A Tale of Two Cities by Charles Dickens (best young adult book series .TXT) 📕
Description
A doctor is released from the Bastille after being falsely imprisoned for almost eighteen years. A young woman discovers the father she’s never known is not dead but alive, if not entirely well. A young man is acquitted of being a traitor, due in part to the efforts of a rather selfish lout who is assisting the young man’s attorney. A man has a wine shop in Paris with a wife who knits at the bar. These disparate elements are tied together as only Dickens can, and in the process he tells the story of the French Revolution.
Charles Dickens was fascinated by Thomas Carlyle’s magnum opus The French Revolution; according to Dickens’ letters, he read it “500 times” and carried it with him everywhere while he was working on this novel. When he wrote to Carlyle asking him for books to read on background, Carlyle sent him two cartloads full. Dickens mimicked Carlyle’s style, his chronology, and his overall characterization of the revolution; although A Tale of Two Cities is fiction, the historical events described are largely accurate, sometimes exactly so. Even so, Dickens made his name and reputation on telling stories full of characters one could be invested in, care about, and despise, and this novel has all of those and more. It also, in its first and last lines, has two of the most famous lines in literature. With the possible exception of A Christmas Carol, it is his most popular novel, and according to many, his best.
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- Author: Charles Dickens
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“Well! To the best of my understanding, and bad’s the best, you’ll tell me,” said Miss Pross, softened by the tone of the apology, “he is afraid of the whole subject.”
“Afraid?”
“It’s plain enough, I should think, why he may be. It’s a dreadful remembrance. Besides that, his loss of himself grew out of it. Not knowing how he lost himself, or how he recovered himself, he may never feel certain of not losing himself again. That alone wouldn’t make the subject pleasant, I should think.”
It was a profounder remark than Mr. Lorry had looked for. “True,” said he, “and fearful to reflect upon. Yet, a doubt lurks in my mind, Miss Pross, whether it is good for Doctor Manette to have that suppression always shut up within him. Indeed, it is this doubt and the uneasiness it sometimes causes me that has led me to our present confidence.”
“Can’t be helped,” said Miss Pross, shaking her head. “Touch that string, and he instantly changes for the worse. Better leave it alone. In short, must leave it alone, like or no like. Sometimes, he gets up in the dead of the night, and will be heard, by us overhead there, walking up and down, walking up and down, in his room. Ladybird has learnt to know then that his mind is walking up and down, walking up and down, in his old prison. She hurries to him, and they go on together, walking up and down, walking up and down, until he is composed. But he never says a word of the true reason of his restlessness, to her, and she finds it best not to hint at it to him. In silence they go walking up and down together, walking up and down together, till her love and company have brought him to himself.”
Notwithstanding Miss Pross’s denial of her own imagination, there was a perception of the pain of being monotonously haunted by one sad idea, in her repetition of the phrase, walking up and down, which testified to her possessing such a thing.
The corner has been mentioned as a wonderful corner for echoes; it had begun to echo so resoundingly to the tread of coming feet, that it seemed as though the very mention of that weary pacing to and fro had set it going.
“Here they are!” said Miss Pross, rising to break up the conference; “and now we shall have hundreds of people pretty soon!”
It was such a curious corner in its acoustical properties, such a peculiar ear of a place, that as Mr. Lorry stood at the open window, looking for the father and daughter whose steps he heard, he fancied they would never approach. Not only would the echoes die away, as though the steps had gone; but, echoes of other steps that never came would be heard in their stead, and would die away for good when they seemed close at hand. However, father and daughter did at last appear, and Miss Pross was ready at the street door to receive them.
Miss Pross was a pleasant sight, albeit wild, and red, and grim, taking off her darling’s bonnet when she came upstairs, and touching it up with the ends of her handkerchief, and blowing the dust off it, and folding her mantle ready for laying by, and smoothing her rich hair with as much pride as she could possibly have taken in her own hair if she had been the vainest and handsomest of women. Her darling was a pleasant sight too, embracing her and thanking her, and protesting against her taking so much trouble for her—which last she only dared to do playfully, or Miss Pross, sorely hurt, would have retired to her own chamber and cried. The Doctor was a pleasant sight too, looking on at them, and telling Miss Pross how she spoilt Lucie, in accents and with eyes that had as much spoiling in them as Miss Pross had, and would have had more if it were possible. Mr. Lorry was a pleasant sight too, beaming at all this in his little wig, and thanking his bachelor stars for having lighted him in his declining years to a Home. But, no Hundreds of people came to see the sights, and Mr. Lorry looked in vain for the fulfilment of Miss Pross’s prediction.
Dinnertime, and still no Hundreds of people. In the arrangements of the little household, Miss Pross took charge of the lower regions, and always acquitted herself marvellously. Her dinners, of a very modest quality, were so well cooked and so well served, and so neat in their contrivances, half English and half French, that nothing could be better. Miss Pross’s friendship being of the thoroughly practical kind, she had ravaged Soho and the adjacent provinces, in search of impoverished French, who, tempted by shillings and half-crowns, would impart culinary mysteries to her. From these decayed sons and daughters of Gaul, she had acquired such wonderful arts, that the woman and girl who formed the staff of domestics regarded her as quite a Sorceress, or Cinderella’s Godmother: who would send out for a fowl, a rabbit, a vegetable or two from the garden, and change them into anything she pleased.
On Sundays, Miss Pross dined at the Doctor’s table, but on other days persisted in taking her meals at unknown periods, either in the lower regions, or in her own room on the second floor—a blue chamber, to which no one but her Ladybird ever gained admittance. On this occasion, Miss Pross, responding to Ladybird’s pleasant face and pleasant efforts to please her, unbent exceedingly; so the dinner was very pleasant, too.
It was an oppressive day, and, after dinner, Lucie proposed that the wine should be carried out under the plane-tree, and they should sit there in the air. As everything turned upon her, and revolved about her, they went out under the plane-tree, and
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