Essays by Henry David Thoreau (feel good books .txt) 📕

vain to find antiquity restored, humanized, and made blithe again, by the discovery of some natural sympathy between it and the present. But when we come to Chaucer we are relieved of many a load. He is fresh and modern still, and no dust settles on his true passages. It lightens along the line, and we are reminded that flowers have bloomed, and birds sung, and hearts beaten, in England. Before the earnest gaze of the reader the rust and moss of time gradually drop off, and the original green life is revealed. He was a homely and domestic man, and did breathe quite as modern men do. Only one trait, one little incident of human biography needs to be truly recorded, that all the world may think the author fit to wear the laurel crown. In the earth we have described, and at this distance of time, the bare processes of living read like poetry, for all of human good or ill, heroic or vulgar, lies very near to them. All that is truly great and interesting to men, runs thus as level a course, and is as unaspiring, as the plough in the furrow.

There is no wisdom which can take place of humanity, and we find that in Chaucer. We can expand in his breadth and think we could be that man’s acquaintance. He was worthy to be a citizen of England, while Petrarch and Boccacio lived in Italy, and Tell and Termerlane in Switzerland and in Asia, and Bruce in Scotland, and Wickliffe, and Gower, and Edward the Third, and John of Gaunt, and the Black Prince, were his own countrymen; all stout and stirring names. The fame of Roger Bacon came down from the preceding century, and the name of Dante stil exerted the influence of a living presence. On the whole, Chaucer impresses us, as greater than his reputation, and not a little like Homer and Shakespeare, for he would have held up his head in their company. Among early English poets he is the landlord and host, and has the authority of such. The affectionate mention, which succeeding early poets make of him, coupling him with Homer and Virgil, is to be taken into the account in estimating his character and influence. King James and Dunbar of Scotland speak with more love and reverence of him, than any modern author of his predecessors of the last century. The same childlike relation is without parallel now. We read him without criticism for the most part, for he pleads not his own cause, but speaks for his readers, and has that greatness of trust and reliance which compels popularity. He confides in the reader, and speaks privily with him, keeping nothing back. And in return his reader has great confidence in him, that he tells no lies, and reads his story with indulgence, as if it were the circumlocution of a child, but discovers afterwards that he has spoken with more directness and economy of words than a sage. He is never heartless,

“For first the thing is thought within the heart,
Er any word out from the mouth astart.”

And so new was all his theme in those days, that he had not to invent, but only to call.

We admire Chaucer for his sturdy English wit. The easy height he speaks from in his Prologue to the Canterbury Tales, as if he were equal to any of the company there assembled, is as good as any particular excellence in it. But though it is full of good sense and humanity, it is not transscendent poetry. For picturesque description of persons it is, perhaps, without a parallel in English poetry; yet it is essentially humorous, as the loftiest genius never is. Humor, however broad and genial, takes a narrower view than enthusiasm. The whole story of Chanticlere and Dame Partlett, in the Nonne’s Preeste’s tale, is genuine humanity. I know of nothing better in its kind, no more successful fabling of birds and beasts. If it is said of Shakespeare, that he is now Hamlet, and then Falstaff, it may be said of Chaucer that he sympathizes with brutes as well as men, and assumes their nature that he may speak from it. In this tale he puts on the very feathers and stature of the cock. To his own finer vein he added all the common wit and wisdom of his time, and everywhere in his works his remarkable knowledge of the world, and nice perception of character, his rare common sense and proverbial wisdom, are apparent. His genius does not soar like Milton’s, but is genial and familiar. It shows great tenderness and delicacy, but not the heroic sentiment. It is only a greater portion of humanity with all its weakness. It is not heroic, as Raleigh’s, nor pious, as Herbert’s, nor philosophical, as Shakespeare’s, but is the child of the English muse, that child which is the father of the man. It is for the most part only an exceeding naturalness, perfect sincerity, with the behavior of a child rather than of a man.

Gentleness and delicacy of character is everywhere apparent in his verse. The simplest and humblest words come readily to his lips. No one can read the Prioress’ tale, understanding the spirit in which it was written, and in which the child sings, O alma redemptoris mater, or the account of the departure of Constance with her child upon the sea, in the Man of Lawe’s tale, without feeling the native innocence and refinement of the author. Nor can we be mistaken respecting the essential purity of his character, disregarding the apology of the manners of the age. His sincere sorrow in his later days for the grossness of his earlier works, and that he “cannot recall and annull” much that he had written, “but, alas, they are now continued from man to man, and I cannot do what I desire,” is not to be forgotten. A simple pathos and