Mrs. Dalloway by Virginia Woolf (romantic love story reading .TXT) 📕
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Probably Virginia Woolf’s best-known novel, Mrs. Dalloway, originally published in 1925, is a glorious, ground-breaking text. On the surface, it follows Clarissa Dalloway, an Englishwoman in her fifties, minute by minute through the June day on which she is having a party. At a deeper level, however, the novel demonstrates, through an effortless stream of consciousness, the connections formed in human interaction—whether these interactions are fleeting, or persist through decades.
This is a novel to read and cherish, if only to marvel at Woolf’s linguistic acrobatics. Words and phrases swoop and soar like swallows. Woolf’s sentences are magnificent: sinuous, whirling, impeccably detailed. As narrative perspective shifts from character to character—sometimes within a single sentence—readers come to understand the oh-so-permeable barrier between self and other. Through Clarissa we meet Septimus Warren Smith, his wife Rezia, and a cast of dozens more, all connected by the “leaden circles” of Big Ben marking the passage of every hour, by the pavements of Bloomsbury that lead everywhere and nowhere. Modernist London has never been portrayed more sublimely: replete with birdsong and flowers, resplendent in sunshine, youthful yet eternal—and even in the aftermath of war and pandemic, resilient.
Mrs. Dalloway is Woolf’s attempt to express that which may be inexpressible. It offers a close examination of how difficult it is, even when our hearts are brimming, to say what we really feel; and it examines the damage we inflict through our reticence with words, our withholding of love. It is a novel of the soul, and a work of immense beauty.
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- Author: Virginia Woolf
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It was not that he said anything, for being solitary he could only address himself to the waiter; it was his way of looking at the menu, of pointing his forefinger to a particular wine, of hitching himself up to the table, of addressing himself seriously, not gluttonously to dinner, that won him their respect; which, having to remain unexpressed for the greater part of the meal, flared up at the table where the Morrises sat when Mr. Walsh was heard to say at the end of the meal, “Bartlett pears.” Why he should have spoken so moderately yet firmly, with the air of a disciplinarian well within his rights which are founded upon justice, neither young Charles Morris, nor old Charles, neither Miss Elaine nor Mrs. Morris knew. But when he said, “Bartlett pears,” sitting alone at his table, they felt that he counted on their support in some lawful demand; was champion of a cause which immediately became their own, so that their eyes met his eyes sympathetically, and when they all reached the smoking-room simultaneously, a little talk between them became inevitable.
It was not very profound—only to the effect that London was crowded; had changed in thirty years; that Mr. Morris preferred Liverpool; that Mrs. Morris had been to the Westminster flower-show, and that they had all seen the Prince of Wales. Yet, thought Peter Walsh, no family in the world can compare with the Morrises; none whatever; and their relations to each other are perfect, and they don’t care a hang for the upper classes, and they like what they like, and Elaine is training for the family business, and the boy has won a scholarship at Leeds, and the old lady (who is about his own age) has three more children at home; and they have two motorcars, but Mr. Morris still mends the boots on Sunday: it is superb, it is absolutely superb, thought Peter Walsh, swaying a little backwards and forwards with his liqueur glass in his hand among the hairy red chairs and ashtrays, feeling very well pleased with himself, for the Morrises liked him. Yes, they liked a man who said, “Bartlett pears.” They liked him, he felt.
He would go to Clarissa’s party. (The Morrises moved off; but they would meet again.) He would go to Clarissa’s party, because he wanted to ask Richard what they were doing in India—the conservative duffers. And what’s being acted? And music. … Oh yes, and mere gossip.
For this is the truth about our soul, he thought, our self, who fish-like inhabits deep seas and plies among obscurities threading her way between the boles of giant weeds, over sun-flickered spaces and on and on into gloom, cold, deep, inscrutable; suddenly she shoots to the surface and sports on the wind-wrinkled waves; that is, has a positive need to brush, scrape, kindle herself, gossiping. What did the Government mean—Richard Dalloway would know—to do about India?
Since it was a very hot night and the paper boys went by with placards proclaiming in huge red letters that there was a heat-wave, wicker chairs were placed on the hotel steps and there, sipping, smoking, detached gentlemen sat. Peter Walsh sat there. One might fancy that day, the London day, was just beginning. Like a woman who had slipped off her print dress and white apron to array herself in blue and pearls, the day changed, put off stuff, took gauze, changed to evening, and with the same sigh of exhilaration that a woman breathes, tumbling petticoats on the floor, it too shed dust, heat, colour; the traffic thinned; motorcars, tinkling, darting, succeeded the lumber of vans; and here and there among the thick foliage of the squares an intense light hung. I resign, the evening seemed to say, as it paled and faded above the battlements and prominences, moulded, pointed, of hotel, flat, and block of shops, I fade, she was beginning, I disappear, but London would have none of it, and rushed her bayonets into the sky, pinioned her, constrained her to partnership in her revelry.
For the great revolution of Mr. Willett’s summer time had taken place since Peter Walsh’s last visit to England. The prolonged evening was new to him. It was inspiriting, rather. For as the young people went by with their despatch-boxes, awfully glad to be free, proud too, dumbly, of stepping this famous pavement, joy of a kind, cheap, tinselly, if you like, but all the same rapture, flushed their faces. They dressed well too; pink stockings; pretty shoes. They would now have two hours at the pictures. It sharpened, it refined them, the yellow-blue evening light; and on the leaves in the square shone lurid, livid—they looked as if dipped in sea water—the foliage of a submerged city. He was astonished by the beauty; it was encouraging too, for where the returned Anglo-Indian sat by rights (he knew crowds of them) in the Oriental Club biliously summing up the ruin of the world, here was he, as young as ever; envying young people their summer time and the rest of it, and more than suspecting from the words of a girl, from a housemaid’s laughter—intangible things you couldn’t lay your hands on—that shift in the whole pyramidal accumulation which in his youth had seemed immovable. On top of them it had pressed; weighed them down, the women especially, like those flowers Clarissa’s Aunt Helena used to press between sheets of grey blotting-paper with Littré’s dictionary on top, sitting under the lamp after dinner. She was dead now. He had heard of her, from Clarissa, losing the sight of one eye. It seemed so fitting—one of nature’s
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