New Grub Street by George Gissing (best mobile ebook reader .txt) 📕
Description
Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. He’s forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwin’s increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwin’s nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel that’s true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an “alarmingly modern” writer laser-focused on earning as much money as possible no matter what he’s made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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“But you know very well I think nothing of that. A crèche, indeed! No child of mine should go to any such place.”
There it was. She grudged no trouble on behalf of the child. That was love; whereas—But then maternal love was a mere matter of course.
“As soon as you get two or three hundred pounds for a book,” she added, laughing, “there’ll be no need for me to give so much time.”
“Two or three hundred pounds!” He repeated it with a shake of the head. “Ah, if that were possible!”
“But that’s really a paltry sum. What would fifty novelists you could name say if they were offered three hundred pounds for a book? How much do you suppose even Markland got for his last?”
“Didn’t sell it at all, ten to one. Gets a royalty.”
“Which will bring him five or six hundred pounds before the book ceases to be talked of.”
“Never mind. I’m sick of the word ‘pounds.’ ”
“So am I.”
She sighed, commenting thus on her acquiescence.
“But look, Amy. If I try to be cheerful in spite of natural dumps, wouldn’t it be fair for you to put aside thoughts of money?”
“Yes. Read some Homer, dear. Let us have Odysseus down in Hades, and Ajax stalking past him. Oh, I like that!”
So he read, rather coldly at first, but soon warming. Amy sat with folded arms, a smile on her lips, her brows knitted to the epic humour. In a few minutes it was as if no difficulties threatened their life. Every now and then Reardon looked up from his translating with a delighted laugh, in which Amy joined.
When he had returned the book to the shelf he stepped behind his wife’s chair, leaned upon it, and put his cheek against hers.
“Amy!”
“Yes, dear?”
“Do you still love me a little?”
“Much more than a little.”
“Though I am sunk to writing a wretched potboiler?”
“Is it so bad as all that?”
“Confoundedly bad. I shall be ashamed to see it in print; the proofs will be a martyrdom.”
“Oh, but why? why?”
“It’s the best I can do, dearest. So you don’t love me enough to hear that calmly.”
“If I didn’t love you, I might be calmer about it, Edwin. It’s dreadful to me to think of what they will say in the reviews.”
“Curse the reviews!”
His mood had changed on the instant. He stood up with darkened face, trembling angrily.
“I want you to promise me something, Amy. You won’t read a single one of the notices unless it is forced upon your attention. Now, promise me that. Neglect them absolutely, as I do. They’re not worth a glance of your eyes. And I shan’t be able to bear it if I know you read all the contempt that will be poured on me.”
“I’m sure I shall be glad enough to avoid it; but other people, our friends, read it. That’s the worst.”
“You know that their praise would be valueless, so have strength to disregard the blame. Let our friends read and talk as much as they like. Can’t you console yourself with the thought that I am not contemptible, though I may have been forced to do poor work?”
“People don’t look at it in that way.”
“But, darling,” he took her hands strongly in his own, “I want you to disregard other people. You and I are surely everything to each other? Are you ashamed of me, of me myself?”
“No, not ashamed of you. But I am sensitive to people’s talk and opinions.”
“But that means they make you feel ashamed of me. What else?”
There was silence.
“Edwin, if you find you are unable to do good work, you mustn’t do bad. We must think of some other way of making a living.”
“Have you forgotten that you urged me to write a trashy sensational story?”
She coloured and looked annoyed.
“You misunderstood me. A sensational story needn’t be trash. And then, you know, if you had tried something entirely unlike your usual work, that would have been excuse enough if people had called it a failure.”
“People! People!”
“We can’t live in solitude, Edwin, though really we are not far from it.” He did not dare to make any reply to this. Amy was so exasperatingly womanlike in avoiding the important issue to which he tried to confine her; another moment, and his tone would be that of irritation. So he turned away and sat down to his desk, as if he had some thought of resuming work.
“Will you come and have some supper?” Amy asked, rising.
“I have been forgetting that tomorrow morning’s chapter has still to be thought out.”
“Edwin, I can’t think this book will really be so poor. You couldn’t possibly give all this toil for no result.”
“No; not if I were in sound health. But I am far from it.”
“Come and have supper with me, dear, and think afterwards.”
He turned and smiled at her.
“I hope I shall never be able to resist an invitation from you, sweet.”
The result of all this was, of course, that he sat down in anything but the right mood to his work next morning. Amy’s anticipation of criticism had made it harder than ever for him to labour at what he knew to be bad. And, as ill-luck would have it, in a day or two he caught his first winter’s cold. For several years a succession of influenzas, sore-throats, lumbagoes, had tormented him from October to May; in planning his present work, and telling himself that it must be finished before Christmas, he had not lost sight of these possible interruptions. But he said to himself: “Other men have worked hard in seasons of illness; I must do the same.” All very well, but Reardon did not belong to the heroic class. A feverish cold now put his powers and resolution to the test. Through one hideous day he nailed himself to the desk—and wrote a quarter of a page. The next day Amy would not let him rise from bed; he was wretchedly ill. In the night he had talked about his work deliriously, causing
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