Short Fiction by Robert Sheckley (interesting novels in english txt) 📕
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Robert Sheckley was one of science fiction’s most prolific short story writers. Though less known today than he was in his heyday, he was a giant of his time and was nominated for the Hugo and Nebula awards.
Even though many of his stories deal with serious topics, they are most widely remembered for their comedic wit. His writing was compared to that of Douglas Adams, who held Sheckley in high regard: “He’s a very, very funny writer. He’s also a stylist. Very few science fiction writers write English well. Robert Sheckley can.” Sheckley was also well-respected by Kingsley Amis who, in his book New Maps of Hell: A Survey of Science Fiction, included Sheckley in a list with Frederik Pohl and Arthur C. Clarke, and said their volumes should “be reviewed as general fiction, not tucked away, as one writer has put it, in something called ‘Spaceman’s Realm’ between the kiddy section and dog stories.”
Sheckley wrote about and pioneered many science fiction concepts, such as in his story “Watchbird,” where he explores the ability to detect murder before it happens—three years before Philip K. Dick’s “The Minority Report.” Or in “Ask a Foolish Question,” a story about an all-knowing Answerer to whom people pose the ultimate question of life—twenty-six years before Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. Alongside these two stories, this collection includes all of his public domain short fiction ordered by date of first publication.
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- Author: Robert Sheckley
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“It’s strange,” Darrig said. “I know how I felt—I just don’t feel that way any more. I think. Anyhow, I know your trouble. You haven’t read the philosophy. You’ll see what I mean, once you’ve read it.” He handed Cercy the pile of papers. Cercy promptly ignited them with his cigarette lighter.
“It doesn’t matter,” Darrig said. “I’ve got it memorized. Just listen. Axiom one. All peoples—”
Cercy hit him, a short, clean blow, and Darrig slumped to the floor.
“Those words must be semantically keyed,” Malley said. “They’re designed to set off certain reactions in us, I suppose. All the Ambassador does is alter the philosophy to suit the peoples he’s dealing with.”
“Look, Malley,” Cercy said. “This is your job now. Darrig knows, or thought he knew, the answer. You have to get that out of him.”
“That won’t be easy,” Malley said. “He’d feel that he was betraying everything he believes in, if he were to tell us.”
“I don’t care how you get it,” Cercy said. “Just get it.”
“Even if it kills him?” Malley asked.
“Even if it kills you.”
“Help me get him to my lab,” Malley said.
That night Cercy and Harrison kept watch on the Ambassador from the control room. Cercy found his thoughts were racing in circles.
What had killed Alfern in space? Could it be duplicated on Earth? What was the regularizing principle? What was the chaos underneath?
What in hell am I doing here? he asked himself. But he couldn’t start that sort of thing.
“What do you figure the Ambassador is?” he asked Harrison. “Is he a man?”
“Looks like one,” Harrison said drowsily.
“But he doesn’t act like one. I wonder if this is his true shape?”
Harrison shook his head, and lighted his pipe.
“What is there of him?” Cercy asked. “He looks like a man, but he can change into anything else. You can’t attack him; he adapts. He’s like water, taking the shape of any vessel he’s poured into.”
“You can boil water,” Harrison yawned.
“Sure. Water hasn’t any shape, has it? Or has it? What’s basic?”
With an effort, Harrison tried to focus on Cercy’s words. “Molecular pattern? The matrix?”
“Matrix,” Cercy repeated, yawning himself. “Pattern. Must be something like that. A pattern is abstract, isn’t it?”
“Sure. A pattern can be impressed on anything. What did I say?”
“Let’s see,” Cercy said. “Pattern. Matrix. Everything about the Ambassador is capable of change. There must be some unifying force that retains his personality. Something that doesn’t change, no matter what contortions he goes through.”
“Like a piece of string,” Harrison murmured with his eyes closed.
“Sure. Tie it in knots, weave a rope out of it, wind it around your finger; it’s still string.”
“Yeah.”
“But how do you attack a pattern?” Cercy asked. And why couldn’t he get some sleep? To hell with the Ambassador and his hordes of colonists, he was going to close his eyes for a moment. …
“Wake up, Colonel!”
Cercy pried his eyes open and looked up at Malley. Besides him, Harrison was snoring deeply. “Did you get anything?”
“Not a thing,” Malley confessed. “The philosophy must’ve had quite an effect on him. But it didn’t work all the way. Darrig knew that he had wanted to kill the Ambassador, and for good and sufficient reasons. Although he felt differently now, he still had the feeling that he was betraying us. On the one hand, he couldn’t hurt the Ambassador; on the other, he wouldn’t hurt us.”
“Won’t he tell anything?”
“I’m afraid it’s not that simple,” Malley said. “You know, if you have an insurmountable obstacle that must be surmounted … and also, I think the philosophy had an injurious effect on his mind.”
“What are you trying to say?” Cercy got to his feet.
“I’m sorry,” Malley apologized, “there wasn’t a damned thing I could do. Darrig fought the whole thing out in his mind, and when he couldn’t fight any longer, he—retreated. I’m afraid he’s hopelessly insane.”
“Let’s see him.”
They walked down the corridor to Malley’s laboratory. Darrig was relaxed on a couch, his eyes glazed and staring.
“Is there any way of curing him?” Cercy asked.
“Shock therapy, maybe.” Malley was dubious. “It’ll take a long time. And he’ll probably block out everything that had to do with producing this.”
Cercy turned away, feeling sick. Even if Darrig could be cured, it would be too late. The aliens must have picked up the Ambassador’s message by now and were undoubtedly heading for Earth.
“What’s this?” Cercy asked, picking up a piece of paper that lay by Darrig’s hand.
“Oh, he was doodling,” Malley said. “Is there anything written on it?”
Cercy read aloud: “ ‘Upon further consideration I can see that Chaos and the Gorgon Medusa are closely related.’ ”
“What does that mean?” Malley asked.
“I don’t know,” Cercy puzzled. “He was always interested in folklore.”
“Sounds schizophrenic,” the psychiatrist said.
Cercy read it again. “ ‘Upon further consideration, I can see that Chaos and the Gorgon Medusa are closely related.’ ” He stared at it. “Isn’t it possible,” he asked Malley, “that he was trying to give us a clue? Trying to trick himself into giving and not giving at the same time?”
“It’s possible,” Malley agreed. “An unsuccessful compromise—But what could it mean?”
“Chaos.” Cercy remembered Darrig’s mentioning that word in his telephone call. “That was the original state of the Universe in Greek myth, wasn’t it? The formlessness out of which everything came?”
“Something like that,” Malley said. “And Medusa was one of those three sisters with the horrible faces.”
Cercy stood for a moment, staring at the paper. Chaos … Medusa … and the organizing principle! Of course!
“I think—” He turned and ran from the room. Malley looked at him; then loaded a hypodermic and followed.
In the control room, Cercy shouted Harrison into consciousness.
“Listen,” he said, “I want you to build something, quick. Do you hear me?”
“Sure.” Harrison blinked and sat up. “What’s the rush?”
“I know what Darrig wanted to tell us,” Cercy said. “Come on, I’ll tell you what I want. And Malley, put down that hypodermic. I haven’t cracked. I want you to get me a book on Greek mythology. And hurry it up.”
Finding a Greek mythology isn’t
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