This Side of Paradise by F. Scott Fitzgerald (top 10 motivational books .TXT) 📕
Description
This Side of Paradise chronicles the coming of age of Amory Blaine, born to a wealthy midwestern family. It begins with Amory as a spoiled youth, doted on by his eccentric mother Beatrice. It follows him as he attends preparatory school and Princeton, and then briefly attempts but quickly abandons at a career in advertising. His service in World War I is mentioned but mostly glossed over. Covered in much more detail are his various romances: youthful dalliances, a correspondence-based relationship that ends as soon as the couple spends time together in person, a deep love with the debutante sister of one of his close friends, and an intense summer fling.
The book shows Amory’s attempts to define himself as a person and find his place in a world rapidly changing through World War, the “Jazz Age,” and Prohibition. It provides the reader with a good picture of what life was like for a privileged young man of the era.
F. Scott Fitzgerald’s first novel, This Side of Paradise was published in 1920 when he was 23 years old, and was widely praised by critics. The semi-autobiographical work launched his career as one of America’s most well-known writers. As a direct result of the publishing of the novel, Zelda Sayre (the inspiration for the character of the debutante Rosalind Connage) agreed to marry Fitzgerald. The couple became an icon of the excesses of the Jazz Age.
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- Author: F. Scott Fitzgerald
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“That’s what they are,” Tom tangented off, “deep blue—a bit of color would spoil them, make them exotic. Spires, against a sky that’s a promise of dawn, and blue light on the slate roofs—it hurts … rather—”
“Goodbye, Aaron Burr,” Amory called toward deserted Nassau Hall, “you and I knew strange corners of life.”
His voice echoed in the stillness.
“The torches are out,” whispered Tom. “Ah, Messalina, the long shadows are building minarets on the stadium—”
For an instant the voices of freshman year surged around them and then they looked at each other with faint tears in their eyes.
“Damn!”
“Damn!”
The last light fades and drifts across the land—the low, long land, the sunny land of spires; the ghosts of evening tune again their lyres and wander singing in a plaintive band down the long corridors of trees; pale fires echo the night from tower top to tower: Oh, sleep that dreams, and dream that never tires, press from the petals of the lotus flower something of this to keep, the essence of an hour.
No more to wait the twilight of the moon in this sequestered vale of star and spire, for one eternal morning of desire passes to time and earthy afternoon. Here, Heraclitus, did you find in fire and shifting things the prophecy you hurled down the dead years; this midnight my desire will see, shadowed among the embers, furled in flame, the splendor and the sadness of the world.
Interlude May, 1917–February, 1919A letter dated January, 1918, written by Monsignor Darcy to Amory, who is a second lieutenant in the 171st Infantry, Port of Embarkation, Camp Mills, Long Island.
My dear Boy:
All you need tell me of yourself is that you still are; for the rest I merely search back in a restive memory, a thermometer that records only fevers, and match you with what I was at your age. But men will chatter and you and I will still shout our futilities to each other across the stage until the last silly curtain falls plump! upon our bobbing heads. But you are starting the spluttering magic-lantern show of life with much the same array of slides as I had, so I need to write you if only to shriek the colossal stupidity of people. …
This is the end of one thing: for better or worse you will never again be quite the Amory Blaine that I knew, never again will we meet as we have met, because your generation is growing hard, much harder than mine ever grew, nourished as they were on the stuff of the nineties.
Amory, lately I reread Aeschylus and there in the divine irony of the Agamemnon I find the only answer to this bitter age—all the world tumbled about our ears, and the closest parallel ages back in that hopeless resignation. There are times when I think of the men out there as Roman legionaries, miles from their corrupt city, stemming back the hordes … hordes a little more menacing, after all, than the corrupt city … another blind blow at the race, furies that we passed with ovations years ago, over whose corpses we bleated triumphantly all through the Victorian era. …
And afterward an out-and-out materialistic world—and the Catholic Church. I wonder where you’ll fit in. Of one thing I’m sure—Celtic you’ll live and Celtic you’ll die; so if you don’t use heaven as a continual referendum for your ideas you’ll find earth a continual recall to your ambitions.
Amory, I’ve discovered suddenly that I’m an old man. Like all old men, I’ve had dreams sometimes and I’m going to tell you of them. I’ve enjoyed imagining that you were my son, that perhaps when I was young I went into a state of coma and begat you, and when I came to, had no recollection of it … it’s the paternal instinct, Amory—celibacy goes deeper than the flesh. …
Sometimes I think that the explanation of our deep resemblance is some common ancestor, and I find that the only blood that the Darcys and the O’Haras have in common is that of the O’Donahues … Stephen was his name, I think. …
When the lightning strikes one of us it strikes both: you had hardly arrived at the port of embarkation when I got my papers to start for Rome, and I am waiting every moment to be told where to take ship. Even before you get this letter I shall be on the ocean; then will come your turn. You went to war as a gentleman should, just as you went to school and college, because it was the thing to do. It’s better to leave the blustering and tremulo-heroism to the middle classes; they do it so much better.
Do you remember that weekend last March when you brought Burne Holiday from Princeton to see me? What a magnificent boy he is! It gave me a frightful shock afterward when you wrote that he thought me splendid; how could he be so deceived? Splendid is the one thing that neither you nor I are. We are many other things—we’re extraordinary, we’re clever, we could be said, I suppose, to be brilliant. We can attract people, we can make atmosphere, we can almost lose our Celtic souls in Celtic subtleties, we can almost always have our own way; but splendid—rather not!
I am going to Rome with a wonderful dossier and letters of introduction that cover every capital in Europe, and there will be “no small stir” when I get there. How I wish you were with me! This sounds like a rather cynical paragraph, not at all the sort of thing that a middle-aged clergyman should write to a youth about to depart for the war; the only excuse is that the middle-aged
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