The Slaves of Paris by Émile Gaboriau (good book recommendations .txt) 📕
Description
In this, Gaboriau’s penultimate Lecoq novel, Lecoq doesn’t make an appearance until the last few chapters of the book. In fact, the protagonists’ identity remains unclear until almost halfway through. They’re not missed, though, because the antagonists are a group of blackmailers of exhaustive ingenuity and knowledge, and piecing together the game they’re playing with several noblemen and women occupies all of one’s faculties for most of the book.
Young love, old love, forbidden love, lost love, along with a couple of missing individuals: what is the blackmailers’ endgame? Will Lecoq be able to figure it out in time? Called “French sensational” in its day, Lecoq’s last case is still sensational today.
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- Author: Émile Gaboriau
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“Very soon you will thank Rose deeply for having left you. You will climb high, I can tell you, if you will work as I bid you.”
“Then,” stammered Paul, “this situation at twelve thousand francs a year—”
“There never has been such a situation.”
A ghastly pallor overspread Paul’s countenance, as he saw himself again reduced to beggary.
“But, sir,” he murmured, “will you not permit me to hope—”
“For twelve thousand francs! Be at ease, you shall have that and much more. I am getting old. I have no ties in the world—you shall be my adopted son.”
A cloud settled on Paul’s brow, for the idea that his life was to be passed in this office was most displeasing to him. Mascarin divined his inmost thoughts with perfect ease. “And the young fool does not know where to go for a crust of bread,” thought he. “Ah, if there were no Flavia, no Champdoce;” then, speaking aloud, he resumed, “don’t fancy, my dear boy, that I wish to condemn you to the treadmill that I am compelled to pass my life in. I have other views for you, far more worthy of your merits. I have taken a great liking to you, and I will do all I can to further your ambitious views. I was thinking a great deal of you, and in my head I raised the scaffolding of your future greatness. ‘He is poor,’ said I, ‘and at his age, and with his tastes, this is a cruel thing. Why, pray, should I not find a wife for him among those heiresses who have a million or two to give the man they marry?’ When I talk like this, it is because I know of an heiress, and my friend, Dr. Hortebise, shall introduce her to you. She is nearly, if not quite, as pretty as Rose, and has the advantage of her in being wellborn, well-educated, and wealthy. She has influential relatives, and if her husband should happen to be a poet, or a composer, she could assist him in becoming famous.”
A flush came over Paul’s face. This seemed like the realization of some of his former dreams.
“With regard to your birth,” continued Mascarin, “I have devised a wonderful plan. Before ’93, you know, every bastard was treated as a gentleman, as he might have been the son of some high and mighty personage. Who can say that your father may not have been of the noblest blood of France, and that he has not lands and wealth? He may even now be looking for you, in order to acknowledge you and make you his heir. Would you like to be a duke?”
“Ah, sir,” stammered the young man.
Mascarin burst into a fit of laughter. “Up to now,” said he, “we are only in the region of suppositions.”
“Well, sir, what do you wish me to do?” asked Paul, after a short pause.
Mascarin put on a serious face. “I want absolute obedience from you,” said he; “a blind and undeviating obedience, one that makes no objections and asks no questions.”
“I will obey you, sir; but, oh! do not desert me.”
Without making any reply, Mascarin rang for Beaumarchef, and as soon as the latter appeared, said, “I am going to Van Klopen’s, and shall leave you in charge here.” Then, turning to Paul, he added, “I always mean what I say; we will go and breakfast at a neighboring restaurant. I want to have a talk with you, and afterward—afterward, my boy, I will show you the girl I intend to be your wife. I am curious to know how you like her looks.”
XI The Man-MillinerGaston de Gandelu was much surprised at finding that André should be ignorant of the existence of Van Klopen, the best-known man in Paris. To assure oneself of this, it was only necessary to glance at his circulars, which were ornamented with the representations of medals won at all sorts of exhibitions in different quarters of the world, together with various decorations received from foreign potentates. One had been presented to him by the Queen of Spain, while he had a diploma appointing him the supplier to the Court of the Czar. The great Van Klopen was not an Alsatian, as was generally supposed, but a stout, handsome Dutchman, who, in the year 1850, had been a tailor in his small native town, and manufactured in cloth, purchased on credit, the long waistcoats and miraculous coats worn by the wealthy citizens of Rotterdam. Van Klopen, however, was not successful in his business, and was compelled to close his shop and abscond from his creditors. He took refuge in Paris, where he seemed likely to die of hunger. One day over a magnificent establishment in the Rue de Grammont appeared a signboard with the name of Van Klopen, dressmaker, and in the thousands of handbills distributed with the utmost profusion, he called himself the “Regenerator of Fashion.” This was an idea that would have never originated in the brain of the phlegmatic Dutchman, and whence came the funds to carry on the business? On this point he was discreetly silent. The enterprise was at first far from a success, for during nearly a month Paris almost split its sides laughing at the absurd pretensions of the self-dubbed “Regenerator of Fashion.” Van Klopen bent before the storm he had aroused, and in due time his advertisements brought him two customers, who were the first to blow the trumpet of his fame. One was the Duchess de Suirmeuse, a very great lady indeed, and renowned for her eccentricities and extravagant manner, while the other was an example of another class being no less than the celebrated Jennie Fancy, who was at that time under the protection of the Count de Tremouselle; and for these two Van Klopen invented such dresses as had never been seen before. From this moment his success was certain; indeed, it was stupendous, and Paris resounded with his praises. Now he has achieved
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