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trace where the assailant had obtained his ladder, he dropped these questions and confined his efforts entirely to the search of the eighteen hundred bags of gold. These were all that concerned him.

“We have every reason to believe that they are here,” he said, “between the four sides of the quadrilateral formed by the garden and the house. Obviously, a bag of gold weighing a hundredweight does not take up as much room, by a long way, as a sack of coal of the same weight. But, for all that, eighteen hundred bags represent a cubic content; and a content like that is not easily concealed.”

In two days he had assured himself that the treasure was hidden neither in the house nor under the house. On the evenings when Essarès Bey’s car brought the gold out of the coffers of the Franco-Oriental Bank to the Rue Raynouard, Essarès, the chauffeur and the man known as Grégoire used to pass a thick wire through the grating of which the accomplices spoke. This wire was found. Along the wire ran hooks, which were also found; and on these the bags were slung and afterwards stacked in a large cellar situated exactly under the library. It is needless to say that M. Masseron and his detectives devoted all their ingenuity and all the painstaking patience of which they were capable to the task of searching every corner of this cellar. Their efforts only established beyond doubt that it contained no secret, save that of a staircase which ran down from the library and which was closed at the top by a trap-door concealed by the carpet.

In addition to the grating on the Rue Raynouard, there was another which overlooked the garden, on the level of the first terrace. These two openings were barricaded on the inside by very heavy shutters, so that it was an easy matter to stack thousands and thousands of rouleaus of gold in the cellar before sending them away.

“But how were they sent away?” M. Masseron wondered. “That’s the mystery. And why this intermediate stage in the basement, in the Rue Raynouard? Another mystery. And now we have Fakhi, Bournef and Co. declaring that, this time, it was not sent away, that the gold is here and that it can be found for the searching. We have searched the house. There is still the garden. Let us look there.”

It was a beautiful old garden and had once formed part of the wide-stretching estate where people were in the habit, at the end of the eighteenth century, of going to drink the Passy waters. With a two-hundred-yard frontage, it ran from the Rue Raynouard to the quay of the riverside and led, by four successive terraces, to an expanse of lawn as old as the rest of the garden, fringed with thickets of evergreens and shaded by groups of tall trees.

But the beauty of the garden lay chiefly in its four terraces and in the view which they afforded of the river, the low ground on the left bank and the distant hills. They were united by twenty sets of steps; and twenty paths climbed from the one to the other, paths cut between the buttressing walls and sometimes hidden in the floods of ivy that dashed from top to bottom.

Here and there a statue stood out, a broken column, or the fragments of a capital. The stone balcony that edged the upper terrace was still adorned with all its old terra-cotta vases. On this terrace also were the ruins of two little round temples where, in the old days, the springs bubbled to the surface. In front of the library windows was a circular basin, with in the center the figure of a child shooting a slender thread of water through the funnel of a shell. It was the overflow from this basin, forming a little stream, that trickled over the rocks against which Patrice had stumbled on the first evening.

“Ten acres to explore before we’ve done,” said M. Masseron to himself.

He employed upon this work, in addition to Belval’s cripples, a dozen of his own detectives. It was not a difficult business and was bound to lead to some definite result. As M. Masseron never ceased saying, eighteen hundred bags cannot remain invisible. An excavation leaves traces. You want a hole to go in and out by. But neither the grass of the lawns nor the sand of the paths showed any signs of earth recently disturbed. The ivy? The buttressing-walls? The terraces? Everything was inspected, but in vain. Here and there, in cutting up the ground, old conduit pipes were found, running towards the Seine, and remains of aqueducts that had once served to carry off the Passy waters. But there was no such thing as a cave, an underground chamber, a brick arch or anything that looked like a hiding-place.

Patrice and Coralie watched the progress of the search. And yet, though they fully realized its importance and though, on the other hand, they were still feeling the strain of the recent dramatic hours, in reality they were engrossed only in the inexplicable problem of their fate; and their conversation nearly always turned upon the mystery of the past.

Coralie’s mother was the daughter of a French consul at Salonica, where she married a very rich man of a certain age, called Count Odolavitch, the head of an ancient Serbian family. He died a year after Coralie was born. The widow and child were at that time in France, at this same house in the Rue Raynouard, which Count Odolavitch had purchased through a young Egyptian called Essarès, his secretary and factotum.

Coralie here spent three years of her childhood. Then she suddenly lost her mother and was left alone in the world. Essarès took her to Salonica, to a surviving sister of her grandfather the consul, a woman many years younger than her brother. This lady took charge of Coralie. Unfortunately, she fell under Essarès’ influence, signed papers

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