The House of Mirth by Edith Wharton (if you liked this book .TXT) 📕
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The House of Mirth is Edith Wharton’s biting critique of New York’s upper classes around the end of the 19th century. The novel follows socialite Lily Bart as she struggles to maintain a precarious position among her wealthy friends in the face of her own diminished finances and fading youth. Lily has resolved to gain social and financial security by marrying into wealth, but callous rivals and her own second thoughts undermine Lily’s plans.
Wharton’s insights into high society were largely built on her own experiences growing up among the upper crust, and her confident portrayal of a morally lax aristocracy found an eager audience. The novel sold over a hundred thousand copies within a few months of its release and became her first great success as a published author.
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- Author: Edith Wharton
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Mrs. Trenor was still at Bellomont, keeping the town-house open, and descending on it now and then for a taste of the world, but preferring the recurrent excitement of weekend parties to the restrictions of a dull season. Since the holidays she had not urged Lily to return to Bellomont, and the first time they met in town Lily fancied there was a shade of coldness in her manner. Was it merely the expression of her displeasure at Miss Bart’s neglect, or had disquieting rumours reached her? The latter contingency seemed improbable, yet Lily was not without a sense of uneasiness. If her roaming sympathies had struck root anywhere, it was in her friendship with Judy Trenor. She believed in the sincerity of her friend’s affection, though it sometimes showed itself in self-interested ways, and she shrank with peculiar reluctance from any risk of estranging it. But, aside from this, she was keenly conscious of the way in which such an estrangement would react on herself. The fact that Gus Trenor was Judy’s husband was at times Lily’s strongest reason for disliking him, and for resenting the obligation under which he had placed her.
To set her doubts at rest, Miss Bart, soon after the New Year, “proposed” herself for a weekend at Bellomont. She had learned in advance that the presence of a large party would protect her from too great assiduity on Trenor’s part, and his wife’s telegraphic “come by all means” seemed to assure her of her usual welcome.
Judy received her amicably. The cares of a large party always prevailed over personal feelings, and Lily saw no change in her hostess’s manner. Nevertheless, she was soon aware that the experiment of coming to Bellomont was destined not to be successful. The party was made up of what Mrs. Trenor called “poky people”—her generic name for persons who did not play bridge—and, it being her habit to group all such obstructionists in one class, she usually invited them together, regardless of their other characteristics. The result was apt to be an irreducible combination of persons having no other quality in common than their abstinence from bridge, and the antagonisms developed in a group lacking the one taste which might have amalgamated them, were in this case aggravated by bad weather, and by the ill-concealed boredom of their host and hostess. In such emergencies, Judy would usually have turned to Lily to fuse the discordant elements; and Miss Bart, assuming that such a service was expected of her, threw herself into it with her accustomed zeal. But at the outset she perceived a subtle resistance to her efforts. If Mrs. Trenor’s manner toward her was unchanged, there was certainly a faint coldness in that of the other ladies. An occasional caustic allusion to “your friends the Wellington Brys,” or to “the little Jew who has bought the Greiner house—someone told us you knew him, Miss Bart,”—showed Lily that she was in disfavour with that portion of society which, while contributing least to its amusement, has assumed the right to decide what forms that amusement shall take. The indication was a slight one, and a year ago Lily would have smiled at it, trusting to the charm of her personality to dispel any prejudice against her. But now she had grown more sensitive to criticism and less confident in her power of disarming it. She knew, moreover, that if the ladies at Bellomont permitted themselves to criticize her friends openly, it was a proof that they were not afraid of subjecting her to the same treatment behind her back. The nervous dread lest anything in Trenor’s manner should seem to justify their disapproval made her seek every pretext for avoiding him, and she left Bellomont conscious of having failed in every purpose which had taken her there.
In town she returned to preoccupations which, for the moment, had the happy effect of banishing troublesome thoughts. The Welly Brys, after much debate, and anxious counsel with their newly acquired friends, had decided on the bold move of giving a general entertainment. To attack society collectively, when one’s means of approach are limited to a few acquaintances, is like advancing into a strange country with an insufficient number of scouts; but such rash tactics have sometimes led to brilliant victories, and the Brys had determined to put their fate to the touch. Mrs. Fisher, to whom they had entrusted the conduct of the affair, had decided that tableaux vivants and expensive music were the two baits most likely to attract the desired prey, and after prolonged negotiations, and the kind of wire-pulling in which she was known to excel, she had induced a dozen fashionable women to exhibit themselves in a series of pictures which, by a farther miracle of persuasion, the distinguished portrait painter, Paul Morpeth, had been prevailed upon to organize.
Lily was in her element on such occasions. Under Morpeth’s guidance her vivid plastic sense, hitherto nurtured on no higher food than dressmaking and upholstery, found eager expression in the disposal of draperies, the study of attitudes, the shifting of lights and shadows. Her dramatic instinct was roused by the choice of subjects, and the gorgeous reproductions of historic dress stirred an imagination which only visual impressions could reach. But keenest of all was the exhilaration of displaying her own beauty under a new aspect: of showing that
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