoβs face. βI like your look,β said he.
Cosmo could not return the compliment. In fact, now he looked closely at him for the first time, he felt a kind of repugnance to him, mingled with a strange feeling of doubt whether a man or a woman stood before him.
βWhat is your name?β he continued.
βCosmo von Wehrstahl.β
βAh, ah! I thought as much. I see your father in you. I knew your father very well, young sir. I dare say in some odd corners of my house, you might find some old things with his crest and cipher upon them still. Well, I like you: you shall have the mirror at the fourth part of what I asked for it; but upon one condition.β
βWhat is that?β said Cosmo; for, although the price was still a great deal for him to give, he could just manage it; and the desire to possess the mirror had increased to an altogether unaccountable degree, since it had seemed beyond his reach.
βThat if you should ever want to get rid of it again, you will let me have the first offer.β
βCertainly,β replied Cosmo, with a smile; adding, βa moderate condition indeed.β
βOn your honor?β insisted the seller.
βOn my honor,β said the buyer; and the bargain was concluded.
βI will carry it home for you,β said the old man, as Cosmo took it in his hands.
βNo, no; I will carry it myself,β said he; for he had a peculiar dislike to revealing his residence to anyone, and more especially to this person, to whom he felt every moment a greater antipathy.
βJust as you please,β said the old creature, and muttered to himself as he held his light at the door to show him out of the court: βSold for the sixth time! I wonder what will be the upshot of it this time. I should think my lady had enough of it by now!β
Cosmo carried his prize carefully home. But all the way he had an uncomfortable feeling that he was watched and dogged. Repeatedly he looked about, but saw nothing to justify his suspicions. Indeed, the streets were too crowded and too ill lighted to expose very readily a careful spy, if such there should be at his heels. He reached his lodging in safety, and leaned his purchase against the wall, rather relieved, strong as he was, to be rid of its weight; then, lighting his pipe, threw himself on the couch, and was soon lapt in the folds of one of his haunting dreams.
He returned home earlier than usual the next day, and fixed the mirror to the wall, over the hearth, at one end of his long room. He then carefully wiped away the dust from its face, and, clear as the water of a sunny spring, the mirror shone out from beneath the envious covering. But his interest was chiefly occupied with the curious carving of the frame. This he cleaned as well as he could with a brush; and then he proceeded to a minute examination of its various parts, in the hope of discovering some index to the intention of the carver. In this, however, he was unsuccessful; and, at length, pausing with some weariness and disappointment, he gazed vacantly for a few moments into the depth of the reflected room. But ere long he said, half aloud: βWhat a strange thing a mirror is! and what a wondrous affinity exists between it and a manβs imagination! For this room of mine, as I behold it in the glass, is the same, and yet not the same. It is not the mere representation of the room I live in, but it looks just as if I were reading about it in a story I like. All its commonness has disappeared. The mirror has lifted it out of the region of fact into the realm of art; and the very representing of it to me has clothed with interest that which was otherwise hard and bare; just as one sees with delight upon the stage the representation of a character from which one would escape in life as from something unendurably wearisome. But is it not rather that art rescues nature from the weary and sated regards of our senses, and the degrading injustice of our anxious everyday life, and, appealing to the imagination, which dwells apart, reveals nature in some degree as she really is, and as she represents herself to the eye of the child, whose everyday life, fearless and unambitious, meets the true import of the wonder-teeming world around him, and rejoices therein without questioning? That skeleton, nowβ βI almost fear it, standing there so still, with eyes only for the unseen, like a watchtower looking across all the waste of this busy world into the quiet regions of rest
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