Main Street by Sinclair Lewis (ink book reader .TXT) 📕
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Carol Milford grows up in a mid-sized town in Minnesota before moving to Chicago for college. After her education, during which she’s exposed to big-city life and culture, she moves to Minneapolis to work as a librarian. She soon meets Will Kennicott, a small-town doctor, and the two get married and move to Gopher Prairie, Kennicott’s home town.
Carol, inspired by big-city ideas, soon begins chafing at the seeming quaintness and even backwardness of the townsfolk, and their conservative, self-satisfied way of life. She struggles to try to reform the town in her image, while finding meaning in the seeming cultural desert she’s found herself in and in her increasingly cold marriage.
Gopher Prairie is a detailed, satirical take on small-town American life, modeled after Sauk Centre, the town in which Lewis himself grew up. The town is fully realized, with generations of inhabitants interacting in a complex web of village society. Its bitingly satirical portrayal made Main Street highly acclaimed by its contemporaties, though many thought the satirical take was perhaps a bit too dark and hopeless. The book’s celebration and condemnation of small town life make it a candidate for the title of the Great American Novel.
Main Street was awarded the 1921 Pulitzer Prize, but the decision was overturned by the prize’s Board of Trustees and awarded instead to Edith Wharton for The Age of Innocence. When Lewis went on to win the 1926 Pulitzer for Arrowsmith, he declined it—with the New York Times reporting that he did so because he was still angry at the Pulitzers for being denied the prize for Main Street.
Despite the book’s snub at the Pulitzers, Lewis went on to win the Nobel Prize in Literature in 1930, with Main Street being cited as one of the reasons for his win.
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- Author: Sinclair Lewis
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Here the matrons forgot social jealousies, and sat gossiping in gingham; or, in old bathing-suits, surrounded by hysterical children, they paddled for hours. Carol joined them; she ducked shrieking small boys, and helped babies construct sand-basins for unfortunate minnows. She liked Juanita Haydock and Maud Dyer when she helped them make picnic-supper for the men, who came motoring out from town each evening. She was easier and more natural with them. In the debate as to whether there should be veal loaf or poached egg on hash, she had no chance to be heretical and oversensitive.
They danced sometimes, in the evening; they had a minstrel show, with Kennicott surprisingly good as end-man; always they were encircled by children wise in the lore of woodchucks and gophers and rafts and willow whistles.
If they could have continued this normal barbaric life Carol would have been the most enthusiastic citizen of Gopher Prairie. She was relieved to be assured that she did not want bookish conversation alone; that she did not expect the town to become a Bohemia. She was content now. She did not criticize.
But in September, when the year was at its richest, custom dictated that it was time to return to town; to remove the children from the waste occupation of learning the earth, and send them back to lessons about the number of potatoes which (in a delightful world untroubled by commission-houses or shortages in freight-cars) William sold to John. The women who had cheerfully gone bathing all summer looked doubtful when Carol begged, “Let’s keep up an outdoor life this winter, let’s slide and skate.” Their hearts shut again till spring, and the nine months of cliques and radiators and dainty refreshments began all over.
IIICarol had started a salon.
Since Kennicott, Vida Sherwin, and Guy Pollock were her only lions, and since Kennicott would have preferred Sam Clark to all the poets and radicals in the entire world, her private and self-defensive clique did not get beyond one evening dinner for Vida and Guy, on her first wedding anniversary; and that dinner did not get beyond a controversy regarding Raymie Wutherspoon’s yearnings.
Guy Pollock was the gentlest person she had found here. He spoke of her new jade and cream frock naturally, not jocosely; he held her chair for her as they sat down to dinner; and he did not, like Kennicott, interrupt her to shout, “Oh say, speaking of that, I heard a good story today.” But Guy was incurably hermit. He sat late and talked hard, and did not come again.
Then she met Champ Perry in the post-office—and decided that in the history of the pioneers was the panacea for Gopher Prairie, for all of America. We have lost their sturdiness, she told herself. We must restore the last of the veterans to power and follow them on the backward path to the integrity of Lincoln, to the gaiety of settlers dancing in a sawmill.
She read in the records of the Minnesota Territorial Pioneers that only sixty years ago, not so far back as the birth of her own father, four cabins had composed Gopher Prairie. The log stockade which Mrs. Champ Perry was to find when she trekked in was built afterward by the soldiers as a defense against the Sioux. The four cabins were inhabited by Maine Yankees who had come up the Mississippi to St. Paul and driven north over virgin prairie into virgin woods. They ground their own corn; the men-folks shot ducks and pigeons and prairie chickens; the new breakings yielded the turnip-like rutabagas, which they ate raw and boiled and baked and raw again. For treat they had wild plums and crab-apples and tiny wild strawberries.
Grasshoppers came darkening the sky, and in an hour ate the farmwife’s garden and the farmer’s coat. Precious horses painfully brought from Illinois, were drowned in bogs or stampeded by the fear of blizzards. Snow blew through the chinks of new-made cabins, and Eastern children, with flowery muslin dresses, shivered all winter and in summer were red and black with mosquito bites. Indians were everywhere; they camped in dooryards, stalked into kitchens to demand doughnuts, came with rifles across their backs into schoolhouses and begged to see the pictures in the geographies. Packs of timber-wolves treed the children; and the settlers found dens of rattlesnakes, killed fifty, a hundred, in a day.
Yet it was a buoyant life. Carol read enviously in the admirable Minnesota chronicles called Old Rail Fence Corners the reminiscence of Mrs. Mahlon Black, who settled in Stillwater in 1848:
“There was nothing to parade over in those days. We took it as it came and had happy lives. … We would all gather together and in about two minutes would be having a good time—playing cards or dancing. … We used to waltz and dance contra dances. None of these new jigs and not wear any clothes to speak of. We covered our hides in those days; no tight skirts like now. You could take three or four steps inside our skirts and then not reach the edge. One of the boys would fiddle a while and then someone would spell him and he could get a dance. Sometimes they would dance and fiddle too.”
She reflected that if she could not have ballrooms of gray and rose and crystal, she wanted to be swinging across a puncheon-floor with a dancing fiddler. This smug in-between town, which had exchanged “Money Musk” for phonographs grinding out ragtime, it was neither the heroic old nor the sophisticated new. Couldn’t she somehow, some yet unimagined how, turn it back to simplicity?
She herself knew two of the pioneers: the Perrys. Champ Perry was
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