Tusculan Disputations by Cicero (reading books for 7 year olds .txt) π
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Cicero composed these discourses while in his villa in Tusculum as he was mourning the death of his daughter, in order to convey his philosophy of how to live wisely and well. They take the form of fictional dialogues between Cicero and his friends, with each one focusing on a particular Stoic theme. The first, βOn the Contempt of Death,β reminds us that mortality is nothing to be upset about. The second, βOn Bearing Pain,β reassures us that philosophy is a balm for pains of the body. The third and fourth, βOn Grief of Mindβ and βOther Perturbations of the Mind,β say that this extends also to mental anguish and unrest. The last, βWhether Virtue Alone Be Sufficient for a Happy Life,β tells us that the key to happiness is already in our hands: it is not to rely on accidents of fate, but on our own efforts in areas of life that are under our own control.
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- Author: Cicero
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Epicurus must admit these arguments, or he must take out of his book what I just now said was a literal translation, or rather he must destroy his whole book, for it is crammed full of pleasures. We must inquire, then, how we can ease him of his grief who speaks in this manner:
My present state proceeds from fortuneβs stings;
By birth I boast of a descent from kings;
Hence may you see from what a noble height
Iβm sunk by fortune to this abject plight.
What? to ease his grief, must we mix him a cup of sweet wine, or something of that kind? Lo! the same poet presents us with another sentiment somewhere else:
I, Hector, once so great, now claim your aid.
We should assist her, for she looks out for help:
Where shall I now apply, where seek support?
Where hence betake me, or to whom resort?
No means remain of comfort or of joy,
In flames my palace, and in ruins Troy;
Each wall, so late superb, deformed nods,
And not an altarβs left tβ appease the gods.
You know what should follow, and particularly this:
Of father, country, and of friends bereft,
Not one of all these sumptuous temples left;
Which, while the fortune of our house did stand,
With rich wrought ceilings spoke the artistβs hand.
O excellent poet! though despised by those who sing the verses of Euphorion. He is sensible that all things which come on a sudden are harder to be borne. Therefore, when he had set off the riches of Priam to the best advantage, which had the appearance of a long continuance, what does he add?
Lo! these all perishβd in one blazing pile;
The foe old Priam of his life beguiled,
And with his blood, thy altar, Jove, defiled.
Admirable poetry! There is something mournful in the subject, as well as in the words and measure. We must drive away this grief of hers. How is that to be done? Shall we lay her on a bed of down, introduce a singer? shall we burn cedar, or present her with some pleasant liquor, and provide her something to eat? Are these the good things which remove the most afflicting grief? For you but just now said you knew of no other good. I should agree with Epicurus that we ought to be called off from grief to contemplate good things, if we could only agree upon what was good.
It may be said, What? do you imagine Epicurus really meant this, and that he maintained anything so sensual? Indeed I do not imagine so, for I am sensible that he has uttered many excellent things and sentiments, and delivered maxims of great weight. Therefore, as I said before, I am speaking of his acuteness, not of his morals. Though he should hold those pleasures in contempt which he just now commended, yet I must remember wherein he places the chief good. For he was not contented with barely saying this, but he has explained what he meant: he says that taste, and embraces, and sports, and music, and those forms which affect the eyes with pleasure, are the chief good. Have I invented this? have I misrepresented him? I should be glad to be confuted; for what am I endeavoring at but to clear up truth in every question? Well, but the same man says that pleasure is at its height where pain ceases, and that to be free from all pain is the
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