Short Fiction by H. P. Lovecraft (easy books to read in english txt) 📕
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Howard Phillips Lovecraft was one of the most influential writers of horror fiction in the early 20th century. His fame is mostly posthumous: he was only published in pulp magazines in his lifetime, and never saw financial success. Despite that, Lovecraft’s unique blend of gothicism, horror, and the supernatural, set in an imagined but eerily-real New England, marked a gold standard for horror fiction for decades after his death.
Readers of modern fantasy and horror fiction will certainly recognize Cthulhu, the tentacle-mouthed god who lies asleep in a sunken Atlantean ruin; the Necronomicon, a grimoire of unspeakable power and horror penned by the “mad Arab” Abdul Alhazred; and the dark, twisted New England countryside of the Miskatonic Valley. These and other features take shape in Lovecraft’s stories, creating a backdrop of the bizarre and evil behind seemingly day-to-day lives. A thread of cosmic horror soon turns anything normal towards madness.
This edition is small because verifying the U.S. public domain status of Lovecraft’s corpus is a difficult, if not impossible, academic exercise, and finding first-edition copies to transcribe is also difficult. This edition will be updated as more transcriptions become verified and available.
Included in this edition are some of Lovecraft’s juvenalia—in particular, “The Alchemist” was written when he was just seventeen or eighteen.
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- Author: H. P. Lovecraft
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We had come to Egypt in search of the picturesque and the mystically impressive, but found little enough when the ship edged up to Port Said and discharged its passengers in small boats. Low dunes of sand, bobbing buoys in shallow water, and a drearily European small town with nothing of interest save the great De Lesseps statue, made us anxious to get on to something more worth our while. After some discussion we decided to proceed at once to Cairo and the Pyramids, later going to Alexandria for the Australian boat and for whatever Graeco-Roman sigts that ancient cosmopolitan metropolis might present.
The railway journey was tolerable enough, and consumed only four hours and a half. We saw much of the Suez Canal, whose route we followed as far as Ismailiya, and later had a taste of Old Egypt in our glimpse of the restored freshwater canal of the Middle Empire. Then at last we saw Cairo glimmering through the growing dusk; a twinkling constellation which became a blaze as we halted at the great Gare Centrale.
But once more disappointment seemed to await us, for all that we beheld was European save the costumes and the crowds. A prosaic subway led to a square teeming with carriages, taxicabs, and trolley-cars, and gorgeous with electric lights shining on tall buildings; whilst the very theatre where I was vainly requested to play and which I later attended as a spectator, had recently been renamed the American Cosmograph. We stopped at Shepherd’s Hotel, reached in a taxi that sped along broad, smartly built-up streets; and amidst the perfect service of its restaurant, elevators, and generally Anglo-American luxuries the mysterious East and immemorial past seemed very far away.
The next day, however, precipitated us delightfully into the heart of the Arabian Nights atmosphere; and in the winding ways and exotic skyline of Cairo, the Bagdad of Haroun-al-Raschid seemed to live again. Guided by our Baedeker, we had struck east past the Exbekiyeh Gardens along the Mouski in quest of the native quarter, and were soon in the hands of a clamorous cicerone who—notwithstanding later developments—was assuredly a master at his trade. Not until afterward did I see that I should have applied at the hotel for a licensed guide. This man, a shaven, peculiarly hollow-voiced, and relatively cleanly fellow who looked like a Pharaoh and called himself “Abdul Reis el Drogman,” appeared to have much power over others of his kind; though subsequently the police professed not to know him, and to suggest that reis is merely a name for any person in authority, whilst “Drogman” is obviously no more than a clumsy modification of the word for a leader of tourist parties—dragoman.
Abdul led us among such wonders as we had before only read and dreamed of. Old Cairo is itself a storybook and a dream—labyrinths of narrow alleys redolent of aromatic secrets; Arabesque balconies and oriels nearly meeting above the cobbled streets; maelstroms of Oriental traffic with strange cries, cracking whips, rattling carts, jingling money, and braying donkeys; kaleidoscopes of polychrome robes, veils, turbans, and tarbushes; water-carriers and dervishes, dogs and cats, soothsayers and barbers; and over all the whining of blind beggars crouched in alcoves, and the sonorous chanting of muezzins from minarets limned delicately against a sky of deep, unchanging blue.
The roofed, quieter bazaars were hardly less alluring. Spice, perfume, incense, beads, rugs, silks, and brass—old Mahmoud Suleiman squats cross-legged amidst his gummy bottles while chattering youths pulverize mustard in the hollowed-out capital of an ancient classic column—a Roman Corinthian, perhaps from neighboring Heliopolis, where Augustus stationed one of his three Egyptian legions. Antiquity begins to mingle with exoticism. And then the mosques and the museum—we saw them all, and tried not to let our Arabian revel succumb to the darker charm of Pharaonic Egypt which the museum’s priceless treasures offered. That was to be our climax, and for the present we concentrated on the medieval Saracenic glories of the Caliphs whose magnificent tomb-mosques form a glittering faery necropolis on the edge of the Arabian Desert.
At length Abdul took us along the Sharia Mohammed Ali to the ancient mosque of Sultan Hassan, and the tower-flanked Babel-Azab, beyond which climbs the steep-walled pass to the mighty citadel that Saladin himself built with the stones of forgotten pyramids. It was sunset when we scaled that cliff, circled the modern moque of Mohammed Ali, and looked down from the dizzy parapet over mystic Cairo—mystic Cairo all golden with its carven domes, its ethereal minarets, and its flaming gardens. Far over the city towered the great Roman dome of the new museum; and beyond it—across the cryptic yellow Nile that is the mother of aeons and dynasties—lurked the menacing sands of the Libyan Desert, undulant and iridescent and evil with older arcana. The red sun sank low, bringing the relentless chill of Egyptian dusk; and as it stood poised on the world’s rim like that ancient god of Heliopolis—Re-Harakhte, the Horizon-Sun—we saw silhouetted against its vermeil holocaust the black outlines of the Pyramids of Giza—the palaeogean tombs that were hoary with a thousand years when Tut-Ankh-Amen mounted his golden throne in distant Thebes. Then we knew that we were done with Saracen Cairo, and that we must taste the deeper mysteries of primal Egypt—the black Kem of Re and Amen, Isis and Osiris.
The next morning we visited the Pyramids, riding out in a Victoria across the great Nile bridge with its bronze lions, the island of Gezria with its massive lebbakh trees, and the smaller English bridge to the western shore. Down the shore road we drove, between great rows of lebbakhs and past the vast Zoological Gardens to the
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