This Side of Paradise by F. Scott Fitzgerald (top 10 motivational books .TXT) 📕
Description
This Side of Paradise chronicles the coming of age of Amory Blaine, born to a wealthy midwestern family. It begins with Amory as a spoiled youth, doted on by his eccentric mother Beatrice. It follows him as he attends preparatory school and Princeton, and then briefly attempts but quickly abandons at a career in advertising. His service in World War I is mentioned but mostly glossed over. Covered in much more detail are his various romances: youthful dalliances, a correspondence-based relationship that ends as soon as the couple spends time together in person, a deep love with the debutante sister of one of his close friends, and an intense summer fling.
The book shows Amory’s attempts to define himself as a person and find his place in a world rapidly changing through World War, the “Jazz Age,” and Prohibition. It provides the reader with a good picture of what life was like for a privileged young man of the era.
F. Scott Fitzgerald’s first novel, This Side of Paradise was published in 1920 when he was 23 years old, and was widely praised by critics. The semi-autobiographical work launched his career as one of America’s most well-known writers. As a direct result of the publishing of the novel, Zelda Sayre (the inspiration for the character of the debutante Rosalind Connage) agreed to marry Fitzgerald. The couple became an icon of the excesses of the Jazz Age.
Read free book «This Side of Paradise by F. Scott Fitzgerald (top 10 motivational books .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: F. Scott Fitzgerald
Read book online «This Side of Paradise by F. Scott Fitzgerald (top 10 motivational books .TXT) 📕». Author - F. Scott Fitzgerald
“It’s true,” Burne agreed. “The light-haired man is a higher type, generally speaking. I worked the thing out with the Presidents of the United States once, and found that way over half of them were light-haired—yet think of the preponderant number of brunettes in the race.”
“People unconsciously admit it,” said Amory. “You’ll notice a blond person is expected to talk. If a blond girl doesn’t talk we call her a ‘doll’; if a light-haired man is silent he’s considered stupid. Yet the world is full of ‘dark silent men’ and ‘languorous brunettes’ who haven’t a brain in their heads, but somehow are never accused of the dearth.”
“And the large mouth and broad chin and rather big nose undoubtedly make the superior face.”
“I’m not so sure.” Amory was all for classical features.
“Oh, yes—I’ll show you,” and Burne pulled out of his desk a photographic collection of heavily bearded, shaggy celebrities—Tolstoy, Whitman, Carpenter, and others.
“Aren’t they wonderful?”
Amory tried politely to appreciate them, and gave up laughingly.
“Burne, I think they’re the ugliest-looking crowd I ever came across. They look like an old man’s home.”
“Oh, Amory, look at that forehead on Emerson; look at Tolstoy’s eyes.” His tone was reproachful.
Amory shook his head.
“No! Call them remarkable-looking or anything you want—but ugly they certainly are.”
Unabashed, Burne ran his hand lovingly across the spacious foreheads, and piling up the pictures put them back in his desk.
Walking at night was one of his favorite pursuits, and one night he persuaded Amory to accompany him.
“I hate the dark,” Amory objected. “I didn’t use to—except when I was particularly imaginative, but now, I really do—I’m a regular fool about it.”
“That’s useless, you know.”
“Quite possibly.”
“We’ll go east,” Burne suggested, “and down that string of roads through the woods.”
“Doesn’t sound very appealing to me,” admitted Amory reluctantly, “but let’s go.”
They set off at a good gait, and for an hour swung along in a brisk argument until the lights of Princeton were luminous white blots behind them.
“Any person with any imagination is bound to be afraid,” said Burne earnestly. “And this very walking at night is one of the things I was afraid about. I’m going to tell you why I can walk anywhere now and not be afraid.”
“Go on,” Amory urged eagerly. They were striding toward the woods, Burne’s nervous, enthusiastic voice warming to his subject.
“I used to come out here alone at night, oh, three months ago, and I always stopped at that crossroad we just passed. There were the woods looming up ahead, just as they do now, there were dogs howling and the shadows and no human sound. Of course, I peopled the woods with everything ghastly, just like you do; don’t you?”
“I do,” Amory admitted.
“Well, I began analyzing it—my imagination persisted in sticking horrors into the dark—so I stuck my imagination into the dark instead, and let it look out at me—I let it play stray dog or escaped convict or ghost, and then saw myself coming along the road. That made it all right—as it always makes everything all right to project yourself completely into another’s place. I knew that if I were the dog or the convict or the ghost I wouldn’t be a menace to Burne Holiday any more than he was a menace to me. Then I thought of my watch. I’d better go back and leave it and then essay the woods. No; I decided, it’s better on the whole that I should lose a watch than that I should turn back—and I did go into them—not only followed the road through them, but walked into them until I wasn’t frightened any more—did it until one night I sat down and dozed off in there; then I knew I was through being afraid of the dark.”
“Lordy,” Amory breathed. “I couldn’t have done that. I’d have come out halfway, and the first time an automobile passed and made the dark thicker when its lamps disappeared, I’d have come in.”
“Well,” Burne said suddenly, after a few moments’ silence, “we’re halfway through, let’s turn back.”
On the return he launched into a discussion of will.
“It’s the whole thing,” he asserted. “It’s the one dividing line between good and evil. I’ve never met a man who led a rotten life and didn’t have a weak will.”
“How about great criminals?”
“They’re usually insane. If not, they’re weak. There is no such thing as a strong, sane criminal.”
“Burne, I disagree with you altogether; how about the superman?”
“Well?”
“He’s evil, I think, yet he’s strong and sane.”
“I’ve never met him. I’ll bet, though, that he’s stupid or insane.”
“I’ve met him over and over and he’s neither. That’s why I think you’re wrong.”
“I’m sure I’m not—and so I don’t believe in imprisonment except for the insane.”
On this point Amory could not agree. It seemed to him that life and history were rife with the strong criminal, keen, but often self-deluding; in politics and business one found him and among the old statesmen and kings and generals; but Burne never agreed and their courses began to split on that point.
Burne was drawing farther and farther away from the world about him. He resigned the vice-presidency of the senior class and took to reading and walking as almost his only pursuits. He voluntarily attended graduate lectures in philosophy and biology, and sat in all of them with a rather pathetically intent look in his eyes, as if waiting for something the lecturer would never quite come to. Sometimes Amory would see him squirm in his seat; and his face would light up; he was on fire to debate a point.
He grew more abstracted on the street and was even accused of becoming a snob, but Amory knew it was nothing of the sort, and once when Burne passed him four feet off, absolutely unseeingly, his mind a thousand miles away, Amory almost choked with the romantic joy of watching him. Burne seemed to be climbing heights
Comments (0)