Ragged Trousered Philanthropists by Robert Tressell (fiction novels to read .txt) 📕
Another answer is that `The Philanthropists' is not a treatise oressay, but a novel. My main object was to write a readable story fullof human interest and based on the happenings of everyday life, thesubject of Socialism being treated incidentally.
This was the task I set myself. To what extent I have succeeded isfor others to say; but whatever their verdict, the work possesses atleast one merit - that of being true. I have invented nothing. Thereare no scenes or incidents in the story that I have not eitherwitnessed myself or had conclusive evidence of. As far as I dared Ilet th
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`That’s not your Dad, you silly boy,’ she said, kissing the child as
she spoke. `Your dad ought to be ashamed of himself for staying out
like this. We’ll give him dad, dad, dad, when he does come home,
won’t we?’
But the baby only shook the rattle and rang the bells and laughed and
crowed and laughed again, louder than ever.
The Filling of the Tank
Viewed from outside, the `Cricketers Arms’ was a pretentious-looking
building with plate-glass windows and a profusion of gilding. The
pilasters were painted in imitation of different marbles and the doors
grained to represent costly woods. There were panels containing
painted advertisements of wines and spirits and beer, written in gold,
and ornamented with gaudy colours. On the lintel over the principal
entrance was inscribed in small white letters:
`A. Harpy. Licensed to sell wines, spirits and malt liquor by retail
to be consumed either on or off the premises.’
The bar was arranged in the usual way, being divided into several
compartments. First there was the `Saloon Bar’: on the glass of the
door leading into this was fixed a printed bill: `No four ale served
in this bar.’ Next to the saloon bar was the jug and bottle
department, much appreciated by ladies who wished to indulge in a drop
of gin on the quiet. There were also two small `private’ bars, only
capable of holding two or three persons, where nothing less than
fourpennyworth of spirits or glasses of ale at threepence were served.
Finally, the public bar, the largest compartment of all. At each end,
separating it from the other departments, was a wooden partition,
painted and varnished.
Wooden forms fixed across the partitions and against the walls under
the windows provided seating accommodation for the customers. A large
automatic musical instrument - a `penny in the slot’ polyphone -
resembling a grandfather’s clock in shape - stood against one of the
partitions and close up to the counter, so that those behind the bar
could reach to wind it up. Hanging on the partition near the
polyphone was a board about fifteen inches square, over the surface of
which were distributed a number of small hooks, numbered. At the
bottom of the board was a net made of fine twine, extended by means of
a semicircular piece of wire. In this net several india-rubber rings
about three inches in diameter were lying. There was no table in the
place but jutting out from the other partition was a hinged flap about
three feet long by twenty inches wide, which could be folded down when
not in use. This was the shove-ha’penny board. The coins - old
French pennies - used in playing this game were kept behind the bar
and might be borrowed on application. On the partition, just above
the shove-ha’penny board was a neatly printed notice, framed and
glazed:
NOTICE
Gentlemen using this house are requested to
refrain from using obscene language.
Alongside this notice were a number of gaudily-coloured bills
advertising the local theatre and the music-hall, and another of a
travelling circus and menagerie, then visiting the town and encamped
on a piece of waste ground about half-way on the road to Windley. The
fittings behind the bar, and the counter, were of polished mahogany,
with silvered plate glass at the back of the shelves. On the shelves
were rows of bottles and cut-glass decanters, gin, whisky, brandy and
wines and liqueurs of different kinds.
When Crass, Philpot, Easton and Bundy entered, the landlord, a
well-fed, prosperous-looking individual in white shirt-sleeves, and a
bright maroon fancy waistcoat with a massive gold watch-chain and a
diamond ring, was conversing in an affable, friendly way with one of
his regular customers, who was sitting on the end of the seat close to
the counter, a shabbily dressed, bleary-eyed, degraded, beer-sodden,
trembling wretch, who spent the greater part of every day, and all his
money, in this bar. He was a miserable-looking wreck of a man about
thirty years of age, supposed to be a carpenter, although he never
worked at that trade now. It was commonly said that some years
previously he had married a woman considerably his senior, the
landlady of a third-rate lodging-house. This business was evidently
sufficiently prosperous to enable him to exist without working and to
maintain himself in a condition of perpetual semi-intoxication. This
besotted wretch practically lived at the ‘Cricketers’. He came
regularly very morning and sometimes earned a pint of beer by
assisting the barman to sweep up the sawdust or clean the windows. He
usually remained in the bar until closing time every night. He was a
very good customer; not only did he spend whatever money he could get
hold of himself, but he was the cause of others spending money, for he
was acquainted with most of the other regular customers, who, knowing
his impecunious condition, often stood him a drink `for the good of
the house’.
The only other occupant of the public bar - previous to the entrance
of Crass and his mates - was a semi-drunken man, who appeared to be a
house-painter, sitting on the form near the shove-ha’penny board. He
was wearing a battered bowler hat and the usual shabby clothes. This
individual had a very thin, pale face, with a large, high-bridged
nose, and bore a striking resemblance to the portraits of the first
Duke of Wellington. He was not a regular customer here, having
dropped in casually about two o’clock and had remained ever since. He
was beginning to show the effects of the drink he had taken during
that time.
