On a Chinese Screen by W. Somerset Maugham (best english books to read for beginners .TXT) π
Description
On a Chinese Screen was first published in 1922 by Heinemann Publishers, London. Its 58 short vignettes are based on Maughamβs travels along the Yangtze River from 1919 to 1920. Although later editions of the book added the subtitle βSketches of Life in China,β there are actually only a few descriptions of the places he visited and the local Chinese people he met; rather, Maugham focuses on relaying his encounters with a range of Europeans living and working in the country. Maugham is quite critical of many of them and their lack of interest in, and sometimes disdain, for the country and its people, except for the extent to which their careers and pockets could benefit. His sketches highlight the difficulties that many expatriates encounter while living in a foreign culture.
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- Author: W. Somerset Maugham
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My host lit a cigarette. His voice at first had been thin and tired, but as he grew interested in what he said it gained volume. He talked vehemently. There was in him none of the repose of the sage. He was a polemist and a fighter. He loathed the modern cry for individualism. For him society was the unit, and the family the foundation of society. He upheld the old China and the old school, monarchy, and the rigid canon of Confucius. He grew violent and bitter as he spoke of the students, fresh from foreign universities, who with sacrilegious hands tore down the oldest civilisation in the world.
βBut you, do you know what you are doing?β he exclaimed. βWhat is the reason for which you deem yourselves our betters? Have you excelled us in arts or letters? Have our thinkers been less profound than yours? Has our civilisation been less elaborate, less complicated, less refined than yours? Why, when you lived in caves and clothed yourselves with skins we were a cultured people. Do you know that we tried an experiment which is unique in the history of the world? We sought to rule this great country not by force, but by wisdom. And for centuries we succeeded. Then why does the white man despise the yellow? Shall I tell you? Because he has invented the machine gun. That is your superiority. We are a defenceless horde and you can blow us into eternity. You have shattered the dream of our philosophers that the world could be governed by the power of law and order. And now you are teaching our young men your secret. You have thrust your hideous inventions upon us. Do you not know that we have a genius for mechanics? Do you not know that there are in this country four hundred millions of the most practical and industrious people in the world? Do you think it will take us long to learn? And what will become of your superiority when the yellow man can make as good guns as the white and fire them as straight? You have appealed to the machine gun and by the machine gun shall you be judged.β
But at that moment we were interrupted. A little girl came softly in and nestled close up to the old gentleman. She stared at me with curious eyes. He told me that she was his youngest child. He put his arms round her and with a murmur of caressing words kissed her fondly. She wore a black coat and trousers that barely reached her ankles, and she had a long pigtail hanging down her back. She was born on the day the revolution was brought to a successful issue by the abdication of the emperor.
βI thought she heralded the Spring of a new era,β he said. βShe was but the last flower of this great nationβs Fall.β
From a drawer in his roll-top desk he took a few cash, and handing them to her, sent her away.
βYou see that I wear a queue,β he said, taking it in his hands. βIt is a symbol. I am the last representative of the old China.β
He talked to me, more gently now, of how philosophers in long past days wandered from state to state with their disciples, teaching all who were worthy to learn. Kings called them to their councils and made them rulers of cities. His erudition was great and his eloquent phrases gave a multicoloured vitality to the incidents he related to me of the history of his country. I could not help thinking him a somewhat pathetic figure. He felt in himself the capacity to administer the state, but there was no king to entrust him with office; he had vast stores of learning which he was eager to impart to the great band of students that his soul hankered after, and there came to listen but a few, wretched, half-starved, and obtuse provincials.
Once or twice discretion had made me suggest that I should take my leave, but he had been unwilling to let me go. Now at last I was obliged to. I rose. He held my hand.
βI should like to give you something as a recollection of your visit to the last philosopher in China, but I am a poor man and I do not know what I can give you that would be worthy of your acceptance.β
I protested that the recollection of my visit was in itself a priceless gift. He smiled.
βMen have short memories in these degenerate days, and I should like to give you something more substantial. I would give you one of my books, but you cannot read Chinese.β
He looked at me with an amicable perplexity. I had an inspiration.
βGive me a sample of your calligraphy,β I said.
βWould you like that?β He smiled. βIn my youth I was considered to wield the brush in a manner that was not entirely despicable.β
He sat down at his desk, took a fair sheet of paper, and placed it before him. He poured a few drops of water on a stone, rubbed the ink stick in it, and took his brush. With a free movement of the arm he began to write. And as I watched him I remembered with not a little amusement something else which had been told me of him. It appeared that the old gentleman, whenever he could scrape a little money together, spent it wantonly in the streets inhabited by ladies to describe whom a
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