The Kalevala by Elias Lönnrot (good beach reads .TXT) đ
Description
The Kalevala is a Finnish epic poem, which tells of the creation of the world and how the heroes that inhabit it came to be, and the legends of their conflicts and adventures. Spread out over fifty cantos, we hear how existence was created from the egg of a duck, how the forests were created from the chips of a world-tree felled by an ancient wizard, how the mighty Sampoâa multicolored mill of plentyâwas created and later stolen, how the nine dread diseases came to be, and many more such stories.
The tales contained here are formed from Finlandâs oral history. The author, Elias Lönnrot, was a Finnish doctor who was fascinated with his countryâs stories, so between the 1820s and 1850s he embarked on a series of expeditions to the countryside of Finland and the surrounding area to collect and transcribe the folk stories told by local people. These tales were gradually collected into several volumes, the final of which is this ânewâ Kalevala. Lönnrot collected many different variants of each story, then edited each down into a cohesive whole when composing the new verse. The distinctive Kalevala-meter that was a common feature of all the original oral stories was kept during the process, and Crawford used the same with this English translation.
Lönnrotâs work proved extremely influential in Finland, and the national pride it imbued has been cited as a factor in the later Finnish independence movement. The Kalevala was also a source of inspiration for later authors of the twentieth century. Tolkien reused some of the themes and characters for the basis of his fictional universe (in particular The Silmarillion), the Kalevala-meter was used in Longfellowâs The Song of Hiawatha, and even Donald Duck has questedâas the Kalevala heroes didâfor the legendary Sampo.
This edition was translated by John Martin Crawford in the late nineteenth century, and includes his introduction discussing some of the themes, characters, and settings.
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- Author: Elias Lönnrot
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When the ancient Wirokannas
Started out the ox to slaughter,
When Palwoinen swung his war-club,
Quick the victim turned his forehead,
Flashed his flaming eyes upon him;
To the fir-tree leaped the hero,
In the thicket hid Palwoinen,
Hid the gray-haired Wirokannas.
Everywhere they seek a butcher,
One to kill the ox of Suomi,
In the country of Karelen,
And among the Suomi-giants,
In the quiet fields of Ehstland,
On the battle-fields of Sweden,
Mid the mountaineers of Lapland,
In the magic fens of Turya;
Seek him in Tuoniâs empire,
In the death-courts of Manala.
Long the search, and unsuccessful,
On the blue back of the ocean,
On the far-outstretching pastures.
There arose from out the sea-waves,
Rose a hero from the waters,
On the white-capped, roaring breakers,
From the waterâs broad expanses;
Nor belonged he to the largest,
Nor belonged he to the smallest;
Made his bed within a sea-shell,
Stood erect beneath a flour-sieve,
Hero old, with hands of iron,
And his face was copper-colored;
Quick the hero full unfolded,
Like the full corn from the kernel.
On his head a hat of flint-stone,
On his feet were sandstone-sandals,
In his hand a golden cleaver,
And the blade was copper-handled.
Thus at last they found a butcher,
Found the magic ox a slayer.
Nothing has been found so mighty
That it has not found a master.
As the sea-god saw his booty,
Quickly rushed he on his victim,
Hurled him to his knees before him,
Quickly felled the calf of Suomi,
Felled the young ox of Karelen.
Bountifully meat was furnished;
Filled at least a thousand hogsheads
Of his blood were seven boatfuls,
And a thousand weight of suet,
For the banquet of Pohyola,
For the marriage-feast of Northland.
In Pohyola was a guest-room,
Ample was the hall of Louhi,
Was in length a hundred furlongs,
And in breadth was nearly fifty;
When upon the roof a rooster
Crowed at break of early morning,
No one on the earth could hear him;
When the dog barked at one entrance,
None could hear him at the other.
Louhi, hostess of Pohyola,
Hastens to the hall and court-room,
In the centre speaks as follows:
âWhence indeed will come the liquor,
Who will brew me beer from barley,
Who will make the mead abundant,
For the people of the Northland,
Coming to my daughterâs marriage,
To her drinking-feast and nuptials?
Cannot comprehend the malting,
Never have I learned the secret,
Nor the origin of brewing.â
Spake an old man from his corner:
âBeer arises from the barley,
Comes from barley, hops, and water,
And the fire gives no assistance.
Hop-vine was the son of Remu,
Small the seed in earth was planted,
Cultivated in the loose soil,
Scattered like the evil serpents
On the brink of Kalew-waters,
On the Osmo-fields and borders.
There the young plant grew and flourished,
There arose the climbing hop-vine,
Clinging to the rocks and alders.
