The Story of the Amulet by E. Nesbit (important books to read txt) 📕
Description
In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half.
Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs.
A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy.
These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace.
The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who.
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- Author: E. Nesbit
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Of course the Discobolos and his disc and the would-be Venus came down together, and everyone was a good deal hurt, especially the saucer, which would never be the same again, however neatly one might join its uneven bits with Seccotine or the white of an egg.
“I hope you’re satisfied,” said Cyril, holding his head where a large lump was rising.
“Quite, thanks,” said Robert bitterly. His thumb had caught in the banisters and bent itself back almost to breaking point.
“I am so sorry, poor, dear Squirrel,” said Anthea; “and you were looking so lovely. I’ll get a wet rag. Bobs, go and hold your hand under the hot-water tap. It’s what ballet girls do with their legs when they hurt them. I saw it in a book.”
“What book?” said Robert disagreeably. But he went.
When he came back Cyril’s head had been bandaged by his sisters, and he had been brought to the state of mind where he was able reluctantly to admit that he supposed Robert hadn’t done it on purpose.
Robert replying with equal suavity, Anthea hastened to lead the talk away from the accident.
“I suppose you don’t feel like going anywhere through the Amulet,” she said.
“Egypt!” said Jane promptly. “I want to see the pussy cats.”
“Not me—too hot,” said Cyril. “It’s about as much as I can stand here—let alone Egypt.” It was indeed, hot, even on the second landing, which was the coolest place in the house. “Let’s go to the North Pole.”
“I don’t suppose the Amulet was ever there—and we might get our fingers frostbitten so that we could never hold it up to get home again. No thanks,” said Robert.
“I say,” said Jane, “let’s get the Psammead and ask its advice. It will like us asking, even if we don’t take it.”
The Psammead was brought up in its green silk embroidered bag, but before it could be asked anything the door of the learned gentleman’s room opened and the voice of the visitor who had been lunching with him was heard on the stairs. He seemed to be speaking with the door handle in his hand.
“You see a doctor, old boy,” he said; “all that about thought-transference is just simply twaddle. You’ve been overworking. Take a holiday. Go to Dieppe.”
“I’d rather go to Babylon,” said the learned gentleman.
“I wish you’d go to Atlantis some time, while we’re about it, so as to give me some tips for my Nineteenth Century article when you come home.”
“I wish I could,” said the voice of the learned gentleman.
“Goodbye. Take care of yourself.”
The door was banged, and the visitor came smiling down the stairs—a stout, prosperous, big man. The children had to get up to let him pass.
“Hullo, Kiddies,” he said, glancing at the bandages on the head of Cyril and the hand of Robert, “been in the wars?”
“It’s all right,” said Cyril. “I say, what was that Atlantic place you wanted him to go to? We couldn’t help hearing you talk.”
“You talk so very loud, you see,” said Jane soothingly.
“Atlantis,” said the visitor, “the lost Atlantis, garden of the Hesperides. Great continent—disappeared in the sea. You can read about it in Plato.”
“Thank you,” said Cyril doubtfully.
“Were there any Amulets there?” asked Anthea, made anxious by a sudden thought.
“Hundreds, I should think. So he’s been talking to you?”
“Yes, often. He’s very kind to us. We like him awfully.”
“Well, what he wants is a holiday; you persuade him to take one. What he wants is a change of scene. You see, his head is crusted so thickly inside with knowledge about Egypt and Assyria and things that you can’t hammer anything into it unless you keep hard at it all day long for days and days. And I haven’t time. But you live in the house. You can hammer almost incessantly. Just try your hands, will you? Right. So long!”
He went down the stairs three at a time, and Jane remarked that he was a nice man, and she thought he had little girls of his own.
“I should like to have them to play with,” she added pensively.
The three elder ones exchanged glances. Cyril nodded.
“All right. Let’s go to Atlantis,” he said.
“Let’s go to Atlantis and take the learned gentleman with us,” said Anthea; “he’ll think it’s a dream, afterwards, but it’ll certainly be a change of scene.”
“Why not take him to nice Egypt?” asked Jane.
“Too hot,” said Cyril shortly.
“Or Babylon, where he wants to go?”
“I’ve had enough of Babylon,” said Robert, “at least for the present. And so have the others. I don’t know why,” he added, forestalling the question on Jane’s lips, “but somehow we have. Squirrel, let’s take off these beastly bandages and get into flannels. We can’t go in our unders.”
“He wished to go to Atlantis, so he’s got to go some time; and he might as well go with us,” said Anthea.
This was how it was that the learned gentleman, permitting himself a few moments of relaxation in his chair, after the fatigue of listening to opinions (about Atlantis and many other things) with which he did not at all agree, opened his eyes to find his four young friends standing in front of him in a row.
“Will you come,” said Anthea, “to Atlantis with us?”
“To know that you are dreaming shows that the dream is nearly at an end,” he told himself; “or perhaps it’s only a game, like ‘How Many Miles to Babylon?’ ”
So he said aloud: “Thank you very much, but I have only a quarter of an hour to spare.”
“It doesn’t take any time,” said Cyril; “time is only a mode of thought, you know, and you’ve got to go some time, so why not
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