Mrs. Dalloway by Virginia Woolf (romantic love story reading .TXT) 📕
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Probably Virginia Woolf’s best-known novel, Mrs. Dalloway, originally published in 1925, is a glorious, ground-breaking text. On the surface, it follows Clarissa Dalloway, an Englishwoman in her fifties, minute by minute through the June day on which she is having a party. At a deeper level, however, the novel demonstrates, through an effortless stream of consciousness, the connections formed in human interaction—whether these interactions are fleeting, or persist through decades.
This is a novel to read and cherish, if only to marvel at Woolf’s linguistic acrobatics. Words and phrases swoop and soar like swallows. Woolf’s sentences are magnificent: sinuous, whirling, impeccably detailed. As narrative perspective shifts from character to character—sometimes within a single sentence—readers come to understand the oh-so-permeable barrier between self and other. Through Clarissa we meet Septimus Warren Smith, his wife Rezia, and a cast of dozens more, all connected by the “leaden circles” of Big Ben marking the passage of every hour, by the pavements of Bloomsbury that lead everywhere and nowhere. Modernist London has never been portrayed more sublimely: replete with birdsong and flowers, resplendent in sunshine, youthful yet eternal—and even in the aftermath of war and pandemic, resilient.
Mrs. Dalloway is Woolf’s attempt to express that which may be inexpressible. It offers a close examination of how difficult it is, even when our hearts are brimming, to say what we really feel; and it examines the damage we inflict through our reticence with words, our withholding of love. It is a novel of the soul, and a work of immense beauty.
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- Author: Virginia Woolf
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Suddenly Elizabeth stepped forward and most competently boarded the omnibus, in front of everybody. She took a seat on top. The impetuous creature—a pirate—started forward, sprang away; she had to hold the rail to steady herself, for a pirate it was, reckless, unscrupulous, bearing down ruthlessly, circumventing dangerously, boldly snatching a passenger, or ignoring a passenger, squeezing eel-like and arrogant in between, and then rushing insolently all sails spread up Whitehall. And did Elizabeth give one thought to poor Miss Kilman who loved her without jealousy, to whom she had been a fawn in the open, a moon in a glade? She was delighted to be free. The fresh air was so delicious. It had been so stuffy in the Army and Navy Stores. And now it was like riding, to be rushing up Whitehall; and to each movement of the omnibus the beautiful body in the fawn-coloured coat responded freely like a rider, like the figurehead of a ship, for the breeze slightly disarrayed her; the heat gave her cheeks the pallor of white painted wood; and her fine eyes, having no eyes to meet, gazed ahead, blank, bright, with the staring incredible innocence of sculpture.
It was always talking about her own sufferings that made Miss Kilman so difficult. And was she right? If it was being on committees and giving up hours and hours every day (she hardly ever saw him in London) that helped the poor, her father did that, goodness knows—if that was what Miss Kilman meant about being a Christian; but it was so difficult to say. Oh, she would like to go a little further. Another penny was it to the Strand? Here was another penny, then. She would go up the Strand.
She liked people who were ill. And every profession is open to the women of your generation, said Miss Kilman. So she might be a doctor. She might be a farmer. Animals are often ill. She might own a thousand acres and have people under her. She would go and see them in their cottages. This was Somerset House. One might be a very good farmer—and that, strangely enough though Miss Kilman had her share in it, was almost entirely due to Somerset House. It looked so splendid, so serious, that great grey building. And she liked the feeling of people working. She liked those churches, like shapes of grey paper, breasting the stream of the Strand. It was quite different here from Westminster, she thought, getting off at Chancery Lane. It was so serious; it was so busy. In short, she would like to have a profession. She would become a doctor, a farmer, possibly go into Parliament, if she found it necessary, all because of the Strand.
The feet of those people busy about their activities, hands putting stone to stone, minds eternally occupied not with trivial chatterings (comparing women to poplars—which was rather exciting, of course, but very silly), but with thoughts of ships, of business, of law, of administration, and with it all so stately (she was in the Temple), gay (there was the river), pious (there was the Church), made her quite determined, whatever her mother might say, to become either a farmer or a doctor. But she was, of course, rather lazy.
And it was much better to say nothing about it. It seemed so silly. It was the sort of thing that did sometimes happen, when one was alone—buildings without architects’ names, crowds of people coming back from the city having more power than single clergymen in Kensington, than any of the books Miss Kilman had lent her, to stimulate what lay slumbrous, clumsy, and shy on the mind’s sandy floor to break surface, as a child suddenly stretches its arms; it was just that, perhaps, a sigh, a stretch of the arms, an impulse, a revelation, which has its effects forever, and then down again it went to the sandy floor. She must go home. She must dress for dinner. But what was the time?—where was a clock?
She looked up Fleet Street. She walked just a little way towards St. Paul’s, shyly, like someone penetrating on tiptoe, exploring a strange house by night with a candle, on edge lest the owner should suddenly fling wide his bedroom door and ask her business, nor did she dare wander off into queer alleys, tempting by-streets, any more than in a strange house open doors which might be bedroom doors, or sitting-room doors, or lead straight to the larder. For no Dalloways came down the Strand daily; she was a pioneer, a stray, venturing, trusting.
In many ways, her mother felt, she was extremely immature, like a child still, attached to dolls, to old slippers; a perfect baby; and that was charming. But then, of course, there was in the Dalloway family the tradition of public service. Abbesses, principals, head mistresses, dignitaries, in the republic of women—without being brilliant, any of them, they were that. She penetrated a little further in the direction of St. Paul’s. She liked the geniality, sisterhood, motherhood, brotherhood of this uproar. It seemed to her good. The noise was tremendous; and suddenly there were trumpets (the unemployed) blaring, rattling about in the uproar; military music; as if people were marching; yet had they been dying—had some woman breathed her last and whoever was watching, opening the window of the room where she had just brought off that act of supreme dignity, looked down on Fleet Street, that uproar, that military music would have come triumphing up to him, consolatory, indifferent.
It was not conscious. There was no recognition in it of one’s fortune, or fate, and for that very reason
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