The Great Gatsby by F. Scott Fitzgerald (top e book reader txt) 📕
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The Great Gatsby is a novel that needs no introduction for a certain generation of American readers. Long taught as required reading in American schools, critics have consistently held it up alongside Moby Dick, Huck Finn, and To Kill a Mockingbird as perhaps the quintessential Great American Novel.
Nick Carraway is a young Midwestern man freshly arrived in New York to make his fortune. He rents a shabby apartment in Long Island next door to a sumptuous mansion: the home of the mysterious and wealthy Jay Gatsby. Carraway spends time catching up with his distant cousin Daisy and her industry-baron husband Tom before being invited to one of Gatsby’s wildly lavish weekend parties. There he meets Jordan, a flapper and a golf star, and an intricate web of romances and betrayals begins to unfold.
The novel is a colorful study of America’s Jazz Age—a term said to be coined by Fitzgerald himself—complete with wealthy socialites living in hedonistic abandon, libertine flappers, jazz bands, roaring roadsters, and greasy speakeasies populated with shady grifters. Contrasted against the glamorous lives of wealthy socialites is the entrenched lower class, who live in gray, dingy squalor among smoldering ash-heaps. Fitzgerald uses the setting to examine the American Dream: the idea that anyone in America can achieve success through hard work and dedication. Gatsby has spent his life reaching for his dream. Some say he’s already achieved it. But has he? Is the dream even real for the hard-working poor that Gatsby and Tom race past in their glittering cars on the way to the decadent city?
Fitzgerald wrote much of his real life into the novel. Like Carraway, he was a Midwesterner educated at an Ivy-league school who went to live on Long Island. Despite his meager finances he hobnobbed with socialites, and spent his career struggling for money to maintain the grand style his romantic interests were accustomed to.
The cover art, titled Celestial Eyes, was commissioned from Francis Cugat, who completed it before the novel was finished. The huge eyes gazing down on the blazing city so moved Fitzgerald that he wrote them into the story.
Fitzgerald saw the novel as a purely artistic work, free of the pulp pandering required by his shorter commissions—but despite that, contemporary reviews were mixed, and it sold poorly. Fitzgerald thought it a failure, and died believing the novel to be fatally obscure. Only during World War II did it come back to the public consciousness, buoyed by the support of a ring of writers and critics and printed as an Armed Service Edition to be sent to soldiers on the front. Now it is an American classic.
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- Author: F. Scott Fitzgerald
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Michaelis and this man reached her first, but when they had torn open her shirtwaist, still damp with perspiration, they saw that her left breast was swinging loose like a flap, and there was no need to listen for the heart beneath. The mouth was wide open and ripped a little at the corners, as though she had choked a little in giving up the tremendous vitality she had stored so long.
We saw the three or four automobiles and the crowd when we were still some distance away.
“Wreck!” said Tom. “That’s good. Wilson’ll have a little business at last.”
He slowed down, but still without any intention of stopping, until, as we came nearer, the hushed, intent faces of the people at the garage door made him automatically put on the brakes.
“We’ll take a look,” he said doubtfully, “just a look.”
I became aware now of a hollow, wailing sound which issued incessantly from the garage, a sound which as we got out of the coupé and walked toward the door resolved itself into the words “Oh, my God!” uttered over and over in a gasping moan.
“There’s some bad trouble here,” said Tom excitedly.
He reached up on tiptoes and peered over a circle of heads into the garage, which was lit only by a yellow light in a swinging metal basket overhead. Then he made a harsh sound in his throat, and with a violent thrusting movement of his powerful arms pushed his way through.
The circle closed up again with a running murmur of expostulation; it was a minute before I could see anything at all. Then new arrivals deranged the line, and Jordan and I were pushed suddenly inside.
Myrtle Wilson’s body, wrapped in a blanket, and then in another blanket, as though she suffered from a chill in the hot night, lay on a worktable by the wall, and Tom, with his back to us, was bending over it, motionless. Next to him stood a motorcycle policeman taking down names with much sweat and correction in a little book. At first I couldn’t find the source of the high, groaning words that echoed clamorously through the bare garage—then I saw Wilson standing on the raised threshold of his office, swaying back and forth and holding to the doorposts with both hands. Some man was talking to him in a low voice and attempting, from time to time, to lay a hand on his shoulder, but Wilson neither heard nor saw. His eyes would drop slowly from the swinging light to the laden table by the wall, and then jerk back to the light again, and he gave out incessantly his high, horrible call:
“Oh, my Ga-od! Oh, my Ga-od! Oh, Ga-od! Oh, my Ga-od!”
Presently Tom lifted his head with a jerk and, after staring around the garage with glazed eyes, addressed a mumbled incoherent remark to the policeman.
“M-a-v—” the policeman was saying, “—o—”
“No, r—” corrected the man, “M-a-v-r-o—”
“Listen to me!” muttered Tom fiercely.
“r—” said the policeman, “o—”
“g—”
“g—” He looked up as Tom’s broad hand fell sharply on his shoulder. “What you want, fella?”
“What happened?—that’s what I want to know.”
“Auto hit her. Ins’antly killed.”
“Instantly killed,” repeated Tom, staring.
“She ran out ina road. Son-of-a-bitch didn’t even stopus car.”
“There was two cars,” said Michaelis, “one comin’, one goin’, see?”
“Going where?” asked the policeman keenly.
“One goin’ each way. Well, she”—his hand rose toward the blankets but stopped halfway and fell to his side—“she ran out there an’ the one comin’ from N’York knock right into her, goin’ thirty or forty miles an hour.”
“What’s the name of this place here?” demanded the officer.
“Hasn’t got any name.”
A pale well-dressed negro stepped near.
“It was a yellow car,” he said, “big yellow car. New.”
“See the accident?” asked the policeman.
“No, but the car passed me down the road, going faster’n forty. Going fifty, sixty.”
“Come here and let’s have your name. Look out now. I want to get his name.”
Some words of this conversation must have reached Wilson, swaying in the office door, for suddenly a new theme found voice among his grasping cries:
“You don’t have to tell me what kind of car it was! I know what kind of car it was!”
Watching Tom, I saw the wad of muscle back of his shoulder tighten under his coat. He walked quickly over to Wilson and, standing in front of him, seized him firmly by the upper arms.
“You’ve got to pull yourself together,” he said with soothing gruffness.
Wilson’s eyes fell upon Tom; he started up on his tiptoes and then would have collapsed to his knees had not Tom held him upright.
“Listen,” said Tom, shaking him a little. “I just got here a minute ago, from New York. I was bringing you that coupé we’ve been talking about. That yellow car I was driving this afternoon wasn’t mine—do you hear? I haven’t seen it all afternoon.”
Only the negro and I were near enough to hear what he said, but the policeman caught something in the tone and looked over with truculent eyes.
“What’s all that?” he demanded.
“I’m a friend of his.” Tom turned his head but kept his hands firm on Wilson’s body. “He says he knows the car that did it … It was a yellow car.”
Some dim impulse moved the policeman to look suspiciously at Tom.
“And what colour’s your car?”
“It’s a blue car, a coupé.”
“We’ve come straight from New York,” I said.
Someone who had been driving a little behind us confirmed this, and the policeman turned away.
“Now, if you’ll let me have that name again correct—”
Picking up Wilson like a doll, Tom carried him into the office, set him down in a chair, and came back.
“If somebody’ll
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