Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
Description
Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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Tietjens had said:
“You’d better get down and take the lamp. See if you can find a milestone; I’d get down myself, but you might not be able to hold the horse. …” She had plunged in …
And he had sat, feeling he didn’t know why, like a Guy Fawkes; up in the light, thinking by no means disagreeable thoughts—intent, like Miss Wannop herself, on a complete holiday of forty-eight hours; till Tuesday morning! He had to look forward to a long and luxurious day of figures; a rest after dinner; half a night more of figures; a Monday devoted to a horse-deal in the market-town where he happened to know the horse-dealer. The horse-dealer, indeed, was known to every hunting man in England! A luxurious, long argument in the atmosphere of stable-hartshorn and slow wranglings couched in ostler’s epigrams. You couldn’t have a better day; the beer in the pub probably good, too. Or if not that, the claret. … The claret in south country inns was often quite good; there was no sale for it so it got well kept. …
On Tuesday it would close in again, beginning with the meeting of his wife’s maid at Dover. …
He was to have, above all, a holiday from himself and to take it like other men; free of his conventions, his strait waist-coatings. …
The girl said:
“I’m coming up now! I’ve found out something. …” He watched intently the place where she must appear; it would give him pointers about the impenetrability of mist to the eye.
Her otter skin cap had beads of dew: beads of dew were on her hair beneath: she scrambled up, a little awkwardly: her eyes sparkled with fun: panting a little: her cheeks bright. Her hair was darkened by the wetness of the mist, but she appeared golden in the sudden moonlight.
Before she was quite up, Tietjens almost kissed her. Almost. An all but irresistible impulse! He exclaimed:
“Steady, the Buffs!” in his surprise.
She said:
“Well, you might as well have given me a hand.” “I found,” she went on, “a stone that had I.R.D.C. on it, and there the lamp went out. We’re not on the marsh because we’re between quick hedges. That’s all I’ve found. … But I’ve worked out what makes me so tart with you. …”
He couldn’t believe she could be so absolutely calm: the after-wash of that impulse had been so strong in him that it was as if he had tried to catch her to him and had been foiled by her. … She ought to be indignant, amused, even pleased. … She ought to show some emotion. …
She said:
“It was your silencing me with that absurd non-sequitur about the Pimlico clothing factory. It was an insult to my intelligence.”
“You recognised that it was a fallacy!” Tietjens said. He was looking hard at her. He didn’t know what had happened to him. She took a long look at him, cool, but with immense eyes. It was as if for a moment destiny, which usually let him creep past somehow, had looked at him. “Can’t,” he argued with destiny, “a man want to kiss a schoolgirl in a scuffle. …” His own voice, a caricature of his own voice, seemed to come to him: “Gentlemen don’t …” He exclaimed:
“Don’t gentlemen? …” and then stopped because he realised that he had spoken aloud.
She said:
“Oh, gentlemen do use fallacies to glide over tight places in arguments. And they browbeat schoolgirls with them. It’s that, that underneath, has been exasperating me with you. You regarded me at that date—three-quarters of a day ago—as a schoolgirl.”
Tietjens said:
“I don’t now!” He added: “Heaven knows I don’t now!”
She said: “No; you don’t now!”
He said:
“It didn’t need your putting up all that blue stocking erudition to convince me. …”
“Blue stocking!” she exclaimed contemptuously. “There’s nothing of the blue stocking about me. I know Latin because father spoke it with us. It was your pompous blue socks I was pulling.”
Suddenly she began to laugh. Tietjens was feeling sick, physically sick. She went on laughing. He stuttered:
“What is it?”
“The sun!” she said, pointing. Above the silver horizon was the sun; not a red sun: shining, burnished.
“I don’t see …” Tietjens said.
“What there is to laugh at?” she asked. “It’s the day! … The longest day’s begun … and tomorrow’s as long. … The summer solstice, you know. … After tomorrow the days shorten towards winter. But tomorrow’s as long. … I’m so glad …”
“That we’ve got through the night? …” Tietjens asked.
She looked at him for a long time. “You’re not so dreadfully ugly, really,” she said.
Tietjens said:
“What’s that church?”
Rising out of the mist on a fantastically green knoll, a quarter of a mile away, was an unnoticeable place of worship: an oak shingle tower roof that shone grey like lead: an impossibly bright weathercock, brighter than the sun. Dark elms all around it, holding wetnesses of mist.
“Icklesham!” she cried softly. “Oh, we’re nearly home. Just above Mountby … That’s the Mountby drive …”
Trees existed, black and hoary with the dripping mist. Trees in the hedgerow and the avenue that led to Mountby: it made a right-angle just before coming into the road and the road went away at right-angles across the gate.
“You’ll have to pull to the left before you reach the avenue,” the girl said. “Or as like as not the horse will walk right up to the house. The higgler who had him used to buy Lady Claudine’s eggs. …”
Tietjens exclaimed barbarously:
“Damn Mountby. I wish we’d never
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