Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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Mr. Meagles was hot and despondent for about five minutes, and then began to cool and clear up.
“Come, come!” said he. “We shall not make this the better by being grim. Where do you think of going, Dan?”
“I shall go back to the factory,” said Dan.
“Why then, we’ll all go back to the factory, or walk in that direction,” returned Mr. Meagles cheerfully. “Mr. Clennam won’t be deterred by its being in Bleeding Heart Yard.”
“Bleeding Heart Yard?” said Clennam. “I want to go there.”
“So much the better,” cried Mr. Meagles. “Come along!”
As they went along, certainly one of the party, and probably more than one, thought that Bleeding Heart Yard was no inappropriate destination for a man who had been in official correspondence with my lords and the Barnacles—and perhaps had a misgiving also that Britannia herself might come to look for lodgings in Bleeding Heart Yard some ugly day or other, if she overdid the Circumlocution Office.
XI Let LooseA late, dull autumn night was closing in upon the river Saone. The stream, like a sullied looking-glass in a gloomy place, reflected the clouds heavily; and the low banks leaned over here and there, as if they were half curious, and half afraid, to see their darkening pictures in the water. The flat expanse of country about Chalons lay a long heavy streak, occasionally made a little ragged by a row of poplar trees against the wrathful sunset. On the banks of the river Saone it was wet, depressing, solitary; and the night deepened fast.
One man slowly moving on towards Chalons was the only visible figure in the landscape. Cain might have looked as lonely and avoided. With an old sheepskin knapsack at his back, and a rough, unbarked stick cut out of some wood in his hand; miry, footsore, his shoes and gaiters trodden out, his hair and beard untrimmed; the cloak he carried over his shoulder, and the clothes he wore, sodden with wet; limping along in pain and difficulty; he looked as if the clouds were hurrying from him, as if the wail of the wind and the shuddering of the grass were directed against him, as if the low mysterious plashing of the water murmured at him, as if the fitful autumn night were disturbed by him.
He glanced here, and he glanced there, sullenly but shrinkingly; and sometimes stopped and turned about, and looked all round him. Then he limped on again, toiling and muttering.
“To the devil with this plain that has no end! To the devil with these stones that cut like knives! To the devil with this dismal darkness, wrapping itself about one with a chill! I hate you!”
And he would have visited his hatred upon it all with the scowl he threw about him, if he could. He trudged a little further; and looking into the distance before him, stopped again.
“I, hungry, thirsty, weary. You, imbeciles, where the lights are yonder, eating and drinking, and warming yourselves at fires! I wish I had the sacking of your town; I would repay you, my children!”
But the teeth he set at the town, and the hand he shook at the town, brought the town no nearer; and the man was yet hungrier, and thirstier, and wearier, when his feet were on its jagged pavement, and he stood looking about him.
There was the hotel with its gateway, and its savoury smell of cooking; there was the café with its bright windows, and its rattling of dominoes; there was the dyer’s with its strips of red cloth on the doorposts; there was the silversmith’s with its earrings, and its offerings for altars; there was the tobacco dealer’s with its lively group of soldier customers coming out pipe in mouth; there were the bad odours of the town, and the rain and the refuse in the kennels, and the faint lamps slung across the road, and the huge Diligence, and its mountain of luggage, and its six grey horses with their tails tied up, getting under weigh at the coach office. But no small cabaret for a straitened traveller being within sight, he had to seek one round the dark corner, where the cabbage leaves lay thickest, trodden about the public cistern at which women had not yet left off drawing water. There, in the back street he found one, the Break of Day. The curtained windows clouded the Break of Day, but it seemed light and warm, and it announced in legible inscriptions with appropriate pictorial embellishment of billiard cue and ball, that at the Break of Day one could play billiards; that there one could find meat, drink, and lodgings, whether one came on horseback, or came on foot; and that it kept good wines, liqueurs, and brandy. The man turned the handle of the Break of Day door, and limped in.
He touched his discoloured slouched hat, as he came in at the door, to a few men who occupied the room. Two were playing dominoes at one of the little tables; three or four were seated round the stove, conversing as they smoked; the billiard-table in the centre was left alone for the time; the landlady of the Daybreak sat behind her little counter among her cloudy bottles of syrups, baskets of cakes, and leaden drainage for glasses, working at her needle.
Making his way to an empty little table in a corner of the room behind the stove, he put down his knapsack and his cloak upon the ground. As he raised his head from stooping to do so, he found the landlady beside him.
“One can lodge here tonight, madame?”
“Perfectly!” said the landlady in a high, singsong, cheery voice.
“Good. One can dine—sup—what you please to call it?”
“Ah, perfectly!” cried the landlady as before.
“Dispatch then, madame, if you please. Something to eat, as quickly as you can; and some wine at once. I am exhausted.”
“It is very bad weather, monsieur,” said the landlady.
“Cursed weather.”
“And a very long road.”
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