Dangerous Liaisons by Pierre Choderlos de Laclos (the reading list .TXT) ๐
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Dangerous Liaisons (Les Liaisons dangereuses) is an early French novel by Pierre Choderlos de Laclos, first published in four volumes in 1782. At the time of its publication novels were a new literary form, and Laclos chose to present his story in an epistolary style, composing the novel solely of a series of letters written by the major characters to each other. It was first translated into English in 1812 and has since become universally regarded as one the most significant early French novels.
The story is framed around the Marquise de Merteuil and the Vicomte de Valmont, two narcissistic French aristocrats and rivals who enjoy games of seduction and manipulation, and who most especially enjoy one-upping each other. The letters they send to each other portray an interconnected web of seduction, revenge, and malice, and are interspersed with the more innocent letters of their victims.
Dangerous Liaisons has often been seen as a depiction of the corruption and depravity of the French nobility shortly before the French Revolution, thereby making a negative statement about the Ancien Rรฉgime. But itโs also a depiction of the timeless problems surrounding sex and love, and a realistic portrayal of desires that are often beyond our control. As Laclos enjoyed the patronage of Louis Philippe II, the Duke of Orlรฉans, and as other royalist and conservative figures like Queen Marie Antoinette enjoyed the book, itโs likely it wasnโt seen as a morality tale until after the French Revolution.
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- Author: Pierre Choderlos de Laclos
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You say my letters are too frequent. I beg you will reflect, that for these ten days that I have been exiled from you, a single moment has not passed that was not taken up in thinking of you, and yet I have wrote you but two letters. I entertain you with nothing but my mad passion. Ah! what can I say but what I think? All I could do, was to soften the expression; and I hope you will believe me when I assure you, I have only let you see what I could not hide. At length you threaten to answer me no more. And thus the man who prefers you to everything, and whose respect is still greater than his love, you are not content to treat with the utmost severity, but add to it contempt. But why all those threats and this wrath? What occasion for them, when you are certain to be obeyed, even in your unjust orders? Is it then possible for me to contradict your wishes; and have I not already proved it? But will you abuse your power over me? After having made me miserable, after all your injustice, will it be an easy matter for you to enjoy that tranquillity that you say is so necessary to you? Will you never tell yourselfโ โhe made me arbitress of his fate, and I made him miserable; he implored my aid, and I did not even give him a compassionate glanceโ โDo you know how far despair may drive me? No.
To sooth my cares, you should know the extent of my passion, and you do not know my heart.
But to what am I made a sacrifice? To chimerical fears. Who inspired them? The man who adores you; a man over whom you will ever have an absolute sway. What do you dread, what can you dread, from a sentiment that you will always have the power to direct at your pleasure? Your imagination creates monsters, and the fears they raise you attribute to love. With a little confidence those fears will vanish.
A learned writer has said, that in order to dispel oneโs fears, it would be almost always sufficient to search the cause.13 It is to love, above all others, that this truth is applicable. Love and your apprehensions will subside. In the room of terrifying objects, you will find a tender submissive lover, and a delicious sentiment; your days will be marked with bliss; and the only regret you will have, will be to have lost so much time in indifference. Myself even, since I have abandoned my errors, exist no longer but for love. I regret the time spent in pleasure; and I feel it is from you alone my happiness must proceed. But let me entreat you, that the pleasure I have in writing to you may not be interrupted by the dread of offending. I will not disobey you; but lay myself at your feet, and there reclaim the happiness you want to deprive me of; the only one that is left me. I call on you; hear my prayers, and behold my tears. Ah, Madam! will you refuse me?
Sept. 7, 17โ โ.
Letter 59 Viscount de Valmont to the Marchioness de MerteuilPray inform me, if you can, what is all this nonsense of Danceny. What has happened, and what has he lost? His fair one, perhaps, is angry at his constant respect; and really one would be vexed at a smaller matter. What shall I say to him tonight at the rendezvous he requested, and which I have given him at all events. I shall most certainly lose my time to attend his doleful ditty, if it does not lead us to something. Passionate complaints are supportable only in a recitative obligato, or in grand airs. Give me your directions then about this business, and what I am to do; otherwise I shall desert, to avoid the dullness I foresee. Could I have a little chat with you this morning? If you are busy, at least give me a line, and the catchword for the part I am to act.
Where was you yesterday? I can never now have the pleasure of seeing you. At this rate, it was not worth while to keep me in Paris in the month of September. Take some resolution, however; for I have just received a most pressing invitation from the Countess de Bโ โธบ, to go see her in the country; and she writes very humorously, โthat her husband has the finest wood in the world, which he preserves carefully for the amusement of his friends;โ and you know I have some kind of right to that wood. I will go see it again, if you have no employment for me. Adieu! Remember Danceny is to be with me at four oโclock.
Sept. 8, 17โ โ.
Letter 60 Chevalier Danceny to the Viscount de Valmont(Enclosed in the preceding.)
Ah, Sir! I am in a state of desperation; all is lost. I dare not confide to paper the cause of my troubles; but want to pour them forth in the bosom of some faithful friend. At what hour can I see you, to seek consolation and advice from you? I was so happy the day I opened my mind to you; now, what an alteration! everything is adverse to me. What I suffer upon my own account is the least part of my torments; my uneasiness for a much dearer object is what I cannot support. You, who are happier than me, can see her; and I expect from your friendship that you will not refuse me: but I must speak to you, and give you your instructions. I know you will pity and assist me. In
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