The Rainbow by D. H. Lawrence (novels for beginners .txt) ๐
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The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydiaโs child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last thirdโand perhaps most famousโpart of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwenโs quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a careerโa concept both new and frightening to her family, who are just a generation removed from the era when a womanโs life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursulaโs story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrenceโs Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
Read book online ยซThe Rainbow by D. H. Lawrence (novels for beginners .txt) ๐ยป. Author - D. H. Lawrence
For some weeks the youth came frequently, and was received gladly by them all. He sat amongst them, his dark face glowing, an eagerness and a touch of derisiveness on his wide mouth, something grinning and twisted, his eyes always shining like a birdโs, utterly without depth. There was no getting hold of the fellow, Brangwen irritably thought. He was like a grinning young tomcat, that came when he thought he would, and without cognizance of the other person.
At first the youth had looked towards Tom Brangwen when he talked; and then he looked towards his aunt, for her appreciation, valuing it more than his uncleโs; and then he turned to Anna, because from her he got what he wanted, which was not in the elder people.
So that the two young people, from being always attendant on the elder, began to draw apart and establish a separate kingdom. Sometimes Tom Brangwen was irritated. His nephew irritated him. The lad seemed to him too special, self-contained. His nature was fierce enough, but too much abstracted, like a separate thing, like a catโs nature. A cat could lie perfectly peacefully on the hearthrug whilst its master or mistress writhed in agony a yard away. It had nothing to do with other peopleโs affairs. What did the lad really care about anything, save his own instinctive affairs?
Brangwen was irritated. Nevertheless he liked and respected his nephew. Mrs. Brangwen was irritated by Anna, who was suddenly changed, under the influence of the youth. The mother liked the boy: he was not quite an outsider. But she did not like her daughter to be so much under the spell.
So that gradually the two young people drew apart, escaped from the elders, to create a new thing by themselves. He worked in the garden to propitiate his uncle. He talked churches to propitiate his aunt. He followed Anna like a shadow: like a long, persistent, unswerving black shadow he went after the girl. It irritated Brangwen exceedingly. It exasperated him beyond bearing, to see the lit-up grin, the cat-grin as he called it, on his nephewโs face.
And Anna had a new reserve, a new independence. Suddenly she began to act independently of her parents, to live beyond them. Her mother had flashes of anger.
But the courtship went on. Anna would find occasion to go shopping in Ilkeston at evening. She always returned with her cousin; he walking with his head over her shoulder, a little bit behind her, like the Devil looking over Lincoln, as Brangwen noted angrily and yet with satisfaction.
To his own wonder, Will Brangwen found himself in an electric state of passion. To his wonder, he had stopped her at the gate as they came home from Ilkeston one night, and had kissed her, blocking her way and kissing her whilst he felt as if some blow were struck at him in the dark. And when they went indoors, he was acutely angry that her parents looked up scrutinizing at him and her. What right had they there: why should they look up! Let them remove themselves, or look elsewhere.
And the youth went home with the stars in heaven whirling fiercely about the blackness of his head, and his heart fierce, insistent, but fierce as if he felt something baulking him. He wanted to smash through something.
A spell was cast over her. And how uneasy her parents were, as she went about the house unnoticing, not noticing them, moving in a spell as if she were invisible to them. She was invisible to them. It made them angry. Yet they had to submit. She went about absorbed, obscured for a while.
Over him too the darkness of obscurity settled. He seemed to be hidden in a tense, electric darkness, in which his soul, his life was intensely active, but without his aid or attention. His mind was obscured. He worked swiftly and mechanically, and he produced some beautiful things.
His favourite work was woodcarving. The first thing he made for her was a butter-stamper. In it he carved a mythological bird, a phoenix, something like an eagle, rising on symmetrical wings, from a circle of very beautiful flickering flames that rose upwards from the rim of the cup.
Anna thought nothing of the gift on the evening when he gave it to her. In the morning, however, when the butter was made, she fetched his seal in place of the old wooden stamper of oak-leaves and acorns. She was curiously excited to see how it would turn out. Strange, the uncouth bird moulded there, in the cup-like hollow, with curious, thick waverings running inwards from a smooth rim. She pressed another mould. Strange, to lift the stamp and see that eagle-beaked bird raising its breast to her. She loved creating it over and over again. And every time she looked, it seemed a new thing come to life. Every piece of butter became this strange, vital emblem.
She showed it to her mother and father.
โThat is beautiful,โ said her mother, a little light coming on to her face.
โBeautiful!โ exclaimed the father, puzzled, fretted. โWhy, what sort of a bird does he call it?โ
And this was the question put by the customers during the next weeks.
โWhat sort of a bird do you call that, as youโve got on thโ butter?โ
When he came in the evening, she took him into the dairy to show him.
โDo you like it?โ he asked, in his loud, vibrating voice that always sounded strange, reechoing in the dark places of her being.
They very rarely touched each other. They liked to be alone together, near to each other, but there was still a distance between them.
In the cool dairy the candlelight lit on the large, white surfaces of the cream
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