Germinal by Émile Zola (reading books for 5 year olds .TXT) 📕
Description
Germinal, named after the spring month in the French Republican Calendar, is often considered to be Zola’s masterpiece. The book follows Étienne Lantier, a young man whose career as a railway worker is abruptly cut short after he attacks a superior. He arrives in Montsou, a coal mining town in the north of France, to begin a new life in a different industry. And the only industry around is mining coal.
Étienne quickly befriends the locals as he embraces his new life in the mines, but the abject poverty of the miners shocks him, and he soon begins reading about socialism. When the owners of the mine conspire to lower the miners’ wages, Étienne seizes the opportunity and convinces the town to strike.
Zola’s depiction of the mining town is shockingly bleak in its detail. He spent months researching the conditions of real-life miners, even going so far as pose as a government official so that he could descend into a mine personally. His encounter with a mining horse—brought underground as a foal to haul coal, never to see the light of day again—affected him so much that he wrote the animal into the plot. Montsou itself is a fully-realized town, with families and characters leading interconnected and nuanced lives across generations: lives so destitute, grueling, and filthy that Zola had to repeatedly defend his work against claims of hyperbole.
Ultimately, the novel was a rallying cry for the workers of the world in an era when communist and socialist ideas were beginning to spread amongst the impoverished working class. The shabby but good-hearted inhabitants of Montsou, so blatantly oppressed by the bourgeois mine owners, are a blank slate for workers of any industry to identify with, and identify they did: Germinal inspired socialist causes for decades after its publication, with crowds chanting “Germinal!” at Zola’s funeral.
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- Author: Émile Zola
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“That’s my sister, you swine! Just wait a bit, and I’m damned if I don’t make you respect her.”
The two men were separated, while Chaval, who was quite calm, only repeated:
“Let be! it’s my concern. I tell you I don’t care a damn for him.”
Maheu now arrived with his party, and quieted Catherine and Philoméne who were in tears. The nail-maker had disappeared, and there was laughter in the crowd. To bring the episode to an end, Chaval, who was at home at the Estaminet Piquette, called for drinks. Étienne had touched glasses with Catherine, and all drank together—the father, the daughter and her lover, the son and his mistress—saying politely: “To your good health!” Pierron afterwards persisted in paying for more drinks. And they were all in good humour, when Zacharie grew wild again at the sight of his comrade Mouquet, and called him, as he said, to go and finish his affair with the nail-maker.
“I shall have to go and do for him! Here, Chaval, keep Philoméne with Catherine. I’m coming back.”
Maheu offered drinks in his turn. After all, if the lad wished to avenge his sister it was not a bad example. But as soon as she had seen Mouquet, Philoméne felt at rest, and nodded her head. Sure enough the two chaps would be off to the Volcan!
On the evenings of feast-days the fair was terminated in the ballroom of the Bon-Joyeux. It was a widow, Madame Désir, who kept this ballroom, a fat matron of fifty, as round as a tub, but so fresh that she still had six lovers, one for every day of the week, she said, and the six together for Sunday. She called all the miners her children; and grew tender at the thought of the flood of beer which she had poured out for them during the last thirty years; and she boasted also that a putter never became pregnant without having first stretched her legs at her establishment. There were two rooms in the Bon-Joyeux: the bar which contained the counter and tables; then, communicating with it on the same floor by a large arch, was the ballroom, a large hall only planked in the middle, being paved with bricks round the sides. It was decorated with two garlands of paper flowers which crossed one another, and were united in the middle by a crown of the same flowers; while along the walls were rows of gilt shields bearing the names of saints—St. Éloi, patron of the ironworkers; St. Crispin, patron of the shoemakers; St. Barbara, patron of the miners; the whole calendar of corporations. The ceiling was so low that the three musicians on their platform, which was about the size of a pulpit, knocked their heads against it. When it became dark four petroleum lamps were fastened to the four corners of the room.
On this Sunday there was dancing from five o’clock with the full daylight through the windows, but it was not until towards seven that the rooms began to fill. Outside, a gale was rising, blowing great black showers of dust which blinded people and sleeted into the frying-pans. Maheu, Étienne, and Pierron, having come in to sit down, had found Chaval at the Bon-Joyeux dancing with Catherine, while Philoméne by herself was looking on. Neither Levaque nor Zacharie had reappeared. As there were no benches around the ballroom, Catherine came after each dance to rest at her father’s table. They called Philoméne, but she preferred to stand up. The twilight was coming on; the three musicians played furiously; one could only see in the hall the movement of hips and breasts in the midst of a confusion of arms. The appearance of the four lamps was greeted noisily, and suddenly everything was lit up—the red faces, the dishevelled hair sticking to the skin, the flying skirts spreading abroad the strong odour of perspiring couples. Maheu pointed out Mouquette to Étienne: she was as round and greasy as a bladder of lard, revolving violently in the arms of a tall, lean lander. She had been obliged to console herself and take a man.
At last, at eight o’clock, Maheude appeared with Estelle at her breast, followed by Alzire, Henri, and Lénore. She had come there straight to her husband without fear of missing him. They could sup later on; as yet nobody was hungry, with their stomachs soaked in coffee and thickened with beer. Other women came in, and they whispered together when they saw, behind Maheude, the Levaque woman enter with Bouteloup, who led in by the hand Achille and Désirée, Philoméne’s little ones. The two neighbours seemed to be getting on well together, one turning round to chat with the other. On the way there had been a great explanation, and Maheude had resigned herself to Zacharie’s marriage, in despair at the loss of her eldest son’s wages, but overcome by the thought that she could not hold it back any longer without injustice. She was trying, therefore, to put a good face on it, though with an anxious heart, as a housekeeper who was asking herself how she could make both ends meet now that the best part of her purse was going.
“Place yourself there, neighbour,” she said, pointing to a table near that where Maheu was drinking with Étienne and Pierron.
“Is not my husband with you?” asked the Levaque woman.
The others told her that he would soon come. They were all seated together in a heap, Bouteloup and the youngsters so tightly squeezed among the drinkers that the two tables only formed one. There was a call for drinks. Seeing her mother
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