The House on the Borderland by William Hope Hodgson (distant reading TXT) 📕
Description
The House on the Borderland is unique in several ways. The narrative itself is a double-frame narrative: the editor of the volume is presenting a manuscript he found under mysterious circumstances, describing the account of two fishermen who themselves discovered a hand-written account of the cosmic haunting of a recluse’s remote home.
Additionally, the novel is one of the earliest examples of the departure of horror fiction from the Gothic style of supernatural, psychological hauntings, to more realist, science-fiction/cosmic horror themes. The recluse is, among other events, transported to a mysterious supra-universal plane populated by monsters and elder gods; and his house withstands assaults from legions of monsters as he travels across time and the solar system.
The book was very influential on H. P. Lovecraft, who himself was famous for the cosmic horror themes in his work. The concept of an uncaring, and even evil, universe that Lovecraft found so disturbing is front and center in this supremely strange novel.
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- Author: William Hope Hodgson
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He nodded in reply, and glanced at the woods behind furtively. I asked him if he had seen or heard anything. He made no answer; but stood silent, as though listening, and I kept quiet also.
Suddenly, he spoke.
“Hark!” he said, sharply. I looked at him, and then away among the trees and bushes, holding my breath involuntarily. A minute came and went in strained silence; yet I could hear nothing, and I turned to Tonnison to say as much; and then, even as I opened my lips to speak, there came a strange wailing noise out of the wood on our left. … It appeared to float through the trees, and there was a rustle of stirring leaves, and then silence.
All at once, Tonnison spoke, and put his hand on my shoulder. “Let us get out of here,” he said, and began to move slowly toward where the surrounding trees and bushes seemed thinnest. As I followed him, it came to me suddenly that the sun was low, and that there was a raw sense of chilliness in the air.
Tonnison said nothing further, but kept on steadily. We were among the trees now, and I glanced around, nervously; but saw nothing, save the quiet branches and trunks and the tangled bushes. Onward we went, and no sound broke the silence, except the occasional snapping of a twig under our feet, as we moved forward. Yet, in spite of the quietness, I had a horrible feeling that we were not alone; and I kept so close to Tonnison that twice I kicked his heels clumsily, though he said nothing. A minute, and then another, and we reached the confines of the wood coming out at last upon the bare rockiness of the countryside. Only then was I able to shake off the haunting dread that had followed me among the trees.
Once, as we moved away, there seemed to come again a distant sound of wailing, and I said to myself that it was the wind—yet the evening was breathless.
Presently, Tonnison began to talk.
“Look you,” he said with decision, “I would not spend the night in that place for all the wealth that the world holds. There is something unholy—diabolical—about it. It came to me all in a moment, just after you spoke. It seemed to me that the woods were full of vile things—you know!”
“Yes,” I answered, and looked back toward the place; but it was hidden from us by a rise in the ground.
“There’s the book,” I said, and I put my hand into the satchel.
“You’ve got it safely?” he questioned, with a sudden access of anxiety.
“Yes,” I replied.
“Perhaps,” he continued, “we shall learn something from it when we get back to the tent. We had better hurry, too; we’re a long way off still, and I don’t fancy, now, being caught out here in the dark.”
It was two hours later when we reached the tent; and, without delay, we set to work to prepare a meal; for we had eaten nothing since our lunch at midday.
Supper over, we cleared the things out of the way, and lit our pipes. Then Tonnison asked me to get the manuscript out of my satchel. This I did, and then, as we could not both read from it at the same time, he suggested that I should read the thing out loud. “And mind,” he cautioned, knowing my propensities, “don’t go skipping half the book.”
Yet, had he but known what it contained, he would have realized how needless such advice was, for once at least. And there seated in the opening of our little tent, I began the strange tale of The House on the Borderland (for such was the title of the MS.); this is told in the following pages.
II The Plain of SilenceI am an old man. I live here in this ancient house, surrounded by huge, unkempt gardens.
The peasantry, who inhabit the wilderness beyond, say that I am mad. That is because I will have nothing to do with them. I live here alone with my old sister, who is also my housekeeper. We keep no servants—I hate them. I have one friend, a dog; yes, I would sooner have old Pepper than the rest of Creation together. He, at least, understands me—and has sense enough to leave me alone when I am in my dark moods.
I have decided to start a kind of diary; it may enable me to record some of the thoughts and feelings that I cannot express to anyone; but, beyond this, I am anxious to make some record of the strange things that I have heard and seen, during many years of loneliness, in this weird old building.
For a couple of centuries, this house has had a reputation, a bad one, and, until I bought it, for more than eighty years no one had lived here; consequently, I got the old place at a ridiculously low figure.
I am not superstitious; but I have ceased to deny that things happen in this old house—things that I cannot explain; and, therefore, I must needs ease my mind, by writing down an account of them, to the best of my ability; though, should this, my diary, ever be read when I am gone, the readers will but shake their heads, and be the more convinced that I was mad.
This house, how ancient it is! though its age strikes one less, perhaps, than the quaintness of its structure, which is curious and fantastic to the last degree. Little curved towers and pinnacles, with outlines suggestive of leaping flames, predominate; while the body of the building is in the form of a circle.
I have heard that there is an old story, told amongst the country people, to the effect that the devil built the place. However, that is
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