War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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KaratΓ‘ev paused, smiling joyously as he gazed into the fire, and he drew the logs together.
βAnd the old man said, βGod will forgive you, we are all sinners in His sight. I suffer for my own sins,β and he wept bitter tears. Well, and what do you think, dear friends?β KaratΓ‘ev continued, his face brightening more and more with a rapturous smile as if what he now had to tell contained the chief charm and the whole meaning of his story: βWhat do you think, dear fellows? That murderer confessed to the authorities. βI have taken six lives,β he says (he was a great sinner), βbut what I am most sorry for is this old man. Donβt let him suffer because of me.β So he confessed and it was all written down and the papers sent off in due form. The place was a long way off, and while they were judging, what with one thing and another, filling in the papers all in due formβ βthe authorities I meanβ βtime passed. The affair reached the Tsar. After a while the Tsarβs decree came: to set the merchant free and give him a compensation that had been awarded. The paper arrived and they began to look for the old man. βWhere is the old man who has been suffering innocently and in vain? A paper has come from the Tsar!β so they began looking for him,β here KaratΓ‘evβs lower jaw trembled, βbut God had already forgiven himβ βhe was dead! Thatβs how it was, dear fellows!β KaratΓ‘ev concluded and sat for a long time silent, gazing before him with a smile.
And Pierreβs soul was dimly but joyfully filled not by the story itself but by its mysterious significance: by the rapturous joy that lit up KaratΓ‘evβs face as he told it, and the mystic significance of that joy.
XIVβΓ vos places!β126 suddenly cried a voice.
A pleasant feeling of excitement and an expectation of something joyful and solemn was aroused among the soldiers of the convoy and the prisoners. From all sides came shouts of command, and from the left came smartly dressed cavalrymen on good horses, passing the prisoners at a trot. The expression on all faces showed the tension people feel at the approach of those in authority. The prisoners thronged together and were pushed off the road. The convoy formed up.
βThe Emperor! The Emperor! The Marshal! The Duke!β and hardly had the sleek cavalry passed, before a carriage drawn by six gray horses rattled by. Pierre caught a glimpse of a man in a three-cornered hat with a tranquil look on his handsome, plump, white face. It was one of the marshals. His eye fell on Pierreβs large and striking figure, and in the expression with which he frowned and looked away Pierre thought he detected sympathy and a desire to conceal that sympathy.
The general in charge of the stores galloped after the carriage with a red and frightened face, whipping up his skinny horse. Several officers formed a group and some soldiers crowded round them. Their faces all looked excited and worried.
βWhat did he say? What did he say?β Pierre heard them ask.
While the marshal was passing, the prisoners had huddled together in a crowd, and Pierre saw KaratΓ‘ev whom he had not yet seen that morning. He sat in his short overcoat leaning against a birch tree. On his face, besides the look of joyful emotion it had worn yesterday while telling the tale of the merchant who suffered innocently, there was now an expression of quiet solemnity.
KaratΓ‘ev looked at Pierre with his kindly round eyes now filled with tears, evidently wishing him to come near that he might say something to him. But Pierre was not sufficiently sure of himself. He made as if he did not notice that look and moved hastily away.
When the prisoners again went forward Pierre looked round. KaratΓ‘ev was still sitting at the side of the road under the birch tree and two Frenchmen were talking over his head. Pierre did not look round again but went limping up the hill.
From behind, where KaratΓ‘ev had been sitting, came the sound of a shot. Pierre heard it plainly, but at that moment he remembered that he had not yet finished reckoning up how many stages still remained to SmolΓ©nskβ βa calculation he had begun before the marshal went by. And he again started reckoning. Two French soldiers ran past Pierre, one of whom carried a lowered and smoking gun. They both looked pale, and
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