The King in Yellow by Robert W. Chambers (best ereader for pdf and epub .txt) 📕
Description
The King in Yellow is a fascinating, almost two-faced work. The first half consists of five legendary weird tales, loosely tied together by a fictional play—the eponymous King in Yellow—that drives those who read it mad. Celebrated by authors like H. P. Lovecraft and Lin Carter, these stories are classic tales of madness, despair, and strange happenings.
With the fifth tale the reader finds a sort of palate-cleansing collection of short prose-poems leading into the last four stories, which take a sharp turn away from the weird and into the romantic. The concluding tales are set in the Parisian art world.
In modern times The King in Yellow enjoys a reputation largely due to the strength of its first half of macabre tales, but by no means does that make the second half less enjoyable. Both halves are written in a quick, light prose style that demonstrates why Chambers was a best-seller in his day.
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- Author: Robert W. Chambers
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I was on my feet in an instant peering through the gorse. There came the sound of a struggle from a bunch of heather close by, and then all was quiet. I stepped forward, my gun poised, but when I came to the heather the gun fell under my arm again, and I stood motionless in silent astonishment. A dead hare lay on the ground, and on the hare stood a magnificent falcon, one talon buried in the creature’s neck, the other planted firmly on its limp flank. But what astonished me was not the mere sight of a falcon sitting upon its prey. I had seen that more than once. It was that the falcon was fitted with a sort of leash about both talons, and from the leash hung a round bit of metal like a sleigh-bell. The bird turned its fierce yellow eyes on me, and then stooped and struck its curved beak into the quarry. At the same instant hurried steps sounded among the heather, and a girl sprang into the covert in front. Without a glance at me she walked up to the falcon, and passing her gloved hand under its breast, raised it from the quarry. Then she deftly slipped a small hood over the bird’s head, and holding it out on her gauntlet, stooped and picked up the hare.
She passed a cord about the animal’s legs and fastened the end of the thong to her girdle. Then she started to retrace her steps through the covert. As she passed me I raised my cap and she acknowledged my presence with a scarcely perceptible inclination. I had been so astonished, so lost in admiration of the scene before my eyes, that it had not occurred to me that here was my salvation. But as she moved away I recollected that unless I wanted to sleep on a windy moor that night I had better recover my speech without delay. At my first word she hesitated, and as I stepped before her I thought a look of fear came into her beautiful eyes. But as I humbly explained my unpleasant plight, her face flushed and she looked at me in wonder.
“Surely you did not come from Kerselec!” she repeated.
Her sweet voice had no trace of the Breton accent nor of any accent which I knew, and yet there was something in it I seemed to have heard before, something quaint and indefinable, like the theme of an old song.
I explained that I was an American, unacquainted with Finistère, shooting there for my own amusement.
“An American,” she repeated in the same quaint musical tones. “I have never before seen an American.”
For a moment she stood silent, then looking at me she said. “If you should walk all night you could not reach Kerselec now, even if you had a guide.”
This was pleasant news.
“But,” I began, “if I could only find a peasant’s hut where I might get something to eat, and shelter.”
The falcon on her wrist fluttered and shook its head. The girl smoothed its glossy back and glanced at me.
“Look around,” she said gently. “Can you see the end of these moors? Look, north, south, east, west. Can you see anything but moorland and bracken?”
“No,” I said.
“The moor is wild and desolate. It is easy to enter, but sometimes they who enter never leave it. There are no peasants’ huts here.”
“Well,” I said, “if you will tell me in which direction Kerselec lies, tomorrow it will take me no longer to go back than it has to come.”
She looked at me again with an expression almost like pity.
“Ah,” she said, “to come is easy and takes hours; to go is different—and may take centuries.”
I stared at her in amazement but decided that I had misunderstood her. Then before I had time to speak she drew a whistle from her belt and sounded it.
“Sit down and rest,” she said to me; “you have come a long distance and are tired.”
She gathered up her pleated skirts, and, motioning me to follow, picked her dainty way through the gorse to a flat rock among the ferns.
“They will be here directly,” she said, and taking a seat at one end of the rock invited me to sit down on the other edge. The afterglow was beginning to fade in the sky and a single star twinkled faintly through the rosy haze. A long wavering triangle of waterfowl drifted southward over our heads, and from the swamps around plover were calling.
“They are very beautiful—these moors,” she said quietly.
“Beautiful, but cruel to strangers,” I answered.
“Beautiful and cruel,” she repeated dreamily, “beautiful and cruel.”
“Like a woman,” I said stupidly.
“Oh,” she cried with a little catch in her breath, and looked at me. Her dark eyes met mine, and I thought she seemed angry or frightened.
“Like a woman,” she repeated under her breath, “How cruel to say so!” Then after a pause, as though speaking aloud to herself, “How cruel for him to say that!”
I don’t know what sort of an apology I offered for my inane, though harmless speech, but I know that she seemed so troubled about it that I began to think I had said something very dreadful without knowing it, and remembered with horror the pitfalls and snares which the French language sets for foreigners. While I was trying to imagine what I might have said, a sound of voices came across the moor, and the girl rose to her feet.
“No,” she said, with a trace
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