Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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Breakfast over, he went to his countinghouse. Henry, Joe Scottâs boy, brought in the letters and the daily papers; Moore seated himself at his desk, broke the seals of the documents, and glanced them over. They were all short, but not, it seemed, sweetâ âprobably rather sour, on the contrary, for as Moore laid down the last, his nostrils emitted a derisive and defiant snuff, and though he burst into no soliloquy, there was a glance in his eye which seemed to invoke the devil, and lay charges on him to sweep the whole concern to Gehenna. However, having chosen a pen and stripped away the feathered top in a brief spasm of finger-fury (only finger-furyâ âhis face was placid), he dashed off a batch of answers, sealed them, and then went out and walked through the mill. On coming back he sat down to read his newspaper.
The contents seemed not absorbingly interesting; he more than once laid it across his knee, folded his arms, and gazed into the fire; he occasionally turned his head towards the window; he looked at intervals at his watch; in short, his mind appeared preoccupied. Perhaps he was thinking of the beauty of the weatherâ âfor it was a fine and mild morning for the seasonâ âand wishing to be out in the fields enjoying it. The door of his countinghouse stood wide open. The breeze and sunshine entered freely; but the first visitant brought no spring perfume on its wings, only an occasional sulphur-puff from the soot-thick column of smoke rushing sable from the gaunt mill-chimney.
A dark-blue apparition (that of Joe Scott, fresh from a dyeing vat) appeared momentarily at the open door, uttered the words âHeâs comed, sir,â and vanished.
Mr. Moore raised not his eyes from the paper. A large man, broad-shouldered and massive-limbed, clad in fustian garments and gray worsted stockings, entered, who was received with a nod, and desired to take a seat, which he did, making the remark, as he removed his hat (a very bad one), stowed it away under his chair, and wiped his forehead with a spotted cotton handkerchief extracted from the hat-crown, that it was âraight dahn warm for Febewerry.â Mr. Moore assentedâ âat least he uttered some slight sound, which, though inarticulate, might pass for an assent. The visitor now carefully deposited in the corner beside him an official-looking staff which he bore in his hand; this done, he whistled, probably by way of appearing at his ease.
âYou have what is necessary, I suppose?â said Mr. Moore.
âAy, ay! allâs right.â
He renewed his whistling, Mr. Moore his reading. The paper apparently had become more interesting. Presently, however, he turned to his cupboard, which was within reach of his long arm, opened it without rising, took out a black bottleâ âthe same he had produced for Maloneâs benefitâ âa tumbler, and a jug, placed them on the table, and said to his guestâ â
âHelp yourself; thereâs water in that jar in the corner.â
âI dunnut knaw that thereâs mich need, for all a body is dry (thirsty) in a morning,â said the fustian gentleman, rising and doing as requested.
âWill you tak naught yourseln, Mr. Moore?â he inquired, as with skilled hand he mixed a portion, and having tested it by a deep draught, sank back satisfied and bland in his seat. Moore, chary of words, replied by a negative movement and murmur.
âYahâd as good,â continued his visitor; âit âuld set ye up wald a sup oâ this stuff. Uncommon good hollands. Ye get it froâ furrin parts, Iâse think?â
âAy!â
âTak my advice and try a glass onât. Them lads âatâs comingâll keep ye talking, nobâdy knows how long. Yeâll need propping.â
âHave you seen Mr. Sykes this morning?â inquired Moore.
âI seed him a hauf an hourâ ânay, happen a quarter of an hour sinâ, just afore I set off. He said he aimed to come here, and I sudnât wonder but yeâll have old Helstone too. I seed âem saddling his little nag as I passed at back oâ tâ rectory.â
The speaker was a true prophet, for the trot of a little nagâs hoofs was, five minutes after, heard in the yard. It stopped, and a well-known nasal voice cried aloud, âBoyâ (probably addressing Harry Scott, who usually hung about the premises from 9 a.m. to 5 p.m.), âtake my horse and lead him into the stable.â
Helstone came in marching nimbly and erect, looking browner, keener, and livelier than usual.
âBeautiful morning, Moore. How do, my boy? Ha! whom have we here?â (turning to the personage with the staff). âSugden! What! youâre going to work directly? On my word, you lose no time. But I come to ask explanations. Your message was delivered to me. Are you sure you are on the right scent? How do you mean to set about the business? Have you got a warrant?â
âSugden has.â
âThen you are going to seek him now? Iâll accompany you.â
âYou will be spared that trouble, sir; he is coming to seek me. Iâm just now sitting in state waiting his arrival.â
âAnd who is it? One of my parishioners?â
Joe Scott had entered unobserved. He now stood, a most sinister phantom, half his person being dyed of the deepest tint of indigo, leaning on the desk. His masterâs answer to the rectorâs question was a smile. Joe took the word. Putting on a quiet but pawky look, he saidâ â
âItâs a friend of yours, Mr. Helstone, a gentleman you often speak of.â
âIndeed! His name, Joe? You look well this morning.â
âOnly the Rev. Moses Barraclough; tâ tub orator you call him sometimes, I think.â
âAh!â said the rector, taking out his snuffbox, and administering to himself a very long pinchâ ââah! couldnât have supposed it. Why, the pious man never was a workman of yours, Moore. Heâs a tailor by trade.â
âAnd so much the worse grudge I owe him, for interfering and setting my discarded men against me.â
âAnd Moses was actually present at the battle of Stilbroâ Moor? He went there, wooden leg and all?â
âAy, sir,â said Joe; âhe went there on horseback, that his leg mightnât be noticed. He was the captain,
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