Howards End by E. M. Forster (best book recommendations .TXT) 📕
Description
Howards End, published in 1910, is considered by many to be Forster’s masterpiece. The plot revolves around three families in Edwardian England: the Schlegels, a trio of half-German, middle-class siblings who to poor people seem rich, but to rich people seem poor; the Wilcoxes, a large, wealthy family of businessmen; and the Basts, a lower class young couple struggling to keep up appearances.
The Schlegel siblings are sharp, intelligent, and idealistic, and they pursue culture and art with an enthusiasm reminiscent of the Bloomsbury group. They befriend the Wilcoxes while on a trip abroad, and the lonely Wilcox matriarch and Margaret Schlegel, the strong-willed elder sister, strike up a friendship. As their families begin butting heads in London, Helen, the younger Schlegel sister, runs in to Leonard Bast while at the opera. Bast is proud and ambitious, but clearly impoverished and lacking gentility. Helen, a rash and fiery idealist, takes him up as a pet project, oblivious to the deep cultural gulf between Bast and themselves as she tries her best to educate him in matters of art and literature and lift him out of his class.
The interplay between the three families becomes a complex reflection on social codes and class difference in England: how class can lock lives in place, and how even the well-to-do are not immune from becoming ossified in their station thanks to the seemingly-unbreakable social conventions of the age. Capitalism, a still-new philosophy of life, is juxtaposed against humanism and the arts as the families try to do what they each think is the right thing. Forster weaves these threads expertly against the backdrop of London city life and the cozy family cottage of Howards End, the ultimate centerpiece in these three families’ lives.
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- Author: E. M. Forster
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The station for Howards End was at Hilton, one of the large villages that are strung so frequently along the North Road, and that owe their size to the traffic of coaching and pre-coaching days. Being near London, it had not shared in the rural decay, and its long High Street had budded out right and left into residential estates. For about a mile a series of tiled and slated houses passed before Mrs. Munt’s inattentive eyes, a series broken at one point by six Danish tumuli that stood shoulder to shoulder along the highroad, tombs of soldiers. Beyond these tumuli, habitations thickened, and the train came to a standstill in a tangle that was almost a town.
The station, like the scenery, like Helen’s letters, struck an indeterminate note. Into which country will it lead, England or suburbia? It was new, it had island platforms and a subway, and the superficial comfort exacted by business men. But it held hints of local life, personal intercourse, as even Mrs. Munt was to discover.
“I want a house,” she confided to the ticket boy. “Its name is Howards Lodge. Do you know where it is?”
“Mr. Wilcox!” the boy called.
A young man in front of them turned around.
“She’s wanting Howards End.”
There was nothing for it but to go forward, though Mrs. Munt was too much agitated even to stare at the stranger. But remembering that there were two brothers, she had the sense to say to him, “Excuse me asking, but are you the younger Mr. Wilcox or the elder?”
“The younger. Can I do anything for you?”
“Oh, well”—she controlled herself with difficulty. “Really. Are you? I—” She moved; away from the ticket boy and lowered her voice. “I am Miss Schlegel’s aunt. I ought to introduce myself, oughtn’t I? My name is Mrs. Munt.”
She was conscious that he raised his cap and said quite coolly, “Oh, rather; Miss Schlegel is stopping with us. Did you want to see her?”
“Possibly.”
“I’ll call you a cab. No; wait a mo—” He thought. “Our motor’s here. I’ll run you up in it.”
“That is very kind.”
“Not at all, if you’ll just wait till they bring out a parcel from the office. This way.”
“My niece is not with you by any chance?”
“No; I came over with my father. He has gone on north in your train. You’ll see Miss Schlegel at lunch. You’re coming up to lunch, I hope?”
“I should like to come up,” said Mrs. Munt, not committing herself to nourishment until she had studied Helen’s lover a little more. He seemed a gentleman, but had so rattled her round that her powers of observation were numbed. She glanced at him stealthily.
To a feminine eye there was nothing amiss in the sharp depressions at the corners of his mouth, or in the rather boxlike construction of his forehead. He was dark, clean-shaven, and seemed accustomed to command.
“In front or behind? Which do you prefer? It may be windy in front.”
“In front if I may; then we can talk.”
“But excuse me one moment—I can’t think what they’re doing with that parcel.” He strode into the booking-office, and called with a new voice: “Hi! hi, you there! Are you going to keep me waiting all day? Parcel for Wilcox, Howards End. Just look sharp!”
Emerging, he said in quieter tones: “This station’s abominably organised; if I had my way, the whole lot of ’em should get the sack. May I help you in?”
“This is very good of you,” said Mrs. Munt, as she settled herself into a luxurious cavern of red leather, and suffered her person to be padded with rugs and shawls. She was more civil than she had intended, but really this young man was very kind. Moreover, she was a little afraid of him; his self-possession was extraordinary. “Very good indeed,” she repeated, adding: “It is just what I should have wished.”
“Very good of you to say so,” he replied, with a slight look of surprise, which, like most slight looks, escaped Mrs. Munt’s attention. “I was just tooling my father over to catch the down train.”
“You see, we heard from Helen this morning.”
Young Wilcox was pouring in petrol, starting his engine, and performing other actions with which this story has no concern. The great car began to rock, and the form of Mrs. Munt, trying to explain things, sprang agreeably up and down among the red cushions. “The mater will be very glad to see you,” he mumbled. “Hi! I say. Parcel. Parcel for Howards End. Bring it out. Hi!”
A bearded porter emerged with the parcel in one hand and an entry book in the other. With the gathering whir of the motor these ejaculations mingled: “Sign, must I? Why the—should I sign after all this bother? Not even got a pencil on you? Remember next time I report you to the stationmaster. My time’s of value, though yours mayn’t be. Here”—here being a tip.
“Extremely sorry, Mrs. Munt.”
“Not at all, Mr. Wilcox.”
“And do you object to going through the village? It is rather a longer spin, but I have one or two commissions.”
“I should love going through the village. Naturally I am very anxious to talk things over with you.”
As she said this she felt ashamed, for she was disobeying Margaret’s instructions. Only disobeying them in the letter, surely. Margaret had only warned her against discussing the incident with outsiders. Surely it was not “uncivilised or wrong” to discuss it with the young man himself, since chance had thrown them together.
A reticent fellow, he made no reply. Mounting by her side, he put on gloves and spectacles, and off they drove, the bearded porter—life is
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