Short Fiction by Kate Chopin (love story books to read .txt) 📕
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Kate Chopin’s most famous work nowadays is the novel The Awakening, but at the turn of the last century she was more famous for her short fiction, published in American magazines like the St. Louis Post-Dispatch, Youth’s Companion, and Vogue. A prolific writer, over the course of fourteen years she penned nearly a hundred stories, although many didn’t see publication until a new collection was released in 1963. The stories focus on life in 1890s Louisiana, a setting that she was living in as a resident of New Orleans and Natchitoches. They’re told from many different points of view, but always with empathy for the struggles, both big and small, of the protagonists.
This collection contains the forty-nine short stories of Kate Chopin verified to be in the U.S. public domain, including “Désirée’s Baby” and “The Dream of an Hour.” They’re presented in the order they were originally written.
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- Author: Kate Chopin
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That was the year Alcée Laballière put nine hundred acres in rice. It was putting a good deal of money into the ground, but the returns promised to be glorious. Old Madame Laballière, sailing about the spacious galleries in her white volante, figured it all out in her head. Clarisse, her goddaughter, helped her a little, and together they built more air-castles than enough. Alcée worked like a mule that time; and if he did not kill himself, it was because his constitution was an iron one. It was an everyday affair for him to come in from the field well-nigh exhausted, and wet to the waist. He did not mind if there were visitors; he left them to his mother and Clarisse. There were often guests: young men and women who came up from the city, which was but a few hours away, to visit his beautiful kinswoman. She was worth going a good deal farther than that to see. Dainty as a lily; hardy as a sunflower; slim, tall, graceful, like one of the reeds that grew in the marsh. Cold and kind and cruel by turn, and everything that was aggravating to Alcée.
He would have liked to sweep the place of those visitors, often. Of the men, above all, with their ways and their manners; their swaying of fans like women, and dandling about hammocks. He could have pitched them over the levee into the river, if it hadn’t meant murder. That was Alcée. But he must have been crazy the day he came in from the rice-field, and, toil-stained as he was, clasped Clarisse by the arms and panted a volley of hot, blistering love-words into her face. No man had ever spoken love to her like that.
“Monsieur!” she exclaimed, looking him full in the eyes, without a quiver. Alcée’s hands dropped and his glance wavered before the chill of her calm, clear eyes.
“Par exemple!” she muttered disdainfully, as she turned from him, deftly adjusting the careful toilet that he had so brutally disarranged.
That happened a day or two before the cyclone came that cut into the rice like fine steel. It was an awful thing, coming so swiftly, without a moment’s warning in which to light a holy candle or set a piece of blessed palm burning. Old madame wept openly and said her beads, just as her son Didier, the New Orleans one, would have done. If such a thing had happened to Alphonse, the Laballière planting cotton up in Natchitoches, he would have raved and stormed like a second cyclone, and made his surroundings unbearable for a day or two. But Alcée took the misfortune differently. He looked ill and gray after it, and said nothing. His speechlessness was frightful. Clarisse’s heart melted with tenderness; but when she offered her soft, purring words of condolence, he accepted them with mute indifference. Then she and her nénaine wept afresh in each other’s arms.
A night or two later, when Clarisse went to her window to kneel there in the moonlight and say her prayers before retiring, she saw that Bruce, Alcée’s negro servant, had led his master’s saddle-horse noiselessly along the edge of the sward that bordered the gravel-path, and stood holding him near by. Presently, she heard Alcée quit his room, which was beneath her own, and traverse the lower portico. As he emerged from the shadow and crossed the strip of moonlight, she perceived that he carried a pair of well-filled saddlebags which he at once flung across the animal’s back. He then lost no time in mounting, and after a brief exchange of words with Bruce, went cantering away, taking no precaution to avoid the noisy gravel as the negro had done.
Clarisse had never suspected that it might be Alcée’s custom to sally forth from the plantation secretly, and at such an hour; for it was nearly midnight. And had it not been for the telltale saddlebags, she would only have crept to bed, to wonder, to fret and dream unpleasant dreams. But her impatience and anxiety would not be held in check. Hastily unbolting the shutters of her door that opened upon the gallery, she stepped outside and called softly to the old negro.
“Gre’t Peter! Miss Clarisse. I was n’ sho it was a ghos’ o’ w’at, stan’in’ up dah, plumb in de night, dataway.”
He mounted halfway up the long, broad flight of stairs. She was standing at the top.
“Bruce, w’ere has Monsieur Alcée gone?” she asked.
“W’y, he gone ’bout he business, I reckin,” replied Bruce, striving to be noncommittal at the outset.
“W’ere has Monsieur Alcée gone?” she reiterated, stamping her bare foot. “I won’t stan’ any nonsense or any lies; mine, Bruce.”
“I don’ ric’lie ez I eva tole you lie yit, Miss Clarisse. Mista Alcée, he all broke up, sho.”
“W’ere—has—he gone? Ah, Sainte Vierge! faut de la patience! butor, va!”
“W’en I was in he room, a-breshin’ off he clo’es today,” the darkey began, settling himself against the stair-rail, “he look dat speechless an’ down, I say, ‘You ’pear tu me like some pussun w’at gwine have a spell o’ sickness, Mista Alcée.’ He say, ‘You reckin?’ ’I dat he git up, go look hisse’f stiddy in de glass. Den he go to de chimbly an’ jerk up de
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