Mrs. Dalloway by Virginia Woolf (romantic love story reading .TXT) 📕
Description
Probably Virginia Woolf’s best-known novel, Mrs. Dalloway, originally published in 1925, is a glorious, ground-breaking text. On the surface, it follows Clarissa Dalloway, an Englishwoman in her fifties, minute by minute through the June day on which she is having a party. At a deeper level, however, the novel demonstrates, through an effortless stream of consciousness, the connections formed in human interaction—whether these interactions are fleeting, or persist through decades.
This is a novel to read and cherish, if only to marvel at Woolf’s linguistic acrobatics. Words and phrases swoop and soar like swallows. Woolf’s sentences are magnificent: sinuous, whirling, impeccably detailed. As narrative perspective shifts from character to character—sometimes within a single sentence—readers come to understand the oh-so-permeable barrier between self and other. Through Clarissa we meet Septimus Warren Smith, his wife Rezia, and a cast of dozens more, all connected by the “leaden circles” of Big Ben marking the passage of every hour, by the pavements of Bloomsbury that lead everywhere and nowhere. Modernist London has never been portrayed more sublimely: replete with birdsong and flowers, resplendent in sunshine, youthful yet eternal—and even in the aftermath of war and pandemic, resilient.
Mrs. Dalloway is Woolf’s attempt to express that which may be inexpressible. It offers a close examination of how difficult it is, even when our hearts are brimming, to say what we really feel; and it examines the damage we inflict through our reticence with words, our withholding of love. It is a novel of the soul, and a work of immense beauty.
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- Author: Virginia Woolf
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“I don’t pity myself,” she said. “I pity”—she meant to say “your mother” but no, she could not, not to Elizabeth. “I pity other people much more.”
Like some dumb creature who has been brought up to a gate for an unknown purpose, and stands there longing to gallop away, Elizabeth Dalloway sat silent. Was Miss Kilman going to say anything more?
“Don’t quite forget me,” said Doris Kilman; her voice quivered. Right away to the end of the field the dumb creature galloped in terror.
The great hand opened and shut.
Elizabeth turned her head. The waitress came. One had to pay at the desk, Elizabeth said, and went off, drawing out, so Miss Kilman felt, the very entrails in her body, stretching them as she crossed the room, and then, with a final twist, bowing her head very politely, she went.
She had gone. Miss Kilman sat at the marble table among the éclairs, stricken once, twice, thrice by shocks of suffering. She had gone. Mrs. Dalloway had triumphed. Elizabeth had gone. Beauty had gone; youth had gone.
So she sat. She got up, blundered off among the little tables, rocking slightly from side to side, and somebody came after her with her petticoat, and she lost her way, and was hemmed in by trunks specially prepared for taking to India; next got among the accouchement sets and baby linen; through all the commodities of the world, perishable and permanent, hams, drugs, flowers, stationery, variously smelling, now sweet, now sour, she lurched; saw herself thus lurching with her hat askew, very red in the face, full length in a looking-glass; and at last came out into the street.
The tower of Westminster Cathedral rose in front of her, the habitation of God. In the midst of the traffic, there was the habitation of God. Doggedly she set off with her parcel to that other sanctuary, the Abbey, where, raising her hands in a tent before her face, she sat beside those driven into shelter too; the variously assorted worshippers, now divested of social rank, almost of sex, as they raised their hands before their faces; but once they removed them, instantly reverent, middle class, English men and women, some of them desirous of seeing the waxworks.
But Miss Kilman held her tent before her face. Now she was deserted; now rejoined. New worshippers came in from the street to replace the strollers, and still, as people gazed round and shuffled past the tomb of the Unknown Warrior, still she barred her eyes with her fingers and tried in this double darkness, for the light in the Abbey was bodiless, to aspire above the vanities, the desires, the commodities, to rid herself both of hatred and of love. Her hands twitched. She seemed to struggle. Yet to others God was accessible and the path to Him smooth. Mr. Fletcher, retired, of the Treasury, Mrs. Gorham, widow of the famous K. C., approached Him simply, and having done their praying, leant back, enjoyed the music (the organ pealed sweetly), and saw Miss Kilman at the end of the row, praying, praying, and, being still on the threshold of their underworld, thought of her sympathetically as a soul haunting the same territory; a soul cut out of immaterial substance; not a woman, a soul.
But Mr. Fletcher had to go. He had to pass her, and being himself neat as a new pin, could not help being a little distressed by the poor lady’s disorder; her hair down; her parcel on the floor. She did not at once let him pass. But, as he stood gazing about him, at the white marbles, grey window panes, and accumulated treasures (for he was extremely proud of the Abbey), her largeness, robustness, and power as she sat there shifting her knees from time to time (it was so rough the approach to her God—so tough her desires) impressed him, as they had impressed Mrs. Dalloway (she could not get the thought of her out of her mind that afternoon), the Rev. Edward Whittaker, and Elizabeth too.
And Elizabeth waited in Victoria Street for an omnibus. It was so nice to be out of doors. She thought perhaps she need not go home just yet. It was so nice to be out in the air. So she would get on to an omnibus. And already, even as she stood there, in her very well-cut clothes, it was beginning. … People were beginning to compare her to poplar trees, early dawn, hyacinths, fawns, running water, and garden lilies; and it made her life a burden to her, for she so much preferred being left alone to do what she liked in the country, but they would compare her to lilies, and she had to go to parties, and London was so dreary compared with being alone in the country with her father and the dogs.
Buses swooped, settled, were off—garish caravans, glistening with red and yellow varnish. But which should she get on to? She had no preferences. Of course, she would not push her way. She inclined to be passive. It was expression she needed, but her eyes were fine, Chinese, oriental, and, as her mother said, with such nice shoulders and holding herself so straight, she was always charming to look at; and lately, in the evening especially, when she was interested, for she never seemed excited, she looked almost beautiful, very stately, very serene. What could she be thinking? Every man fell in love with her, and she was really awfully bored. For it was beginning. Her mother could see that—the compliments were beginning. That she did not care more about it—for instance for
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