A Sicilian Romance by Ann Radcliffe (read this if .TXT) ๐
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A Sicilian Romance begins when a tourist meets a local monk at the crumbling ruins of the castle Mazzini. The monk invites her to the monastery to view a manuscript that records the mysterious happenings that occurred hundreds of years ago in the once-great castle. The manuscript tells of the plight of two sisters, Julia and Emilia Mazzini, who, after the return of their tyrannical father, witness supernatural phenomena around the castleโs neglected southern wing.
Radcliffe was viewed as the greatest writer of the Gothic literary style by most early 19th century critics and literary historians despite Horace Walpole seemingly โinventingโ the genre in The Castle of Otranto. A Sicilian Romance was first published anonymously in 1790, making it the second of her published works.
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- Author: Ann Radcliffe
Read book online ยซA Sicilian Romance by Ann Radcliffe (read this if .TXT) ๐ยป. Author - Ann Radcliffe
The spirit which lately animated Julia had vanished with her wordsโ โeach moment of silence increased her apprehension; the deep brooding of his thoughts confirmed her in the apprehension of evil, and with all the artless eloquence of sorrow she endeavoured to soften him to pity. He listened to her pleadings in sullen stillness. But each instant now cooled the fervour of his resentment to her, and increased his desire of opposing the marquis. At length the predominant feature of his character resumed its original influence, and overcame the workings of subordinate passion. Proud of his religious authority, he determined never to yield the prerogative of the church to that of the father, and resolved to oppose the violence of the marquis with equal force.
He therefore condescended to relieve Julia from her terrors, by assuring her of his protection; but he did this in a manner so ungracious, as almost to destroy the gratitude which the promise demanded. She hastened with the joyful intelligence to Madame de Menon, who wept over her tears of thankfulness.
XINear a fortnight had elapsed without producing any appearance of hostility from the marquis, when one night, long after the hour of repose, Julia was awakened by the bell of the monastery. She knew it was not the hour customary for prayer, and she listened to the sounds, which rolled through the deep silence of the fabric, with strong surprise and terror. Presently she heard the doors of several cells creak on their hinges, and the sound of quick footsteps in the passagesโ โand through the crevices of her door she distinguished passing lights. The whispering noise of steps increased, and every person of the monastery seemed to have awakened. Her terror heightened; it occurred to her that the marquis had surrounded the abbey with his people, in the design of forcing her from her retreat; and she arose in haste, with an intention of going to the chamber of Madame de Menon, when she heard a gentle tap at the door. Her enquiry of who was there, was answered in the voice of madame, and her fears were quickly dissipated, for she learned the bell was a summons to attend a dying nun, who was going to the high altar, there to receive extreme unction.
She quitted the chamber with madame. In her way to the church, the gleam of tapers on the walls, and the glimpse which her eye often caught of the friars in their long black habits, descending silently through the narrow winding passages, with the solemn toll of the bell, conspired to kindle imagination, and to impress her heart with sacred awe. But the church exhibited a scene of solemnity, such as she had never before witnessed. Its gloomy aisles were imperfectly seen by the rays of tapers from the high altar, which shed a solitary gleam over the remote parts of the fabric, and produced large masses of light and shade, striking and sublime in their effect.
While she gazed, she heard a distant chanting rise through the aisles; the sounds swelled in low murmurs on the ear, and drew nearer and nearer, till a sudden blaze of light issued from one of the portals, and the procession entered. The organ instantly sounded a high and solemn peal, and the voices rising altogether swelled the sacred strain. In front appeared the Padre Abate, with slow and measured steps, bearing the holy cross. Immediately followed a litter, on which lay the dying person covered with a white veil, borne along and surrounded by nuns veiled in white, each carrying in her hand a lighted taper. Last came the friars, two and two, clothed in black, and each bearing a light.
When they reached the high altar, the bier was rested, and in a few moments the anthem ceased. The Abate now approached to perform the unction; the veil of the dying nun was liftedโ โand Julia discovered her beloved Cornelia! Her countenance was already impressed with the image of death, but her eyes brightened with a faint gleam of recollection, when they fixed upon Julia, who felt a cold thrill run through her frame, and leaned for support on madame. Julia now for the first time distinguished the unhappy lover of Cornelia, on whose features was depictured the anguish of his heart, and who hung pale and silent over the bier. The ceremony being finished, the anthem struck up; the bier was lifted, when Cornelia faintly moved her hand, and it was again rested upon the steps of the altar. In a few minutes the music ceased, when lifting her heavy eyes to her lover, with an expression of ineffable tenderness and grief, she attempted to speak, but the sounds died on her closing lips. A faint smile passed over her countenance, and was succeeded by a fine devotional glow; she folded her hands upon her bosom, and with a look of meek resignation, raising towards heaven her eyes, in which now sunk the last sparkles of expiring lifeโ โher soul departed in a short deep sigh.
Her lover sinking back, endeavoured to conceal his emotions, but the deep sobs which agitated his breast betrayed his anguish, and the tears of every spectator bedewed the sacred spot where beauty, sense, and
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