Short Fiction by Kate Chopin (love story books to read .txt) 📕
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Kate Chopin’s most famous work nowadays is the novel The Awakening, but at the turn of the last century she was more famous for her short fiction, published in American magazines like the St. Louis Post-Dispatch, Youth’s Companion, and Vogue. A prolific writer, over the course of fourteen years she penned nearly a hundred stories, although many didn’t see publication until a new collection was released in 1963. The stories focus on life in 1890s Louisiana, a setting that she was living in as a resident of New Orleans and Natchitoches. They’re told from many different points of view, but always with empathy for the struggles, both big and small, of the protagonists.
This collection contains the forty-nine short stories of Kate Chopin verified to be in the U.S. public domain, including “Désirée’s Baby” and “The Dream of an Hour.” They’re presented in the order they were originally written.
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- Author: Kate Chopin
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There were ladies in the party. They walked awkwardly in their high-heeled boots over the rough, uneven ground, and held up their skirts mincingly. They twirled parasols over their shoulders, and laughed immoderately at the funny things which their masculine companions were saying.
They tried to talk to Caline, but could not understand the French patois with which she answered them.
One of the men—a pleasant-faced youngster—drew a sketch book from his pocket and began to make a picture of the girl. She stayed motionless, her hands behind her, and her wide eyes fixed earnestly upon him.
Before he had finished there was a summons from the train; and all went scampering hurriedly away. The engine screeched, it sent a few lazy puffs into the still air, and in another moment or two had vanished, bearing its human cargo with it.
Caline could not feel the same after that. She looked with new and strange interest upon the trains of cars that passed so swiftly back and forth across her vision, each day; and wondered whence these people came, and whither they were going.
Her mother and father could not tell her, except to say that they came from “loin là bas,” and were going “Djieu sait é où.”
One day she walked miles down the track to talk with the old flagman, who stayed down there by the big water tank. Yes, he knew. Those people came from the great cities in the north, and were going to the city in the south. He knew all about the city; it was a grand place. He had lived there once. His sister lived there now; and she would be glad enough to have so fine a girl as Caline to help her cook and scrub, and tend the babies. And he thought Caline might earn as much as five dollars a month, in the city.
So she went; in a new cotonade, and her Sunday shoes; with a sacredly guarded scrawl that the flagman sent to his sister.
The woman lived in a tiny, stuccoed house, with green blinds, and three wooden steps leading down to the banquette. There seemed to be hundreds like it along the street. Over the house tops loomed the tall masts of ships, and the hum of the French market could be heard on a still morning.
Caline was at first bewildered. She had to readjust all her preconceptions to fit the reality of it. The flagman’s sister was a kind and gentle taskmistress. At the end of a week or two she wanted to know how the girl liked it all. Caline liked it very well, for it was pleasant, on Sunday afternoons, to stroll with the children under the great, solemn sugar sheds; or to sit upon the compressed cotton bales, watching the stately steamers, the graceful boats, and noisy little tugs that plied the waters of the Mississippi. And it filled her with agreeable excitement to go to the French market, where the handsome Gascon butchers were eager to present their compliments and little Sunday bouquets to the pretty Acadian girl; and to throw fistfuls of lagniappe into her basket.
When the woman asked her again after another week if she were still pleased, she was not so sure. And again when she questioned Caline the girl turned away, and went to sit behind the big, yellow cistern, to cry unobserved. For she knew now that it was not the great city and its crowds of people she had so eagerly sought; but the pleasant-faced boy, who had made her picture that day under the mulberry tree.
The Return of AlcibiadeMr. Fred Bartner was sorely perplexed and annoyed to find that a wheel and tire of his buggy threatened to part company.
“Ef you want,” said the negro boy who drove him, “we kin stop yonda at ole M’sié Jean Ba’s an’ fix it; he got de bes’ black-smif shop in de pa’ish on his place.”
“Who in the world is old Monsieur Jean Ba,” the young man inquired.
“How come, suh, you don’ know old M’sié Jean Baptiste Plochel? He ole, ole. He sorter quare in he head ev’ sence his son M’sié Alcibiade got kill’ in de wah. Yonda he live’; whar you sees dat che’okee hedge takin’ up half de road.”
Little more than twelve years ago, before the “Texas and Pacific” had joined the cities of New Orleans and Shreveport with its steel bands, it was a common thing to travel through miles of central Louisiana in a buggy. Fred Bartner, a young commission merchant of New Orleans, on business bent, had made the trip in this way by easy stages from his home to a point on Cane River, within a half day’s journey of Natchitoches. From the mouth of Cane River he had passed one plantation after another—large ones and small ones. There was nowhere sight of anything like a town, except the little hamlet of Cloutierville, through which they had sped in the gray dawn. “Dat town, hit’s ole, ole; mos’ a hund’ed year’ ole, dey say. Uh, uh, look to me like it heap ol’r an’ dat,” the darkey had commented. Now they were within sight of Monsieur Jean Ba’s towering Cherokee hedge.
It was Christmas morning, but the sun was warm and the air so soft and mild that Bartner found the most comfortable way to wear his light overcoat was across his knees. At the entrance to the plantation he dismounted and the negro drove away toward the smithy which stood on the edge of the field.
From the end of the long avenue of magnolias that led to it, the house which confronted Bartner looked grotesquely long in comparison with its height. It was one story, of pale, yellow stucco; its massive wooden shutters were a faded green. A wide gallery, topped by the overhanging roof, encircled it.
At the head
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