The Moonstone by Wilkie Collins (10 ebook reader .TXT) 📕

“It’s quite on the cards, sir,” he said, “that you have put the clue into our hands.”

As the words passed his lips, the bedroom door opened, and Miss Rachel came out among us suddenly.

She addressed herself to the Sergeant, without appearing to notice (or to heed) that he was a perfect stranger to her.

“Did you say,” she asked, pointing to Mr. Franklin, “that he had put the clue into your hands?”

(“This is Miss Verinder,” I whispered, behind the Sergeant.)

“That gentleman, miss,” says the Sergeant⁠—with his steely-grey eyes carefully studying my young lady’s face⁠—“has possibly put the clue into our hands.”

She turned for one moment, and tried to look at Mr. Franklin. I say, tried, for she suddenly looked away again before their eyes met. There seemed to be some strange disturbance in her mind. She coloured up, and then she turned pale again. With the paleness, there came a new look into her face⁠—a look which it startled me to see.

“Having answered your question, miss,” says the Sergeant, “I beg leave to make an inquiry in my turn. There is a smear on the painting of your door, here. Do you happen to know when it was done? or who did it?”

Instead of making any reply, Miss Rachel went on with her questions, as if he had not spoken, or as if she had not heard him.

“Are you another police-officer?” she asked.

“I am Sergeant Cuff, miss, of the Detective Police.”

“Do you think a young lady’s advice worth having?”

“I shall be glad to hear it, miss.”

“Do your duty by yourself⁠—and don’t allow Mr. Franklin Blake to help you!”

She said those words so spitefully, so savagely, with such an extraordinary outbreak of ill-will towards Mr. Franklin, in her voice and in her look, that⁠—though I had known her from a baby, though I loved and honoured her next to my lady herself⁠—I was ashamed of Miss Rachel for the first time in my life.

Sergeant Cuff’s immovable eyes never stirred from off her face. “Thank you, miss,” he said. “Do you happen to know anything about the smear? Might you have done it by accident yourself?”

“I know nothing about the smear.”

With that answer, she turned away, and shut herself up again in her bedroom. This time, I heard her⁠—as Penelope had heard her before⁠—burst out crying as soon as she was alone again.

I couldn’t bring myself to look at the Sergeant⁠—I looked at Mr. Franklin, who stood nearest to me. He seemed to be even more sorely distressed at what had passed than I was.

“I told you I was uneasy about her,” he said. “And now you see why.”

“Miss Verinder appears to be a little out of temper about the loss of her Diamond,” remarked the Sergeant. “It’s a valuable jewel. Natural enough! natural enough!”

Here was the excuse that I had made for her (when she forgot herself before Superintendent Seegrave, on the previous day) being made for her over again, by a man who couldn’t have had my interest in making it⁠—for he was a perfect stranger! A kind of cold shudder ran through me, which I couldn’t account for at the time. I know, now, that I must have got my first suspicion, at that moment, of a new light (and horrid light) having suddenly fallen on the case, in the mind of Sergeant Cuff⁠—purely and entirely in consequence of what he had seen in Miss Rachel, and heard from Miss Rachel, at that first interview between them.

“A young lady’s tongue is a privileged member, sir,” says the Sergeant to Mr. Franklin. “Let us forget what has passed, and go straight on with this business. Thanks to you, we know when the paint was dry. The next thing to discover is when the paint was last seen without that smear. You have got a head on your shoulders⁠—and you understand what I mean.”

Mr. Franklin composed himself, and came back with an effort from Miss Rachel to the matter in hand.

“I think I do understand,” he said. “The more we narrow the question of time, the more we also narrow the field of inquiry.”

“That’s it, sir,” said the Sergeant. “Did you notice your work here, on the Wednesday afternoon, after you had done it?”

Mr. Franklin shook his head, and answered, “I can’t say I did.”

“Did you?” inquired Sergeant Cuff, turning to me.

“I can’t say I did either, sir.”

“Who was the last person in the room, the last thing on Wednesday night?”

“Miss Rachel, I suppose, sir.”

Mr. Franklin struck in there, “Or possibly your daughter, Betteredge.” He turned to Sergeant Cuff, and explained that my daughter was Miss Verinder’s maid.

“Mr. Betteredge, ask your daughter to step up. Stop!” says the Sergeant, taking me away to the window, out of earshot, “Your Superintendent here,” he went on, in a whisper, “has made a pretty full report to me of the manner in which he has managed this case. Among other things, he has, by his own confession, set the servants’ backs up. It’s very important to smooth them down again. Tell your daughter, and tell the rest of them, these two things, with my compliments: First, that I have no evidence before me, yet, that the Diamond has been stolen; I only know that the Diamond has been lost. Second, that my business here with the servants is simply to ask them to lay their heads together and help me to find it.”

My experience of the women-servants, when Superintendent Seegrave laid his embargo on their rooms, came in handy here.

“May I make so bold, Sergeant, as to tell the women a third thing?” I asked. “Are they free (with your compliments) to fidget up and downstairs, and whisk in and out of their bedrooms, if the fit takes them?”

“Perfectly free,” said the Sergeant.

“That will smooth them down, sir,” I remarked, “from the cook to the scullion.”

“Go, and do it at once, Mr. Betteredge.”

I did it in less than five minutes. There was only one difficulty when I came to the bit about the bedrooms. It took a pretty stiff exertion