A Sicilian Romance by Ann Radcliffe (read this if .TXT) π
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A Sicilian Romance begins when a tourist meets a local monk at the crumbling ruins of the castle Mazzini. The monk invites her to the monastery to view a manuscript that records the mysterious happenings that occurred hundreds of years ago in the once-great castle. The manuscript tells of the plight of two sisters, Julia and Emilia Mazzini, who, after the return of their tyrannical father, witness supernatural phenomena around the castleβs neglected southern wing.
Radcliffe was viewed as the greatest writer of the Gothic literary style by most early 19th century critics and literary historians despite Horace Walpole seemingly βinventingβ the genre in The Castle of Otranto. A Sicilian Romance was first published anonymously in 1790, making it the second of her published works.
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- Author: Ann Radcliffe
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To Emilia this design occasioned a distress which almost subdued the resolution of madame. Her tears and intreaties spoke the artless energy of sorrow. In madame she lost her only friend; and she too well understood the value of that friend, to see her depart without feeling and expressing the deepest distress. From a strong attachment to the memory of the mother, madame had been induced to undertake the education of her daughters, whose engaging dispositions had perpetuated a kind of hereditary affection. Regard for Emilia and Julia had alone for some time detained her at the castle; but this was now succeeded by the influence of considerations too powerful to be resisted. As her income was small, it was her plan to retire to her native place, which was situated in a distant part of the island, and there take up her residence in a convent.
Emilia saw the time of madameβs departure approach with increased distress. They left each other with a mutual sorrow, which did honour to their hearts. When her last friend was gone, Emilia wandered through the forsaken apartments, where she had been accustomed to converse with Julia, and to receive consolation and sympathy from her dear instructress, with a kind of anguish known only to those who have experienced a similar situation. Madame pursued her journey with a heavy heart. Separated from the objects of her fondest affections, and from the scenes and occupations for which long habit had formed claims upon her heart, she seemed without interest and without motive for exertion. The world appeared a wide and gloomy desert, where no heart welcomed her with kindnessβ βno countenance brightened into smiles at her approach. It was many years since she quitted Caliniβ βand in the interval, death had swept away the few friends she left there. The future presented a melancholy scene; but she had the retrospect of years spent in honorable endeavour and strict integrity, to cheer her heart and encouraged her hopes.
But her utmost endeavours were unable to express the anxiety with which the uncertain fate of Julia overwhelmed her. Wild and terrific images arose to her imagination. Fancy drew the scene;β βshe deepened the shades; and the terrific aspect of the objects she presented was heightened by the obscurity which involved them.
VIITowards the close of day Madame de Menon arrived at a small village situated among the mountains, where she purposed to pass the night. The evening was remarkably fine, and the romantic beauty of the surrounding scenery invited her to walk. She followed the windings of a stream, which was lost at some distance amongst luxuriant groves of chesnut. The rich colouring of evening glowed through the dark foliage, which spreading a pensive gloom around, offered a scene congenial to the present temper of her mind, and she entered the shades. Her thoughts, affected by the surrounding objects, gradually sunk into a pleasing and complacent melancholy, and she was insensibly led on. She still followed the course of the stream to where the deep shades retired, and the scene again opening to day, yielded to her a view so various and sublime, that she paused in thrilling and delightful wonder. A group of wild and grotesque rocks rose in a semicircular form, and their fantastic shapes exhibited Nature in her most sublime and striking attitudes. Here her vast magnificence elevated the mind of the beholder to enthusiasm. Fancy caught the thrilling sensation, and at her touch the towering steeps became shaded with unreal glooms; the caves more darkly frownedβ βthe projecting cliffs assumed a more terrific aspect, and the wild overhanging shrubs waved to the gale in deeper murmurs. The scene inspired madame with reverential awe, and her thoughts involuntarily rose, βfrom Nature up to Natureβs God.β The last dying gleams of day tinted the rocks and shone upon the waters, which retired through a rugged channel and were lost afar among the receding cliffs. While she listened to their distant murmur, a voice of liquid and melodious sweetness arose from among the rocks; it sung an air, whose melancholy expression awakened all her attention, and captivated her heart. The tones swelled and died faintly away among the clear, yet languishing echoes which the rocks repeated with an effect like that of enchantment. Madame looked around in search of the sweet warbler, and observed at some distance a peasant girl seated on a small projection of the rock, overshadowed by drooping sycamores. She moved slowly towards the spot, which she had almost reached, when the sound of her steps startled and silenced the syren, who, on perceiving a stranger, arose in an attitude to depart. The voice of madame arrested her, and she approached. Language cannot paint the sensation of madame, when in the disguise of a peasant girl, she distinguished the features of Julia, whose eyes lighted up with sudden recollection, and who sunk into her arms overcome with joy. When their first emotions were subsided, and Julia had received answers to her enquiries concerning Ferdinand and Emilia, she led madame to the place of her concealment. This was a solitary cottage, in a close valley surrounded by mountains, whose cliffs appeared wholly inaccessible to mortal foot. The deep solitude of the scene dissipated at once madameβs wonder that Julia had so long remained undiscovered, and excited surprise how she had been able to explore a spot thus deeply sequestered; but madame observed with extreme concern, that the countenance of Julia no longer wore the smile of health and gaiety. Her fine features had received the impressions not only of melancholy, but of grief. Madame sighed as she gazed, and read too plainly the cause of the
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