Short Fiction by O. Henry (librera reader txt) 📕

attractive chorus girls for a new musical comedy. Apply all day at No. ⸻ Broadway.”

Meeks was indignant.

“My sister,” said he, “is a poor, hardworking, elderly woman. I do not see what aid an advertisement of this kind would be toward finding her.”

“All right,” said the detective. “I guess you don’t know New York. But if you’ve got a grouch against this scheme we’ll try the other one. It’s a sure thing. But it’ll cost you more.”

“Never mind the expense,” said Meeks; “we’ll try it.”

The sleuth led him back to the Waldorf. “Engage a couple of bedrooms and a parlour,” he advised, “and let’s go up.”

This was done, and the two were shown to a superb suite on the fourth floor. Meeks looked puzzled. The detective sank into a velvet armchair, and pulled out his cigar case.

“I forgot to suggest, old man,” he said, “that you should have taken the rooms by the month. They wouldn’t have stuck you so much for ’em.”

“By the month!” exclaimed Meeks. “What do you mean?”

“Oh, it’ll take time to work the game this way. I told you it would cost you more. We’ll have to wait till spring. There’ll be a new city directory out then. Very likely your sister’s name and address will be in it.”

Meeks rid himself of the city detective at once. On the next day someone advised him to consult Shamrock Jolnes, New York’s famous private detective, who demanded fabulous fees, but performed miracles in the way of solving mysteries and crimes.

After waiting for two hours in the anteroom of the great detective’s apartment, Meeks was shown into his presence. Jolnes sat in a purple dressing-gown at an inlaid ivory chess table, with a magazine before him, trying to solve the mystery of “They.” The famous sleuth’s thin, intellectual face, piercing eyes, and rate per word are too well known to need description.

Meeks set forth his errand. “My fee, if successful, will be $500,” said Shamrock Jolnes.

Meeks bowed his agreement to the price.

“I will undertake your case, Mr. Meeks,” said Jolnes, finally. “The disappearance of people in this city has always been an interesting problem to me. I remember a case that I brought to a successful outcome a year ago. A family bearing the name of Clark disappeared suddenly from a small flat in which they were living. I watched the flat building for two months for a clue. One day it struck me that a certain milkman and a grocer’s boy always walked backward when they carried their wares upstairs. Following out by induction the idea that this observation gave me, I at once located the missing family. They had moved into the flat across the hall and changed their name to Kralc.”

Shamrock Jolnes and his client went to the tenement house where Mary Snyder had lived, and the detective demanded to be shown the room in which she had lived. It had been occupied by no tenant since her disappearance.

The room was small, dingy, and poorly furnished. Meeks seated himself dejectedly on a broken chair, while the great detective searched the walls and floor and the few sticks of old, rickety furniture for a clue.

At the end of half an hour Jolnes had collected a few seemingly unintelligible articles⁠—a cheap black hat pin, a piece torn off a theatre programme, and the end of a small torn card on which was the word “left” and the characters “C 12.”

Shamrock Jolnes leaned against the mantel for ten minutes, with his head resting upon his hand, and an absorbed look upon his intellectual face. At the end of that time he exclaimed, with animation:

“Come, Mr. Meeks; the problem is solved. I can take you directly to the house where your sister is living. And you may have no fears concerning her welfare, for she is amply provided with funds⁠—for the present at least.”

Meeks felt joy and wonder in equal proportions.

“How did you manage it?” he asked, with admiration in his tones.

Perhaps Jolnes’s only weakness was a professional pride in his wonderful achievements in induction. He was ever ready to astound and charm his listeners by describing his methods.

“By elimination,” said Jolnes, spreading his clues upon a little table, “I got rid of certain parts of the city to which Mrs. Snyder might have removed. You see this hatpin? That eliminates Brooklyn. No woman attempts to board a car at the Brooklyn Bridge without being sure that she carries a hatpin with which to fight her way into a seat. And now I will demonstrate to you that she could not have gone to Harlem. Behind this door are two hooks in the wall. Upon one of these Mrs. Snyder has hung her bonnet, and upon the other her shawl. You will observe that the bottom of the hanging shawl has gradually made a soiled streak against the plastered wall. The mark is clean-cut, proving that there is no fringe on the shawl. Now, was there ever a case where a middle-aged woman, wearing a shawl, boarded a Harlem train without there being a fringe on the shawl to catch in the gate and delay the passengers behind her? So we eliminate Harlem.

“Therefore I conclude that Mrs. Snyder has not moved very far away. On this torn piece of card you see the word ‘Left,’ the letter ‘C,’ and the number ’12.’ Now, I happen to know that No. 12 Avenue C is a first-class boarding house, far beyond your sister’s means⁠—as we suppose. But then I find this piece of a theatre programme, crumpled into an odd shape. What meaning does it convey. None to you, very likely, Mr. Meeks; but it is eloquent to one whose habits and training take cognizance of the smallest things.

“You have told me that your sister was a scrub woman. She scrubbed the floors of offices and hallways. Let us assume that she procured such work to perform in a theatre. Where is valuable jewellery lost the oftenest, Mr. Meeks? In the theatres, of course. Look at that piece of programme, Mr. Meeks.