As Crass and the others came in they were hailed with enthusiasm by
the landlord and the Besotted Wretch, while the semi-drunk workman
regarded them with fishy eyes and stupid curiosity.
`Wot cheer, Bob?’ said the landlord, affably, addressing Crass, and
nodding familiarly to the others. `‘Ow goes it?’
`All reet me ole dear!’ replied Crass, jovially. `‘Ow’s yerself?’
`A.1,’ replied the `Old Dear’, getting up from his chair in readiness
to execute their orders.
`Well, wot’s it to be?’ inquired Philpot of the others generally.
`Mine’s a pint o’ beer,’ said Crass.
`Half for me,’ said Bundy.
`Half o’ beer for me too,’ replied Easton.
`That’s one pint, two ‘arves, and a pint o’ porter for meself,’ said
Philpot, turning and addressing the Old Dear.
While the landlord was serving these drinks the Besotted Wretch
finished his beer and set the empty glass down on the counter, and
Philpot observing this, said to him:
`‘Ave one along o’ me?’
`I don’t mind if I do,’ replied the other.
When the drinks were served, Philpot, instead of paying for them,
winked significantly at the landlord, who nodded silently and
unobtrusively made an entry in an account book that was lying on one
of the shelves. Although it was only Monday and he had been at work
all the previous week, Philpot was already stony broke. This was
accounted for by the fact that on Saturday he had paid his landlady
something on account of the arrears of board and lodging money that
had accumulated while he was out of work; and he had also paid the Old
Dear four shillings for drinks obtained on tick during the last week.
`Well, ‘ere’s the skin orf yer nose,’ said Crass, nodding to Philpot,
and taking a long pull at the pint glass which the latter had handed
to him.
Similar appropriate and friendly sentiments were expressed by the
others and suitably acknowledged by Philpot, the founder of the feast.
The Old Dear now put a penny in the slot of the polyphone, and winding
it up started it playing. It was some unfamiliar tune, but when the
Semidrunk Painter heard it he rose unsteadily to his feet and began
shuffling and dancing about, singing:
‘Oh, we’ll inwite you to the wedding,
An’ we’ll ‘ave a glorious time!
Where the boys an’ girls is a-dancing,
An’ we’ll all get drunk on wine.’
`‘Ere! that’s quite enough o’ that!’ cried the landlord, roughly. `We
don’t want that row ‘ere.’
The Semidrunk stopped, and looking stupidly at the Old Dear, sank
abashed on to the seat again.
`Well, we may as well sit as stand - for a few minutes,’ remarked
Crass, suiting the action to the word. The others followed his
example.
At frequent intervals the bar was entered by fresh customers, most of
them working men on their way home, who ordered and drank their pint
or half-pint of ale or porter and left at once. Bundy began reading
the advertisement of the circus and menageries and a conversation
ensued concerning the wonderful performances of the trained animals.
The Old Dear said that some of them had as much sense as human beings,
and the manner with which he made this statement implied that he
thought it was a testimonial to the sagacity of the brutes. He
further said that he had heard - a little earlier in the evening - a
rumour that one of the wild animals, a bear or something, had broken
loose and was at present at large. This was what he had heard - he
didn’t know if it were true or not. For his own part he didn’t
believe it, and his hearers agreed that it was highly improbable.
Nobody ever knew how these silly yarns got about.
Presently the Besotted Wretch got up and, taking the india-rubber
rings out of the net with a trembling hand, began throwing them one at
a time at the hooks on the. board. The rest of the company watched
him with much interest, laughing when he made a very bad shot and
applauding when he scored.
`‘E’s a bit orf tonight,’ remarked Philpot aside to Easton, ‘but as a
rule ‘e’s a fair knockout at it. Throws a splendid ring.’
The Semidrunk regarded the proceedings of the Besotted Wretch with an
expression of profound contempt.
`You can’t play for nuts,’ he said scornfully.
`Can’t I? I can play you, anyway.’
`Right you are! I’ll play you for drinks round!’ cried the
Semidrunk.
For a moment the Besotted Wretch hesitated. He had not money enough
to pay for drinks round. However, feeling confident of winning, he
replied:
`Come on then. What’s it to be? Fifty up?’
`Anything you like! Fifty or a ‘undred or a bloody million!’
`Better make it fifty for a start.’
`All right!’
`You play first if you like.’
`All right,’ agreed the Semidrunk, anxious to distinguish himself.
Holding the six rings in his left hand, the man stood in the middle of
the floor at a distance of about three yards from the board, with his
right foot advanced. Taking one of the rings between the forefinger
and thumb of his right hand, and closing his left eye, he carefully
`sighted’ the centre hook, No. 13; then he slowly extended his arm to
its full length in the direction of the board: then bending his elbow,
he brought his hand back again until it nearly touched his chin, and
slowly extended his arm again. He repeated these movements several
times, whilst the others watched with bated breath. Getting it right
at last he suddenly shot the ring at the board, but it did not go on
No. 13; it went over the partition into the private bar.
This feat was greeted with a roar of laughter. The player stared at
the board in a dazed way, wondering what had become of the ring. When
someone in the next bar threw it over the partition again, he realized
what had happened and, turning to the company
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