The King in Yellow by Robert W. Chambers (best ereader for pdf and epub .txt) 📕
Description
The King in Yellow is a fascinating, almost two-faced work. The first half consists of five legendary weird tales, loosely tied together by a fictional play—the eponymous King in Yellow—that drives those who read it mad. Celebrated by authors like H. P. Lovecraft and Lin Carter, these stories are classic tales of madness, despair, and strange happenings.
With the fifth tale the reader finds a sort of palate-cleansing collection of short prose-poems leading into the last four stories, which take a sharp turn away from the weird and into the romantic. The concluding tales are set in the Parisian art world.
In modern times The King in Yellow enjoys a reputation largely due to the strength of its first half of macabre tales, but by no means does that make the second half less enjoyable. Both halves are written in a quick, light prose style that demonstrates why Chambers was a best-seller in his day.
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- Author: Robert W. Chambers
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I asked her how she had learned the old language of falconry. She did not remember, but thought her father must have taught it to her when she was very young.
Then she led me away and showed me the young falcons still in the nest. “They are termed niais in falconry,” she explained. “A branchier is the young bird which is just able to leave the nest and hop from branch to branch. A young bird which has not yet moulted is called a sors, and a mué is a hawk which has moulted in captivity. When we catch a wild falcon which has changed its plumage we term it a hagard. Raoul first taught me to dress a falcon. Shall I teach you how it is done?”
She seated herself on the bank of the stream among the falcons and I threw myself at her feet to listen.
Then the Demoiselle d’Ys held up one rosy-tipped finger and began very gravely.
“First one must catch the falcon.”
“I am caught,” I answered.
She laughed very prettily and told me my dressage would perhaps be difficult, as I was noble.
“I am already tamed,” I replied; “jessed and belled.”
She laughed, delighted. “Oh, my brave falcon; then you will return at my call?”
“I am yours,” I answered gravely.
She sat silent for a moment. Then the colour heightened in her cheeks and she held up her finger again, saying, “Listen; I wish to speak of falconry—”
“I listen, Countess Jeanne d’Ys.”
But again she fell into the reverie, and her eyes seemed fixed on something beyond the summer clouds.
“Philip,” she said at last.
“Jeanne,” I whispered.
“That is all—that is what I wished,” she sighed—“Philip and Jeanne.”
She held her hand toward me and I touched it with my lips.
“Win me,” she said, but this time it was the body and soul which spoke in unison.
After a while she began again: “Let us speak of falconry.”
“Begin,” I replied; “we have caught the falcon.”
Then Jeanne d’Ys took my hand in both of hers and told me how with infinite patience the young falcon was taught to perch upon the wrist, how little by little it became used to the belled jesses and the chaperon à cornette.
“They must first have a good appetite,” she said; “then little by little I reduce their nourishment; which in falconry we call pât. When, after many nights passed au bloc as these birds are now, I prevail upon the hagard to stay quietly on the wrist, then the bird is ready to be taught to come for its food. I fix the pât to the end of a thong, or leurre, and teach the bird to come to me as soon as I begin to whirl the cord in circles about my head. At first I drop the pât when the falcon comes, and he eats the food on the ground. After a little he will learn to seize the leurre in motion as I whirl it around my head or drag it over the ground. After this it is easy to teach the falcon to strike at game, always remembering to ‘faire courtoisie á l’oiseau’, that is, to allow the bird to taste the quarry.”
A squeal from one of the falcons interrupted her, and she arose to adjust the longe which had become whipped about the bloc, but the bird still flapped its wings and screamed.
“What is the matter?” she said. “Philip, can you see?”
I looked around and at first saw nothing to cause the commotion, which was now heightened by the screams and flapping of all the birds. Then my eye fell upon the flat rock beside the stream from which the girl had risen. A grey serpent was moving slowly across the surface of the boulder, and the eyes in its flat triangular head sparkled like jet.
“A couleuvre,” she said quietly.
“It is harmless, is it not?” I asked.
She pointed to the black V-shaped figure on the neck.
“It is certain death,” she said; “it is a viper.”
We watched the reptile moving slowly over the smooth rock to where the sunlight fell in a broad warm patch.
I started forward to examine it, but she clung to my arm crying, “Don’t, Philip, I am afraid.”
“For me?”
“For you, Philip—I love you.”
Then I took her in my arms and kissed her on the lips, but all I could say was: “Jeanne, Jeanne, Jeanne.” And as she lay trembling on my breast, something struck my foot in the grass below, but I did not heed it. Then again something struck my ankle, and a sharp pain shot through me. I looked into the sweet face of Jeanne d’Ys and kissed her, and with all my strength lifted her in my arms and flung her from me. Then bending, I tore the viper from my ankle and set my heel upon its head. I remember feeling weak and numb—I remember falling to the ground. Through my slowly glazing eyes I saw Jeanne’s white face bending close to mine, and when the light in my eyes went out I still felt her arms about my neck, and her soft cheek against my drawn lips.
When I opened my eyes, I looked around in terror. Jeanne was gone. I saw the stream and the flat rock; I saw the crushed viper in the grass beside me, but the hawks and blocs had disappeared. I sprang to my feet. The garden, the fruit trees, the drawbridge and the walled court were gone. I stared stupidly at a heap of crumbling ruins, ivy-covered and grey, through which great
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