Digital Barbarism by Mark Helprin (best reads of all time .txt) ๐
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- Author: Mark Helprin
Read book online ยซDigital Barbarism by Mark Helprin (best reads of all time .txt) ๐ยป. Author - Mark Helprin
And no matter how much they may protest, the law is anything but the exclusive province of lawyers. The higher and more consequential it gets, the more this becomes both necessary and obvious. In fact, and thankfully, the law is no more the exclusive province of lawyers, and especially law professors, than tables are the exclusive province of Bishop Berkeley. This is important to note because of the tendency of lawyers, openly and proudly abetted by many law schools, to claims of superiority in regard to policy questions over which they have no more superior right or understanding than would a cucumber. These (questions, not cucumbers) they attempt to abduct from the public square and imprison in their seraglio awaiting a kind of involuntary sex change.
So it is with many things, not least copyright, which some lawyers have attempted to kidnap for adjudication when it is a question not of law but of policy. The slow development of the printing press over centuries was paralleled by the origination of protections for something new in the world: the ability to make many copies of a work mechanically, more or less flawlessly, cheaply, and rapidly. Such a thing had not existed before, and the new form of property at issue did not fit cleanly with the common law as it had evolved in dealing with properties of a different nature.
The difficulties of the common law in their application to copyright were ever present, and in recognition of reaction to this, copyright diverged slowly but firmly from the common law into statute law, the first great benchmark of which was the 1709 Statute of Queen Anne, โAn Act for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of Such Copies.โ
It began:
Whereas printers, booksellers, and other persons have of late frequently taken the liberty of printing, reprinting, and publishingโฆbooks and other writings, without the consent of the authors or proprietors of such books and writings, to their very great detriment and too often to the ruin of them and their families: for preventing therefore such practices for the future, and the encouragement of learned men to compose and writeโฆ.82
And with this began a divergence in English law, which is a work of geological accretion, and the cause for Madison, having written in 1785 a copyright act in the Virginia House of Delegates, and now commenting upon the constitutional provision, to write in the Federalist: โThe utility of this power will scarcely be questioned [little did he know]. The copyright of authors has been solemnly adjudged in Great Britain to be a right at common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases with the claims of the individuals.โ83 Joseph Story follows on with the judgment that โThe copyright of authors in their works had, before the Revolution, been decided in Great Britain to be a common law right.โ84 Even in Britain, with its immense and glacial constitution, the British Imperial Copyright Bill of 1910 โbrought British copyright entirely under statutory law and consolidated and amended all previous enactments.โ85
With the founding of this country many other matters as well were just as resolutely cleaved from the common law to be made firmly a matter of statute, which is not to say that the common law no longer had a place, for the statutes were not so comprehensive as to be themselves an alternate evolution of the law, but that this place has been steadily receding as the statutory law has developed and statutory law and the regulations built upon it require adjudication. In short, statutory law trumps common law.
The copyright provision of the Constitution is beyond adjudication, and all the blather in the world cannot change the fact that it gives Congress the sole right and wide latitude in setting the term of copyright. Thus, whenโin response to the Sonny Bono Act, which extended the term of copyright by twenty yearsโLawrence Lessig attempted to argue the contrary in the previously cited Supreme Court case, Eldred v. Ashcroft, he lost by seven to two. Madam Justice Ginsburg, writing for the majority, summarized the courtโs view in the last paragraph of its opinion: โBeneath the facade of their inventive constitutional interpretation, petitioners forcefully urge that Congress pursued very bad policy in prescribing CTEAโs [Copyright-Term Extension Actโs] long terms. The wisdom of Congressโs action, however, is not within our province to second guess. Satisfied that the legislation before us remains inside the domain the Constitution assigns to the First Branch, we affirm the judgment of the Court of Appeals.โ86
In a telling comment paraphrased by the New York Times, Professor Lessig states that โthe experience was tantalizing because some of the justices who ruled against him conceded that long copyright terms were bad policy, if still constitutional.โ87 One wonders about the nature of such a concession, and who made it. If it were a personal aside it would be irrelevant, and as an official pronouncement it would have no place. Since when is it the Supreme
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