The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) ๐
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Authorโs Revised Edition published in 1848. The Sketch-Book is the first publication to use Irvingโs pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical โThe Mutability of Literatureโ to the eerie and seemingly supernatural โThe Legend of Sleepy Hollow,โ but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, โThe Legend of Sleepy Hollowโ and โRip Van Winkle,โ are Irvingโs most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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Pittie olde age, within whose silver haires
Honour and reverence evermore have rainโd.
Those who are in the habit of remarking such matters must have noticed the passive quiet of an English landscape on Sunday. The clacking of the mill, the regularly recurring stroke of the flail, the din of the blacksmithโs hammer, the whistling of the ploughman, the rattling of the cart, and all other sounds of rural labor are suspended. The very farm-dogs bark less frequently, being less disturbed by passing travellers. At such times I have almost fancied the wind sunk into quiet, and that the sunny landscape, with its fresh green tints melting into blue haze, enjoyed the hallowed calm.
Sweet day, so pure, so calm, so bright,
The bridal of the earth and sky.
Well was it ordained that the day of devotion should be a day of rest. The holy repose which reigns over the face of nature has its moral influence; every restless passion is charmed down, and we feel the natural religion of the soul gently springing up within us. For my part, there are feelings that visit me, in a country church, amid the beautiful serenity of nature, which I experience nowhere else; and if not a more religious, I think I am a better man on Sunday than on any other day of the seven.
During my recent residence in the country, I used frequently to attend at the old village church. Its shadowy aisles, its mouldering monuments, its dark oaken panelling, all reverend with the gloom of departed years, seemed to fit it for the haunt of solemn meditation; but, being in a wealthy, aristocratic neighborhood, the glitter of fashion penetrated even into the sanctuary; and I felt myself continually thrown back upon the world, by the frigidity and pomp of the poor worms around me. The only being in the whole congregation who appeared thoroughly to feel the humble and prostrate piety of a true Christian was a poor decrepit old woman, bending under the weight of years and infirmities. She bore the traces of something better than abject poverty. The lingerings of decent pride were visible in her appearance. Her dress, though humble in the extreme, was scrupulously clean. Some trivial respect, too, had been awarded her, for she did not take her seat among the village poor, but sat alone on the steps of the altar. She seemed to have survived all love, all friendship, all society, and to have nothing left her but the hopes of heaven. When I saw her feebly rising and bending her aged form in prayer; habitually conning her prayerbook, which her palsied hand and failing eyes could not permit her to read, but which she evidently knew by heart, I felt persuaded that the faltering voice of that poor woman arose to heaven far before the responses of the clerk, the swell of the organ, or the chanting of the choir.
I am fond of loitering about country churches, and this was so delightfully situated, that it frequently attracted me. It stood on a knoll, round which a small stream made a beautiful bend and then wound its way through a long reach of soft meadow scenery. The church was surrounded by yew trees, which seemed almost coeval with itself. Its tall Gothic spire shot up lightly from among them, with rooks and crows generally wheeling about it. I was seated there one still sunny morning watching two laborers who were digging a grave. They had chosen one of the most remote and neglected corners of the churchyard, where, from the number of nameless graves around, it would appear that the indigent and friendless were huddled into the earth. I was told that the new-made grave was for the only son of a poor widow. While I was meditating on the distinctions of worldly rank, which extend thus down into the very dust, the toll of the bell announced the approach of the funeral. They were the obsequies of poverty, with which pride had nothing to do. A coffin of the plainest materials, without pall or other covering, was borne by some of the villagers. The sexton walked before with an air of cold indifference. There were no mock mourners in the trappings of affected woe, but there was one real mourner who feebly tottered after the corpse. It was the aged mother of the deceased, the poor old woman whom I had seen seated on the steps of the altar. She was supported by a humble friend, who was endeavoring to comfort her. A few of the neighboring poor had joined the train, and some children of the village were running hand in hand, now shouting with unthinking mirth, and now pausing to gaze, with childish curiosity, on the grief of the mourner.
As the funeral train approached the grave, the parson issued from the church-porch, arrayed in the surplice, with prayerbook in hand, and attended by the clerk. The service, however, was a mere act of charity. The deceased had been destitute, and the survivor was penniless. It was shuffled through, therefore, in form, but coldly and unfeeling. The well-fed priest moved but a few steps from the church door; his voice could scarcely be heard at the grave; and never did I hear the funeral service, that sublime and touching ceremony, turned into such a frigid mummery of words.
I approached the grave. The coffin was placed on the ground. On it were inscribed the name and age of the deceasedโ โโGeorge
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