The Slaves of Paris by Émile Gaboriau (good book recommendations .txt) 📕
Description
In this, Gaboriau’s penultimate Lecoq novel, Lecoq doesn’t make an appearance until the last few chapters of the book. In fact, the protagonists’ identity remains unclear until almost halfway through. They’re not missed, though, because the antagonists are a group of blackmailers of exhaustive ingenuity and knowledge, and piecing together the game they’re playing with several noblemen and women occupies all of one’s faculties for most of the book.
Young love, old love, forbidden love, lost love, along with a couple of missing individuals: what is the blackmailers’ endgame? Will Lecoq be able to figure it out in time? Called “French sensational” in its day, Lecoq’s last case is still sensational today.
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- Author: Émile Gaboriau
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He gave credit to approved customers, and also, it was whispered, lent money to them. But woe to the woman who permitted herself to be entrapped in the snare of credit that he laid for her; for the woman who owed him a bill was practically lost, never knowing to what depths she might be degraded to obtain the money to settle her account. It was not surprising that such sudden prosperity should have turned Van Klopen’s head. He was stout and ruddy, impudent, vain, and cynical. His admirers said that he was witty.
It was to this man’s establishment that Mascarin conducted Paul after a sumptuous breakfast at Philipe’s.
It is necessary to give a slight description of Van Klopen’s establishment. Carpets of the most expensive description covered the stairs to his door on the first floor, at which stood the liveried menials resplendent in gold lace and scarlet. As soon as Mascarin made his appearance, one of these gorgeous creatures hastened to him and said, “M. Van Klopen is just now engaged with the Princess Korasoff, but as soon as he hears of your arrival he will manage to get rid of her. Will you wait for him in his private room?”
But Mascarin answered—
“We are in no hurry, and may as well wait in the public room with the other customers. Are there many of them?”
“There are about a dozen ladies, sir.”
“Good; I am sure that they will amuse me.”
And, without wasting any more words, Mascarin opened a door which led into a magnificent drawing-room, decorated in very florid style. The paper on the walls almost disappeared beneath a variety of watercolor sketches, representing ladies in every possible style of costume. Each picture had an explanatory note beneath it, such as “Costume of Mde. de C⸺ for a dinner at the Russian Ambassador’s,” “Ball costume of the Marchioness de V⸺ for a ball at the Hotel de Ville,” etc.
Paul, who was a little nervous at finding himself among such splendor, hesitated in the doorway; but Mascarin seized his young friend by the arm, and, as he drew him to a settee, whispered in his ear—
“Keep your eyes about you; the heiress is here.”
The ladies were at first a little surprised at this invasion of the room by the male element, but Paul’s extreme beauty soon attracted their attention. The hum of conversation ceased, and Paul’s embarrassment increased as he found a battery of twelve pairs of eyes directed full upon him.
Mascarin, however, was quite at his ease, and upon his entrance had made a graceful though rather old-fashioned bow to the fair inmates of the room. His coolness was partly due to the contempt he felt for the human race in general, and also to his colored glasses, which hid the expression of his countenance. When he saw that Paul still kept his eyes on the ground, he tapped him gently on the arm.
“Is this the first time you ever saw well-dressed women? Surely you are not afraid of them. Look to the right,” continued Mascarin, “and you will see the heiress.”
A young girl, not more than eighteen, was seated near one of the windows. She was not perhaps so beautiful as Mascarin had described, but her face was a very striking one nevertheless. She was slight and good-looking, with the clear complexion of a brunette. Her features were not perhaps very regular, but her glossy black hair was a beauty in itself. She had a pair of dark, melting eyes, and her wide, high forehead showed that she was gifted with great intelligence. There was an air of restrained voluptuousness about her, and she seemed the very embodiment of passion.
Paul felt insensibly attracted toward her. Their eyes met, and both started at the same moment. Paul was fascinated in an instant, and the girl’s emotion was so evident that she turned aside her head to conceal it.
The babel had now commenced again, and general attention was being paid to a lady who was enthusiastically describing the last new costume which had made its appearance in the Bois de Boulogue.
“It was simply miraculous,” said she; “a real triumph of Van Klopen’s art. The ladies of a certain class are furious, and Henry de Croisenois tells me that
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