âMan of good-luck sowed the barley
On the Osmo hills and lowlands,
And the barley grew and flourished,
Grew and spread in rich abundance,
Fed upon the air and water,
On the Osmo plains and highlands,
On the fields of Kalew-heroes.
âTime had travelled little distance,
Ere the hops in trees were humming,
Barley in the fields was singing,
And from Kalewâs well the water,
This the language of the trio:
âLet us join our triple forces,
Join to each the otherâs powers;
Sad alone to live and struggle,
Little use in working singly,
Better we should toil together.â
âOsmotar, the beer-preparer,
Brewer of the drink refreshing,
Takes the golden grains of barley,
Taking six of barley-kernels,
Taking seven tips of hop-fruit,
Filling seven cups with water,
On the fire she sets the cauldron,
Boils the barley, hops, and water,
Lets them steep, and seethe, and bubble
Brewing thus the beer delicious,
In the hottest days of summer,
On the foggy promontory,
On the island forest-covered;
Poured it into birch-wood barrels,
Into hogsheads made of oak-wood.
âThus did Osmotar of Kalew
Brew together hops and barley,
Could not generate the ferment.
Thinking long and long debating,
Thus she spake in troubled accents:
âWhat will bring the effervescence,
Who will add the needed factor,
That the beer may foam and sparkle,
May ferment and be delightful?â
âKalevatar, magic maiden,
Grace and beauty in her fingers,
Swiftly moving, lightly stepping,
In her trimly-buckled sandals,
Steps upon the birch-wood bottom,
Turns one way, and then another,
In the centre of the cauldron;
Finds within a splinter lying,
From the bottom lifts the fragment,
Turns it in her fingers, musing:
âWhat may come of this I know not,
In the hands of magic maidens,
In the virgin hands of Kapo,
Snowy virgin of the Northland!â
âKalevatar took the splinter
To the magic virgin, Kapo,
Who by unknown force and insight,
Rubbed her hands and knees together,
And produced a snow-white squirrel;
Thus instructed she her creature,
Gave the squirrel these directions:
âSnow-white squirrel, mountain-jewel,
Flower of the field and forest,
Haste thee whither I would send thee,
Into Metsolaâs wide limits,
Into Tapioâs seat of wisdom;
Hasten through the heavy tree-tops,
Wisely through the thickest branches,
That the eagle may not seize thee,
Thus escape the bird of heaven.
Bring me ripe cones from the fir-tree,
From the pine-tree bring me seedlings,
Bring them to the hands of Kapo,
For the beer of Osmoâs daughter.â
âQuickly hastened forth the squirrel,
Quickly sped the nimble broad-tail,
Swiftly hopping on its journey
From one thicket to another,
From the birch-tree to the aspen,
From the pine-tree to the willow,
From the sorb-tree to the alder,
Jumping here and there with method,
Crossed the eagle-woods in safety,
Into Metsolaâs wide limits,
Into Tapioâs seat of wisdom;
There perceived three magic pine-trees,
There perceived three smaller fir-trees,
Quickly climbed the dark-green branches,
Was not captured by the eagle,
Was not mangled in his talons;
Broke the young cones from the fir-tree,
Cut the shoots of pine-tree branches,
Hid the cones within his pouches,
Wrapped them in his fur-grown mittens,
Brought them to the hands of Kapo,
To the magic virginâs fingers.
Kapo took the cones selected,
Laid them in the beer for ferment,
But it brought no effervescence,
And the beer was cold and lifeless.
âOsmotar, the beer-preparer,
Kapo, brewer of the liquor,
Deeply thought and long considered:
âWhat will bring the effervescence,
Who will lend me aid efficient,
That the beer may foam and sparkle,
May ferment and be refreshing?â
âKalevatar, sparkling maiden,
Grace and beauty in her fingers,
Softly moving, lightly stepping,
In her trimly-buckled sandals,
Steps again upon the bottom,
Turns one way and then another,
In the centre of the cauldron,
Sees a chip upon the bottom,
Takes it from its place of resting,
Looks upon the chip and muses:
âWhat may come of this I know not,
In the hands of mystic maidens,
In the hands of magic Kapo,
In the virginâs snow-white fingers.â
âKalevatar took the birch-chip
To the magic maiden, Kapo,
Gave it to the white-faced maiden.
Kapo, by the aid of magic,
Rubbed her hands and knees together,
And produced a magic marten,
And the marten, golden-breasted;
Thus instructed she her creature,
Gave the marten these directions:
âThou, my golden-breasted marten,
Thou my son of golden color,
Haste thou
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